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Give the Gift Of Music 2022

Give the Gift of Music! Here are our 2022 selections!

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Bonnie Raitt

Dig in Deep

CD: $14.99 Buy

MP3 Album: $9.99 Download

With Dig In Deep, her twentieth album, Rock and Roll Hall of Famer Bonnie Raitt comes out swinging. The follow-up to 2012’s triumphant Slipstream—the Grammy-winning, Top Ten-charting first release on her own Redwing Records label—the new record illustrates the delicate balance of consistency and risk-taking that has defined Raitt’s remarkable career for more than forty-five years.
Bonnie Raitt - Dig in Deep
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Bonnie Raitt

Slipstream

CD: $14.99 Buy

MP3 Album: $9.99 Download

2012 album from the Grammy winning singer, songwriter and musician. her first album since 2005's Souls Alike. Produced by Joe Henry, the album is her return to the music scene following the deaths of her parents and brother. The album was recorded with her longtime touring band as well as a handful of tracks with top-level musicians such as Bill Frisell. Features the first single 'Right Down The Line', a cover of the Gerry Rafferty hit.
Bonnie Raitt - Slipstream
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MOTOMAMI is the new album from Grammy Award winning recording artist, producer and songwriter Rosalía. The album has been declared as “One of the Most Anticipated Albums of 2022” by multiple global press outlets including BBC, El Pais, NME, NYLON, Pitchfork, TIME and Wall Street Journal amongst others. Rolling Stone en Espańol wrote, “It’s a brave record Genres are a thing of the past; there’s room for everything here… what modern music should be: art and flavor, dembow, champeta, flamenco, bachata, hip-hop, piano melodies……MOTOMAMI feels like a freight train from the future, hurtling right at us at full speed and no brakes. Rosalía is the power source behind it all.”

MOTOMAMI features the previously released songs “LA FAMA,” “SAOKO,” and much, much more. “LA FAMA” (feat. The Weeknd), is a powerful and cautionary song that finds Rosalía and The Weeknd singing to each other in Spanish about how charming and seductive fame can be, making her a dangerous and shallow lover. And “SAOKO” is a shining example of the spirit ofMOTOMAMI—grit and grace, strength and vulnerability, fierce femininity, and an unapologetic, brave attitude.

Rosalia - MOTOMAMI
$12.97
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Hot on the heels of her recent 2022 Academy of Country Music Awards win for Entertainer of the Year, Miranda Lambert is set to release "Palomino," her ninth solo album, on April 29, 2022.

A line from the first song written for the album perhaps sums up the project as a whole best: "there's always been a stranger in my soul / who loves a good goodbye and a good hello," she sings in "Tourist." On Palomino, her inner stranger travels lyrically from Fort Worth to the Mojave Desert; Battambang, Cambodia to Maine; the Crystal Palace in Bakersfield to the Rocky Mountains and beyond. In each destination and with every character met along the way, Lambert's freewheeling trek is a work of unbridled fr

"The making of this record has been one of the most fun and creative experiences of my career," reflects the woman who holds the title of most-awarded artist in ACM history. "Luke Dick, Natalie Hemby, and I went out to my farm in Tennessee in 2020 and started writing songs. We figured while we have time let's get out to the country and see what happens. The first one we wrote was `Tourist' and that set us on a path to create something with a bit of a theme. Since we couldn't travel at the time, we decided t

Lambert -- who is now the most-awarded artist in ACM history -- has already released the Jesse Frasure co-written single "If I Was A Cowboy" and the just-premiered, low-key, 70s rock-tinged "Strange" (featuring Dick and Hemby as writers) from the new project. "Palomino"'s other reported influences include acts like Little Feat, Bruce Hornsby, the Range and Emmylou Harris.

The album includes a cover of Mick Jagger's 1993 solo album title single "Wandering Spirit," plus an album track entitled "Music City Queen," which features backing vocals from pop icons the B-52s.

MIRANDA LAMBERT / PALOMINO

Miranda Lambert - Palomino
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Patient Number 9 is Ozzy Osbourne’s 13th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.

