Theodore “Theo” Decker (Ansel Elgort) was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day...a painting of a tiny bird chained to its perch. The Goldfinch.
Platinum-selling Liam has sold more than 18 million singles in just two years as a solo artist since leaving One Direction. His global smash hit debut single ‘Strip That Down’ featuring Quavo sold a huge 11.5 million copies worldwide and has been streamed over 1.8 billion times, while latest single ‘Polaroid’ sold two million copies. Liam has been streamed a staggering total of 2.7 billion times, making him the most successful solo artist of any current One Direction member.
Originally intended as a RSD Black Friday release, production issues caused it to be delayed and released at a later date as an Indie Exclusive. 180g 5LP Boxset release of Dave Matthews Band's acclaimed live performance at the Hollywood Bowl from 2018. Housed in a foil numbered slipcase.
Side A “One Sweet World” / “That Girl Is You” Side B “#41” Side C “Don’t Drink The Water” / “Again and Again” / “When I’m Weary” Side D “Louisiana Bayou” / “Sledgehammer” Side E “Crash Into Me” / “What Would You Say” / “Here On Out” Side F “Come On Come On” / “Squirm” Side G “Jimi Thing” Side H “Shake Me Like A Monkey”/ “Everyday” Side I “She > Ants Marching” Side J “Samurai Cop (Oh Joy Begin) > Why I Am” / “All Along The Watchtower”
`WHO' will be released on December 6th on Interscope Records. It is the first studio album in over 13 years, produced by Pete Townsend and Dave Sardy (Oasis, LCD Soundsystem, Gorillaz), featuring artwork by Sir Peter Blake (The Beatles' Sargent Peppers Lonely Hearts Club Band). One of the top three greatest rock legacies in music history, The Who have sold over 100 million records worldwide including 9 US & 10 UK top ten albums and 14 UK top ten singles.
Three unique LPs specifically timed to be released throughout the first season of HBO’s Watchmen. Created in collaboration with the show’s writers, each LP features the score from Academy Award winners Trent Reznor and Atticus Ross as well as artwork and packaging exclusive to this vinyl release that explores the culture of Watchmen America and provides revealing insights into the saga's mythology and mysteries.
Founded in 2011, The Milk Carton Kids swiftly emerged as a major force in the continuing American folk tradition, blending ethereal, oscillating harmonies and intricate, inventive musicianship with a uniquely powerful brand of contemporary song craft. 2013's ANTI-debut, The Ash & Clay, proved their national breakthrough, earning The Milk Carton Kids their first GRAMMY Award nomination, for "Best Folk Album. A second GRAMMY nomination for "Best American Roots Performance" followed in 2015, honoring "The City of Our Lady," from The Milk Carton Kids' acclaimed third studio album, Monterey. In June 2018, they released their fourth album titled All the things That I Did and All the Things That I Didn t do, which was their first album that featured a full band. Currently they re gearing up for their next release, "The Only Ones" EP on Thirty Tigers/Milk Carton Records. Coming off the heels of their full-band album, this brings them back to their roots and the quintessential Milk Carton Kids sound. Ultimately, "The Only Ones" is for their fans and speaks to the core of what The Milk Carton Kids are about musically: the duo.
17 year old Queens, NY rapper Lil Tecca has unleashed his debut project We Love You Tecca. The project has already spent 5 weeks in the Top 10 of the Billboard 200 Chart and includes the hit single "Ransom" which peaked at #4 on the Billboard Hot 100. "Ransom" has already hit #1 at Rhythym Radio and is Top 10 at Urban.
JAGGED LITTLE PILL is an exhilarating new musical inspired by the themes and raw emotions laid bare in Alanis Morissette’s seminal album of the same name. The Healys appear to be a picture-perfect suburban family — but looks can be deceiving. When the cracks beneath the surface begin to show, they must choose between maintaining the status quo or facing harsh truths about themselves, their community, and the world around them. “Urgent, wildly entertaining, and wickedly funny in all the right places” (The Boston Globe), this original story is ignited by Morissette’s groundbreaking music – including such hits as “You Oughta Know,” “Head Over Feet,” “Hand In My Pocket,” and “Ironic” – plus brand-new songs written for the show. Hailed by The New York Times as “a big-hearted musical that breaks the mold,” JAGGED LITTLE PILL “takes on the good work we are always asking new musicals to do: the work of singing about real things.”