Ozzy Osbourne - Patient Number 9
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WHO CARES? is the eagerly anticipated new album from Rex Orange County. This new album was announced and launched with the single, and video, “KEEP IT UP.”

WHO CARES? was made in close partnership with musician Benny Sings, over the course of a few sessions in Sings’ Amsterdam studio. After spending the bulk of 2020 quarantined back home in the UK due to the Covid-19 pandemic, Rex made the trek to Amsterdam that fall to record with Sings. What started as sessions without expectations turned into an incredibly productive 48-hour window of recording with Benny, prompting a follow-up trip to Amsterdam. The subsequent 10 days of work together produced his fourth album, made in close partnership with Benny, that is a playful record by an artist in a playful mood. The album also finds Rex reunited with Tyler, The Creator, who contributes a verse to "OPEN A WINDOW," which marks the first time the two have collaborated since Tyler's 2017 album Flower Boy.

WHO CARES? is Rex’s first studio album since 2019’s critically acclaimed album, PONY.

Rex Orange County - WHO CARES?
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The Heavy Heavy

Life And Life Only EP

CD: $12.99 Buy

MP3 Album: $6.99 Download

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The Heavy Heavy are led by lifelong musicians Will Turner and Georgie Fuller. The Brighton, UK-based band create the kind of unfettered rock n' roll that warps time and space, sitting at the reverb-drenched collision of psychedelia, blues, acid rock, and sunshine pop. As revealed on their gloriously hazy (and soon to be legendary) debut EP, Life and Life Only, they breathe wild new energy into sounds from decades ago, transcending eras with a hypnotic ease.

The Heavy Heavy - Life And Life Only EP
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The Mars Volta

The Mars Volta

CD: $17.99 Buy

MP3 Album: $12.99 Download

Breaking a decade of omertŕ, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.

Now – a year after La Realidad De Los Sueńos, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quińones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.

Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.

The Mars Volta - The Mars Volta
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Featuring tracks by: Dough Wallin Lesley Riddle, Pete Steele, Berzilla Wallin, Kilby Snow, Jean Ritchie and more!
Classic Bluegrass From Smithsonian Folkways - Classic Bluegrass From Smithsonian Folkways
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This compilation from the Smithsonian Folkways collection spans a half century and features Delta, St. Louis, Southwest and Chicago styles performed by some of the best known figures in blues history such as: Led Belly, Etta Baker, Pink Anderson, Lightnin' Hopkins, the Original Chamber Brothers, Memphis Slim and Willie Dixon.
Classic Blues From Smithsonian Folkways Recordi - Classic Blues From Smithsonian Folkways
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The "mountain cousin" of the Delta blues, Appalachian blues bears the stamp of a distinctive regional blend of European and African styles and sounds born at the cultural crossroads of railroad camps, mines, and rural settlements. Features 21 tracks drawn from deep within the Folkways collection and from historic live recordings at the Smithsonian Folklife Festival, the music of bedrock blues performers such as Pink Anderson, Lesley Riddle, Etta Baker, John Jackson, and Doc Watson shines bright, claiming Appalachia as a key cradle of American acoustic blues.
Classic Appalachian Blues From Smithsoni - Classic Appalachian Blues From Smithsonian Folkways
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On Long Time Passing, the trailblazing Kronos Quartet celebrates the music of Pete Seeger and rejoices in the spirit, inspiration, and fearlessness inherent in his life’s work. Along with guests Sam Amidon, Maria Arnal, Brian Carpenter, Meklit, Lee Knight, and Aoife O’Donovan, the group examines Seeger’s celebration of beauty and the pleasure of singing together. Through the power of these eternally relevant cries for unity and moral integrity, the album articulates the responsibility we have as citizens and members of a greater community to question war and injustice, and to develop the courage to raise our voices together both in word and song. 