Mute are pleased to announce the release of Yann Tiersen’s Portrait out on December 6. The album will be available digitally, on double CD, on indie exclusive clear triple vinyl with bonus 7”, and standard black triple vinyl with bonus 7” Portrait is a collection of analogue recreations of music from throughout Yann Tiersen’s career, including three new songs. This includes reinterpretations from his debut album Waltz of the Monsters, to tracks featured on the Amelie soundtrack, to his most recent album, All. It features collaborations with John Grant, Gruff Rhys from Super Furry Animals, Blonde Redhead and Stephen O’Malley from Sunn O))). The record includes fan favorites “Porz Goret”, “Monochrome”, “Comptine d’Un Autre Été (L’ Après- Midi)” and “La Dispute”. All vinyl editions will be packaged with an exclusive 7” single including alternative versions of “Comptine d’Un Autre Été (L’ Après-Midi)” from the Amelie soundtrack and the title track from his debut album, Waltz of the Monsters. These versions will be exclusive to the vinyl. Yann will be touring the US in 2020 in support of the release.
A special one-off "LIVE" album featuring a five-piece ensemble performing music from Arp's album ZEBRA, plus four new compositions, "Eos", "Kalimboid", "Voices" and "Autumn Piece" (for Jiri Kovanda). Prompted by Mexican Summer to debut a new live group for the label's 10 year anniversary in November 2018, Georgopoulos assembled a quintet. So excited by what they heard, the label asked if Georgopoulos would be interested in recording a "live in studio" album, a snapshot of a group "in motion".
A 2CD/DVD of Kylie’s live performance on the Golden tour. The DVD contains the full spectacular live performance with bonus extra feature. CD1 and CD2 include audio of all tracks performed on the DVD footage. DVD Format / Region: DVD9 NTSC Region 0 Screen Format: 16:9 Sound Formats: Dolby Digital Stereo, Dolby Digital 5.1 & DTS 5.1 Running Time: 124 mins approx Certificate: E Subtitles: None
6-LP Collection Features 40 Tracks With Performances By Eric Clapton, Jeff Beck, Gary Clark Jr., Sheryl Crow, Vince Gill, Buddy Guy, B.B. King, John Mayer, Willie Nelson, Carlos Santana, James Taylor, Joe Walsh, Steve Winwood, Ronnie Wood, ZZ TOP, And More.
Hyperspace’s new dimensions in sound are the result of Beck’s most collaborative efforts to date. Seven of the album's 11 tracks—including single “Uneventful Days” and “Saw Lightning” (as featured in the Beats by Dr. Dre Powerbeats Pro campaign and also included with pre-orders)—feature co-writing and co-production from Pharrell Williams. Elsewhere in Hyperspace, “See Through” is co-written/co-produced by frequent Beck collaborator Greg Kurstin, “Star” is co-written/co-produced by Paul Epworth, “Stratosphere” features back-up from Chris Martin, the album’s title track features guest vocals from Terrell Hines, and “Die Waiting” is co-written/co-produced by Cole M.G.N. with backing vocals from Sky Ferreira. Longtime Beck bandmates Jason Falkner, Smokey Hormel and Roger Manning Jr. feature on much of the album as well.
uknowhatimsayin¿ marks a buoyant new chapter in Danny's career, a transitional and celebratory moment. His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap's icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. The album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more.
Pluralone (pronounced "plural one") is the new project from multi-instrumentalist and songwriter Josh Klinghoffer. While Klinghoffer is best known for his current role as guitarist in the Red Hot Chili Peppers, he has played and recorded with a variety of acts, including PJ Harvey, Beck, and Gnarls Barkley, as well as fronting the group Dot Hacker. Pluralone's debut album, To Be One With You, is largely a solo effort on Klinghoffer's part, although it features performances by frequent collaborators such as Flea (RHCP), Jack Irons, Eric Avery (Jane's Addiction), and fellow Dot Hacker members, Eric Gardner and Clint Walsh. On the heels of a seven inch release with two foreign language covers, the new album showcases ten brand new, original tracks which will be available on LP, CD, and digital formats.
"In January 2019 I found myself stuck in a Chicago hotel room during the “Polar Vortex”. I was performing there with my duo Radnor & Lee over a few nights when temperatures dropped, leaving me unable to do much outside my hotel room for 4 days.
Chicago is a city that holds a special history for me, and I found myself spending a good chunk of time staring out my hotel window, reflecting on my first trip there in 1993 to record my debut solo album Grandpaw Would at Idful Studios with Brad Wood. But more than the details of that trip, I was struck by how vividly memories started flooding back tome of being a 15 year old mega fan of music, and in particular, indie rock. I LIVED for the records that I loved and the bands who made them. I’m not sure you are ever a fan of bands the way you can be as a teenager. It’s pretty sacred.
I started re-listening to some of my favorite songs from that period in that hotel room, by the Beat Happening, Pavement, Fugazi, The Breeders, Guided by Voices. It struck me as crazy that these songs and the feelings that accompanied them were now over 25 years old. It started seeming odd to me that for some reason, indie rock hasn’t been canonized the same way ‘60s and ‘70s rock has. After all, Dinosaur Jr were my Led Zeppelin, Sonic Youth were my Grateful Dead and Built to Spill were my Steve Miller Band. These were my classics!
I always travel with my portable studio gear, and I immediately sat down and started learning and recording a collection of my favorite songs. I spent my 4 days of the 2019 Polar Vortex creating the blueprint for what would becomeQuarter Century Classix. When I got home to LA, I invited my friends Julianna Barwick, William Tyler and Mary Lattimore to my home studio to add their magic to my recordings as I knew they grew up in reverence of the same records I did. These three genius musicians became the “band” who you can hear framing these covers and I am eternally grateful for their talent and generosity. Later, Maria Taylor, Mike Watt, Petra Haden and Joey Waronker all showed up to play too.
To some people these songs are just footnotes in pop culture history. But to me, they are the essence my own personal history. I wanted to make this record a tribute to these bands, to these songs, and to the irreversible way music can touch and transform the life of a young person. I hope you enjoy
Collectible Boxed Set presents 23 180-gram vinyl singles in faithfully reproduced international picture sleeves. Includes exclusive double A-Side single for “Free As A Bird” and “Real Love” plus a 39-page book.
JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".
LINDEMANN are back! Till Lindemann (Rammstein) is responsible for the lyrics, and Sweden's Peter Taegtgren (Pain, Hypocrisy) is, in turn, responsible for music and production. Their first album Skills in Pills (Warner) was released in 2015 and reached Gold Status in Germany (100k+ albums). Skills in Pills was in English. The new album will be released this November, and is completely in German for the first time. Get ready for a LINDEMANN-filled Autumn!
In honor of the 50th Anniversary of the Allman Brothers debut album, New West Records is proud to present, Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions, and actually joined as a member of the band in 1997. Together with Dickey Betts, he completed the band’s archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among leading trombone players in the Downbeat critics poll.
William Hooker has been recognized as one of the most innovative musicians and drummers of his generation, leading a variety of ensembles within the worlds of free jazz, experimental, and new music. Hooker’s prior collaborators range from avant garde jazz musicians to indie rock legends like Thurston Moore and Lee Ranaldo of Sonic Youth. On his latest work, “Symphonie of Flowers”, Hooker weaves three sections into a whole, or a “symphonie” of sorts. As he says, “the piece begins and ends with the drum…my instrument. Its rhythm and variations of timbre are the stabilizing element.”