The Kronos Quartet - Long Time Passing: Kronos Quartet and Friends Celebrate Pete Seeger
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Part two in Folkways' painstaking release of Woody's fabled recordings for the label! Includes 27 songs, mostly folk standards including Wreck of the Old 97; Take a Whiff on Me; Stackolee; Worried Man Blues; Ida Red; Baltimore to Washington; Por Boy, and more, with three unreleased tracks. 70 minutes of music with a 40-page booklet!
Woody Guthrie - Muleskinner Blues: Asch Recordings 2
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During the middle decades of the 20th century, the factories of southwestern Ohio drew hundreds of thousands of migrants from Appalachia, including innumerable musicians. Industrial Strength Bluegrass celebrates the music that these migrants made and loved, and explores a pivotal moment in the history of bluegrass and country music at large. Produced by beloved performer and radio personality Joe Mullins, the collection features many modern legends like Lee Ann Womack, Mo Pitney, and Vince Gill, plus a stellar lineup of bluegrass stalwarts including Rhonda Vincent, Bobby Osborne, and Mullins himself, taking on tunes that have echoed across Ohio for decades. This group of some of the biggest names in bluegrass today pays tribute to the jubilant highs and lonesome lows of life amongst the factories and warehouses, reflecting the region's rich culture and resilient people.
Various Artists - Industrial Strength Bluegrass: Southwestern Ohio's Musical Legacy
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This one is as influential as it is essential. Woody is accompanied here by Lead Belly, Cisco Houston, Sonny Terry and others. "Hard Travelin'," "Oregon Trail," "The House of the Rising Sun," "John Henry," "Boll Weevil Blues," and more. 14 tracks in all. Smithsonian-Folkways.
Woody Guthrie - Sings Folk Songs
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Leyla McCalla's Vari-Colored Songs is a celebration of the complexity of Black culture and identity, and a tribute to the legacy of poet and thinker Langston Hughes. A songwriter and multi-instrumentalist, McCalla sets Hughes' poems to her own spare yet profound compositions. She juxtaposes these with arrangements of folk songs from Haiti, the first independent Black nation and the homeland of her parents, tapping into the nuances of Black experience. McCalla's music elegantly weaves Haitian influences together with American folk music, just as Hughes incorporated Black vernacular into his remarkable poetry, and the way the Haitian Kreyňl is a beacon for the survival of African identity through the brutal legacy of colonialism. This is music of reclamation, imbued with a quiet power that grapples with the immense weight of history.

Leyla McCalla - Vari-Colored Songs
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Lykke Li

Eyeye

CD: $15.99 Buy

Lykke LI returns with her fifth studio album EYEYE. The LP is an eight track story about lust, attraction, attachment, and rejection; the landscape of love. The songs are inhabited by moving images that neither start nor end.  Each film functions as a visual loop, concise as a haiku, yet continuing in perpetuity. The result is a somatic, repetitious experience, compounding chapters between a dream and reality.
Lykke Li - Eyeye
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Highly anticipated debut from 2020 breakthrough artist, london-based musician and poet Arlo Parks.

 

"My album is a series of vignettes and intimate portraits surrounding my adolescence and the people that shaped it. It is rooted in storytelling and nostalgia - I want it to feel both universal and hyper specific."

 

Recent press features have seen her grace the cover of  NME and Dork Magazine as well as being included on the 2020 Dazed 100 List. And all whilst performing stand-out shows for the revered COLORS and NPR's Tiny Desk series - plus being one of only three artists to perform at Glastonbury this year.

 

Arlo has also been named an ambassador for the British mental health charity, CALM. Whilst her songwriting has seen her gain new fans in; Billie Eilish, Florence Welch, Michelle Obama, Angel Olsen and Wyclef Jean, among others.

 

"A minor key moonbeam"

NPR

 

“Her songs are the results of an alchemy that combines shiver-inducing highs with sweet, molasses-coated lows”

W Magazine

 

“gritty, visceral storytelling that shines through her songwriting”

Pigeons & Planes

 

"Arlo Parks gives teen angst a human face" 

The FADER

Arlo Parks - Collapsed In Sunbeams
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Weyes Blood

Titanic Rising

CD: $10.99 Buy

MP3 Album: $9.99 Download

The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising – which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses abstract imagery as well.” The Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. (Listen closely to Titanic Rising, and you’ll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell.) “Something to Believe,” a confessional that makes judicious use of the slide guitar, touches on that cosmological upbringing. “Belief is something all humans need. Shared myths are part of our psychology and survival,” she says. “Now we have a weird mishmash of capitalism and movies and science. There have been moments where I felt very existential and lost.” As a kid, she filled that void with Titanic. (Yes, the movie.) “It was engineered for little girls and had its own mythology,” she explains. Mering also noticed that the blockbuster romance actually offered a story about loss born of man’s hubris. “It’s so symbolic that The Titanic would crash into an iceberg, and now that iceberg is melting, sinking civilization.” Today, this hubris also extends to the relentless adoption of technology, at the expense of both happiness and attention spans. But Weyes Blood isn’t one to stew. Her observations play out in an ethereal saunter: far more meditative than cynical. To Mering, listening and thinking are concurrent experiences. “There are complicated influences mixed in with more relatable nostalgic melodies,” she says. “In my mind my music feels so big, a true production. I’m not a huge, popular artist, but I feel like one when I’m in the studio. But it’s never taking away from the music. I’m just making a bigger space for myself.”

Weyes Blood - Titanic Rising
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Beach House

Depression Cherry

CD: $13.98 Buy

MP3 Album: $8.99 Download

Beach House is Victoria Legrand and Alex Scally. We have been a band for over a decade, living and working in Baltimore, MD. Depression Cherry is our 5th full-length record. This record follows the release of our self-titled album in 2006, Devotion in 2008, Teen Dream in 2010 and Bloom in 2012. Depression Cherry was recorded at Studio in the Country in Bogalusa, Louisiana from November ’14 through January ’15. This time period crossed the anniversaries of both John Lennon’s and Roy Orbison’s death. In general, this record shows a return to simplicity, with songs structured around a melody and a few instruments, with live drums playing a far lesser role.
Beach House - Depression Cherry
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Fleet Foxes

Fleet Foxes

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MP3 Album: $9.99 Download

Seattle's Fleet Foxes traffic in baroque harmonic pop. They draw influences from the traditions of folk, pop, choral, gospel, sacred harp singing, West Coast music, traditional music from Ireland to Japan, film scores, and their NW peers. The subject matter ranges from the natural world and familial bonds to bygone loves and stone cold graves.
Fleet Foxes - Fleet Foxes
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Ziggy Marley

More Family Time

CD: $14.99 Buy

MP3 Album: $8.99 Download

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CD Version comes with a bonus track - Jamie lee Curtis reading her children's story 'Today I Feel Silly'. A follow up to 2009's GRAMMY Winning Family Time - Ziggy has bottled the energy of his children and put it into music form! This is a very special piece and have a number of friends guesting on this album, including: Stephen Marley, Sheryl Crow, Ben Harper, Angelique Kidjo, Alanis Morissette, Tom Morello, Lisa Loeb, Busta Rhymes and Jamie Lee Curtis (reading her new book Today I Feel Silly). A portion of proceeds will benefit Ziggy's 501(c)3 URGE - which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica.

Ziggy Marley - More Family Time
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A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the
band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

The Linda Lindas - Growing Up
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Hitting play on the debut album from Plains, the duo composed of Waxahatchee's Katie Crutchfield and Jess Williamson, we're immediately teleported into a world of Southern sunsets, wide open spaces, and the unapologetic nature of Country music.Plains began out of Crutchfield's and Williamson's mutual love for each other's music and after trading albums (Saint Cloud and Sorceress, respectively) in early 2020. Feeling that it was time to have a separate project that could reflect a different side of her creative inspirations, Katie felt that Jess was the perfect fit for a collaboration, and they set off to create I Walked With You A Ways.Written between Kansas City, Los Angeles, and Marfa, the album was recorded in Durham, NC with collaborator and producer Brad Cook. The creative magic of only a few vocal takes, tracking with a band comprised of Spencer Tweedy and Phil Cook, gives the album a feel of fresh, on-the-spot conception. The trust and history of Crutchfield and Cook's collaborations (Saint Cloud, Great Thunder EP) set the tone for this new container of spontaneity and experimentation.And that's the thing about Country music, and what so much of this album nods to - from Waylon and Willie, to The Judds, The Chicks, Trio, and beyond - these are groups that are formed out of family and friendship, that lyrically take their listeners on a voyage of sorrow and hope. Crutchfield's sharp, honest edge of truth telling paired with Williamson's ability to paint the scene with candles, plains, sunsets, and small Texas towns is one of the strongest parts of this album.While Williamson sings "Texas in my rearview / Plains in my heart" and Crutchfield echoes "Got a heartbreak burn, take the quickest route / On this 4 lane highway I'll trace it in the clouds," the true gift of this album emerges. We're in the backseat with these two, truck windows open, wide open spaces in front of us. The feeling of being both a mess and unstoppable at our fingertips. May this album bring us all closer to ourselves and to each other.
Plains - I Walked With You A Ways
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The Lumineers