Songs For Groovy Children assembles all four historic debut concerts by Jimi Hendrix’s newly assembled Band of Gypsys at New York’s Fillmore East on New Years Eve 1969 and New Years Day 1970. Presented in their original performance sequence and encompassing 43 tracks across 5 CDs or 8 LPs, the set boasts over two dozen tracks that have either never before been released commercially. Newly mixed and restored in sequence without edits, fans can finally hear Hendrix, Cox and Miles blast through their genre-defying sets that included freshly written songs like “Earth Blues” and “Stepping Stone,” as well as supercharged Experience favorites inclusive of “Foxey Lady,” “Voodoo Child (Slight Return),” “Wild Thing,” “Hey Joe” and “Purple Haze.” The lavish package is filled with unseen photos and remembrances from bassist Billy Cox and liner notes by author/journalist/filmmaker Nelson George. Songs For Groovy Children was produced by Janie Hendrix, Eddie Kramer and John McDermott and mastered by Grammy-winning engineer Bernie Grundman.
20th anniversary re-issue completely re-mastered from original master tapes. Double LP on heavyweight vinyl with pop-up gatefold. CD edition features over 25 bonus tracks including second disc of previously unreleased material. Both feature foreword by Alan McGee, sleevenotes by Ric Rawlins, and previously unseen concept art drawings by Pete Fowler.
SIMPLE CREATURES is Mark Hoppus (blink-182) and Alex Gaskarth (All Time Low). Their debut single “DRUG” was written by Hoppus and Gaskarth in collaboration with their producer and friend, Zakk Cervini (blink-182, Yungblud, All Time Low, 5SOS) and was released Friday, January 25 to critical acclaim. Hoppus and Gaskarth are long-time friends who both found some downtime whilst blink-182 and All Time Low were between albums. They came together to work on something a little different and thus SIMPLE CREATURES was born.
Skeggs, the Australian 3-piece power trio, combines surf, garage and slacker elements to create their dynamic sound. Pressed on red vinyl, the 2018 debut full-length album "My Own Mess" LP will be released on November 22nd.
Detective Jack Radcliff (David Oyelowo) gets a shocking phone call from his recently murdered niece Ashley (Storm Reid). Working together across time, they race to solve her murder before it can happen. Don't Let Go is a classic thriller with a supernatural twist from Blumhouse, the producers of Get Out.
LP1-2: 1999 album (remastered for the very first time) LP3-4: Promo mixes & B-sides (remastered) The Deluxe Edition features Prince’s iconic album,1999, remastered for the very first time The set also includes 18 Promo mixes and B-sides that Prince officially released in and around 1982
“I didn’t want to do a double album, but I just kept writing... I always compare songwriting to a girl walking in the door. You don’t know what she’s going to look like, but all of a sudden she’s there.” Prince, November 1982
(Minneapolis, MN – September 10, 2019) – Considered one of the most iconic and influential double albums in rock history, Prince’s 1999 was released at a major turning point in the artist’s career. After years of being relegated to the R&B charts, he experienced his first true crossover moment with the mega-hits “Little Red Corvette,” “1999,” and “Delirious,“ shattering barriers with his revolutionary blend of rock, funk, R&B and new wave pop, and making history by being one of the first black artists to have their videos in heavy rotation on MTV.
The songs included on 1999 were just a small sampling of the work that was pouring out of Prince in the intensely prolific period of 1981 and 1982. In addition to his own material, he was also working up tracks that he would give to his protégés Vanity 6 and The Time, and recording dozens of songs that would be stored for possible later use, archiving them in his growing vault of unreleased material. This November 29, The Prince Estate, in partnership with Warner Records, will reissue 1999 via all physical, digital and streaming partners, with the timeless album remastered for the very first time, along with 35 previously unreleased tracks from Prince’s legendary vault that showcase the creative flow Prince had tapped into during this era. The reissue suite will be comprised of the following formats: • Super Deluxe Edition (5CD+DVD / 10LP+DVD / audio-only download and streaming) • Deluxe Edition (2CD / 4LP 180g vinyl / download and streaming) • Remastered album (1CD / 2LP 180g Purple Vinyl / download and streaming) The 1999 Super Deluxe Edition represents the deepest dive to date into Prince’s vault and includes a total of 65 audio tracks across five CDs and ten 180g vinyl records.
The Super Deluxe Edition brings fans all the audio material that Prince officially released in and around 1982, as well as 23 previously unissued studio tracks recorded between November 1981 and January 1983, and a complete live audio performance of the 1999 tour recorded at the late show (the second of two that day) in Detroit, MI on November 30, 1982.
In addition, both CD and vinyl sets also boast a brand-new DVD containing another complete, previously unreleased concert from the 1999 tour, recorded in multi-cam live at the Houston Summit on December 29, 1982. The Super Deluxe Edition set also features Prince’s previously unseen handwritten lyrics for several songs from the era, including the hit “Little Red Corvette,” plus images of the analog tape reels from the vault and rare photography from Prince’s early ‘80s photographer, Allen Beaulieu. The Super Deluxe Edition is completed with brand-new liner notes by longtime Rolling Stone critic David Fricke, revered Guns N’ Roses bassist and author Duff McKagan, Minneapolis historian and radio host Andrea Swensson, and Prince scholar Duane Tudahl.
Fricke notes, “A landmark collection of vision, craft, and urgency – an unprecedented immersion in the frenetic momentum and private working world of Prince in 1981 and 1982, en route to the profound breakthrough of his fifth studio album, 1999.”
The 1999 Super Deluxe Edition shines a forensic light on the creative output of this truly unique musician, songwriter, producer, and performer at a pivotal point in his career and demonstrates why his unsurpassed body of work continues to generate so much love and passion around the world.
On May 26, 2016 The Flaming Lips performed their classic album The Soft Bulletin in its entirety with the Colorado Symphony at Red Rocks Amphitheater in Colorado.
The Flaming Lips (Wayne Coyne, Steven Drozd, Michael Ivins, Derek Brown, Jake Ingalls, Matt Kirksey and Nicholas Ley) were accompanied by a 69-piece orchestra and 56-strong Chorus. The performance was conducted by the internationally celebrated conductor Andre de Ridder.
The Flaming Lips performed the 12-track album in its original sequence with new arrangements for each song that use the orchestra and chorus to great effect.
This entire concert was produced by The Flaming Lips, Scott Booker and their long-time collaborator Dave Fridmann. The resulting live album is being released to celebrate the 20th anniversary of The Soft Bulletin, originally released in 1999. The album was the band’s breakthrough moment and featured the hit singles “Race For The Prize” and “Waitin’ for a Superman”.
Starting with the following year’s Under Wires And Searchlights, they’ve created an explorative body of instrumental work that’s shifted between electronica, dub, minimalism, avant-jazz and ambient music. Along the way they’ve collaborated with the likes of Jah Wobble, remixed Max Richter and Vök and provided soundtracks for art installations and other visual media. They’ve also had their own music remixed by Biosphere and Japan’s Steve Jansen, among others.
The new album offers ample evidence of a band in its prime. Marconi Union still sound vital and original, enthused by the possibilities that music has to offer. “We’ve never wanted to repeat ourselves,” states Talbot. “We’ve made ten albums and have been going for 17 years, but it still feels fresh. That’s been so important for us all the way through. We’re looking to do new things all the time” co-founder Richard Talbot says.
Indeed, the exquisite Dead Air bears only a passing resemblance to its 2016 forerunner, Ghost Stations. The trio have dispensed with beats, brass and guest musicians this time around, opting instead for a more intimate and textural approach, a constantly evolving soundworld of tones and sensory impressions. Dead Air also bears little resemblance to the trio’s initial vision for it. “The album we set out to make had far more of a rhythmic element,” explains Talbot, “but fairly late in the process, we decided to completely change direction.” This is entirely in keeping with Marconi Union’s guiding methodology. Ideas remain fluid throughout the writing process, until Talbot and bandmates Jamie Crossley and Duncan Meadows ultimately settle on what feels right to them.
As such, Dead Air is a sublime testament to their collective instinct.
Marconi Union’s most successful album to date is Weightless (Ambient Trans- missions Vol. 2). ‘Weightless is widely considered to be ‘the most relaxing track in the world’
Experimental hip-hop group Clipping’s “The Deep” is a dark sci-fi tale about the underwater-dwelling descendants of African women thrown off slave ships, based on the mythology of Detroit electronic group Drexciya. The song was originally commissioned for a This American Life about Afrofuturism in 2017. The track earned Clipping a nomination for a 2018 Hugo award, and the band constructed a sound installation based on “The Deep” at the Massachusetts Museum of Contemporary Art. This release comes on the heels of the November 5th release of The Deep, a novella by Rivers Solomon (with Clipping credited as co-authors) inspired by the title track and published by Saga Press. The vinyl and digital versions include two otherwise-unreleased extra tracks – including “Aquacode Databreaks,” which features Shabazz Palaces – and the vinyl edition includes instrumental versions of all three tracks.
The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.) About Preservation Hall Jazz Band: At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.
EXO's 6th Album 'OBSESSION' (EXO & X-EXO Ver.) will be released on November 27th. The album features total 10 songs in various colors & genre, including powerful and catchy title song, 'Obsession', which will be out in both Korean and Chinese version. One of two covers (EXO & X-EXO Ver.) will be supplied at random. The album includes 6 photo books, 1 folded poster (random 1 out of 6), 1 initial-only poster (folded, random 1 out of 7), 1 photo slide (random 1 out of 6), and 1 photo card (random 1 out of 12). All are different per version. This is an official release from SM Entertainment and will count towards Billboard and Gaon charts.
Kim Richey celebrates the 20th anniversary of her album Glimmer with, A Long Way Back: The Songs of Glimmer, featuring new recordings of the songs from Kim's classic album. Produced by Doug Lancio, who also plays most of the instruments, A Long Way Back. . . allowed Kim to reinterpret these songs and give them a fresh, yet timeless sound. Other musicians on the album include Nielsen Hubbard and Dan Mitchell. The First Edition LP is pressed on cloudy sky colored vinyl and includes a handwritten/signed note from Kim Richey. Download code includes all 14 album tracks
Karrin Allyson proudly confirms the highly anticipated physical release of Shoulder to Shoulder, a very special and timely album that celebrates the centennial of women’s suffrage. In addition to five-time Grammy nominee Karrin Allyson, the sextet also features Ingrid Jensen (trumpet), Mindi Abair (alto saxophone) Helen Sung (piano), Endea Owens (bass), and Allison Miller (drums). Shoulder to Shoulder has an incredible array of featured artists. Guest appearances by Madeleine Peyroux (vocals), Kurt Elling (vocals), Regina Carter (violin), Denise Donatelli (vocals), Veronica Swift (vocals), Rapsody (rap), Antonia Bennett (vocals), Emily Estefan (vocals), Pauline Jean (vocals), Olivia Culpo (cello) and a Choir of over forty Women's Rights Activists. There are several spoken word performances that re-create the debate over woman’s suffrage: Harry Belafonte performs a speech by Frederick Douglass, Rosanne Cash performs a speech by Susan B. Anthony, Julie Swidler performs a speech by Alice Paul, Lalah Hathaway performs a speech by Sojourner Truth, and Peter Eldridge performs a speech by Elihu Root. There is even a brief appearance by Roberta Flack on the album. Susan Morrison of The New Yorker serves as an Executive Producer of the project, which was produced by multi-Grammy winners Kabir Sehgal, John Daversa, and Doug Davis. Shoulder to Shoulder seeks to re-create the multi-decade debate – warts and all – that culminated in the enactment of the nineteenth amendment. “We want to highlight this significant movement in American history. One that we shouldn’t forget and that is relevant today. It’s also one in which music played an important role,” said Karrin Allyson. A remarkable artist, Allyson is also an activist who feels equally comfortable on the bandstand, as she does at the podium making the case for women’s rights. In fact, she has a history of writing songs (“Big Discount,” “Way Down Below”) that challenge conventional political wisdom and call for societal change.
Thomas Dolby’s breakthrough 1982 record “The Golden Age of Wireless” is reissued on special 140g Splatter Vinyl and 1CD. Remastered, this release includes the singles "Airwaves", "One Of Our Submarines" and the international hit single “She Blinded Me With Science”.
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
British indie rock band The Wedding Present, was formed in Leeds in 1985. Led by guitarist/vocalist David George, the group's only constant member. Their brilliant debut album, George Best, featuring the singles ''Everyone Thinks He Looks Daft,'' ''My Favourite Dress,'' ''Anyone Can Make a Mistake'' and ''Shatner'' is available one more from [PIAS].
Shortly after the release of their 1985 debut, George Best, The Wedding Present gathered all their pre-LP singles and EPs onto a single album. Available once more on [PIAS], Tommy is the definitive look at their early work and remains one of the great albums of the mid-80's indie UK scene.
Quentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.
Because every 27 years evil revisits the town of Derry, Maine, “It Chapter Two” brings the characters—who’ve long since gone their separate ways—back together as adults, nearly three decades after the events of the first film.
Linda Ronstadt has been an icon for more than 50 years. Her extraordinary vocal range and ambition created unforgettable songs across rock, pop, country, folk ballads, American standards, classic Mexican music and soul. As the most popular female recording artist of the 1970s, Ronstadt filled huge arenas like no one had ever done and produced an astounding eleven platinum albums. Ronstadt was the first artist to top the Pop, Country, and R&B charts simultaneously, she won 10 Grammy® Awards on 26 nominations and attained a level of stardom the Tucson native never could have fathomed.
In Linda Ronstadt: The Sound of My Voice, Ronstadt is our guide through her early years of singing Mexican canciones with her family; her folk days with the Stone Poneys; and her reign as the “rock queen” of the ‘70s and early ’80s. She was a pioneer for women in the male-dominated music industry; an early advocate for human rights, and had a high-profile romance with California governor Jerry Brown. Ultimately, her incredible voice was lost to Parkinson’s disease, but her music and influence remain as timeless as ever. With moving performance footage and appearances by collaborators including Dolly Parton, Emmylou Harris, Bonnie Raitt and Jackson Browne, Linda Ronstadt: The Sound of My Voice celebrates an artist whose desire to share the music she loved made generations of fans fall in love with her — and the sound of her voice.
Special Features: -Additional Interviews -Theatrical Trailer
Inspired by a true story, Hustlers follows Destiny (Constance Wu, Crazy Rich Asians), a young stripper struggling to make ends meet. That is, until she meets Ramona (Jennifer Lopez), the club's savvy top earner, who shows her the way toward making big bucks. But when the 2008 economic collapse hits their Wall Street clientele hard, Destiny and Ramona concoct a plan with their fellow strippers to turn the tables on these greedy power players. It's a wild, modern-day Robin Hood tale that critics are hailing as "enormously entertaining." -Washington Post
In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.
As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you’re not in control. Where do you find your resilience?
This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past “where happy man searches, to a place only mad women know.” We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women.
With SATURN RETURN, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs.
On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful. "A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself." It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On the album’s first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home." There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.
Stockholm, Sweden based HOLY aka Hannes Ferm is back with his third record Ryder, a massive step forward for the young artist. After 2018's hugely ambitious three-years-in-the-making glam-psych odyssey All These Worlds Are Yours which was released to acclaim from the likes of Consequence of Sound, Bandcamp Daily, Prog Magazine, The Line of Best Fit and more, Ferm decided to take a step in the opposite direction. Teaming up with producer Jacob Haage (El Perro Del Mar) for Ryder, Ferm's delivered an intimate synth pop record melding experimentation with conventional pop songwriting and again showcasing his ear for melodies, breaking new ground while still staying true to playfulness and immediacy that's been HOLY's signature from the start.
Craft Recordings is thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collectionpresents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powell at Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.
...And You Know Us By The Trail Of Dead are celebrating their 25th year as a band in 2020 and they will be releasing their 10th album "X: The Godless Void and Other Stories" on 1/17 via Dine Alone. This is their first album since 2014.
An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.
The debut solo album from Marcus King, El Dorado, is a revelation. Passionate, penetrating and deeply soulful, El Dorado weaves soul music, gospel, R&B and country into a something modern and classic. Teaming with producer Dan Auerbach (The Black Keys) for sessions at Auerbach’s Easy Eye Studio in Nashville, the pair co-wrote the 11 songs on El Dorado along with esteemed writers on various tracks including Pat McLaughlin, Paul Overstreet and Ronnie Bowman.
Dwight Yoakam occupies a singular position in contemporary country. No artist has better balanced mainstream commercial success with artistic, alt-country credibility, while somehow managing to embody both the music’s most traditional and its most progressive impulses. Blame the Vain marks a milestone for Yoakam as his first self-produced effort since splitting with producer/guitarist/bandleader Pete Anderson. Released in 2005 to critical acclaim, Blame the Vain has sold nearly 200,000 records to date. In honor of the 15th anniversary of this album, New West Records is proud to present Blame the Vain on vinyl for the first time.
Raw Youth Collage is the sophomore project from British artist Mura Masa. It is intended to be a conceptual album focusing on the need for / dependency on nostalgia and regression in the wake of the often helpless feeling amongst today's youth culture; there is a general melancholia surrounding a past excitement and innocence that is longing to be recaptured, but may never have existed. Musically, these ideas will be explored through influences familiar to Alex from his childhood.
4AD’s first album of the Nineties, The Comforts of Madness by Pale Saints, is receiving a long overdue reappraisal on the occasion of its 30th anniversary. The reissue includes remastered audio and a bonus disc of rarities.
Marigold is an urgent, multivalent meditation—and an expanded take on the blend of alt-country, indie rock and cerebral humanism that’s inspired the band’s ardent fan community. It marks their Rough Trade Records debut, offering what songwriter Evan Stephens Hall calls a “heart-first” perspective.
Algiers return in 2020 with third album ‘There Is No Year’, which will be released January 17th on Matador Records. ‘There is No Year’ solidifies and expands upon the doom-laden soul of their foundation, toward an even more epic, genre-reformatting sound, one somehow suspended in the amber of “a different era,” as described by guitarist Lee Tesche.
Animal Collective's Deakin is issuing his 2016 album Sleep Cycle on vinyl and CD. Written and recorded between 2010 and 2016, it was originally released in April 2016 via digital and a limited run of cassettes. On the album, Deakin said, 'Sleep Cycle is about the cycles that we go through being shut down by fear and doubt and how to return back to being awake to life. The songs were written as a form of self medication, meditations on waking up in the face of fear.'
Deluxe double vinyl LP pressing including bonus tracks. 2019 release. The great Bill Fay returns with the third album in the celebrated second phase of his recording career. "21 years ago, Colin Miles of See For Miles records dropped a pebble in a pond." says Fay. It was Miles who, on a gut instinct, reissued Bill Fay's albums for Deram - records made in 1970 and 1971 and deleted shortly afterwards - which Miles had always admired. Rave reviews and endorsements from the likes of Jim O'Rourke (Tortoise) and Jeff Tweedy (Wilco) led to a huge revival of interest in this vanished artist. Fay, now 76, was not actually a hermit but a quiet, private person who had withdrawn from a music world changed to the point where he felt no longer involved. But he had continued to make music almost every day in the intervening decades. "Colin said to me, 'You wanna get out there, Bill'," Fay says, chuckling at the memory. "I replied, 'I'm a corner-of-the-room person, Colin'."