Brightside

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MP3 Album: $8.99 Download

The highly anticipated fourth album by GRAMMY-nominated band The Lumineers.

The Lumineers - Brightside
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The Lumineers

III [Clean]

CD: $15.99 Buy

MP3 Album: $9.99 Download

Two-time GRAMMY-nominated band The Lumineers are back with their third album, III, a cinematic piece presented as a narrative in three chapters, with each one centering on one main character. III’s concept began while the band was writing in the Catskill mountains, where producer Simone Felice works. Decidedly darker than their previous work in concept, but replete with their trademark expressive vocals and dynamic arrangements, III boldly and expertly goes in an artistic direction not yet traveled by the band. The Lumineers have enjoyed substantial commercial success; their 2012 self-titled debut featuring the hit single “Ho Hey” was certified triple-platinum in 2018, and their sophomore album Cleopatra was certified platinum in the same year after its 2016 release. They’ve had multiple #1 hits on the Triple A and Alternative radio charts, and have sold out tours across the world; over 300,000 tickets were sold on 2017’s Cleopatra world tour. The Lumineers have also supported icons and their musical heroes on the road, including Tom Petty and the Heartbreakers and U2’s Joshua Tree tour.

The Lumineers - III [Clean]
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Mt. Joy

Rearrange Us

CD: $14.99 Buy

MP3 Album: $9.99 Download

Mt. Joy’s star rose quickly from a bedroom project to a well-oiled machine dubbed “your new folk-rock heroes” by Rolling Stone upon the 2018 release of their self-titled debut record. That same year and beyond, millions of streams piled up month after month, and sold-out crowds sang along to every song and grew in number with every tour and festival stop they made. 2020 holds no fewer big moments on the road for the band, who are starting out the year touring arenas with The Lumineers, and following it up with a substantial headlining run of their own, including stops at Lollapalooza, Hangout Festival, and Bonnaroo, and two nights at Red Rocks. Their highly anticipated sophomore album Rearrange Us is sonically rich and expansive; producer Tucker Martine’s Portland studio and creative input widens the capabilities of Mt. Joy’s already bright sound, and allows the growing sophistication of the songwriting and the arrangements to really shine. The self-reflective record shows the band knows where they came from and what they’re up against, and that together they have the strength to carry on.

Mt. Joy - Rearrange Us
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Mt. Joy

Mt.joy

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Steeped in folk-rock tradition and powered by the intuitive creative connection between Matt Quinn (vocals, guitar) and Sam Cooper (guitar), the songs on Mt. Joy's eponymous debut depict the former wrestling with his own conscience, where the mundane and the fantastic collide as he processes tragedy, society, and love. Opener "I'm Your Wreck" describes "monsters in (the) closet, using up the wi-fi" as it cycles from it's desperate, spiraling verses to it's swinging, stubbornly optimistic coda, while the loping, plaintive chords of "Younger Days" meditate on a frayed psyche and the fear of choosing the wrong path. "Sheep," with it's collapsing, hoarse-voiced cry of "freedom was paid in blood," is a post-Trump salvo on the responsibilities of the fortunate to overcome political and social despondency. "Astrovan" is a warm, yearning bit of road-trip philosophy that posits the existence of a Deadhead Jesus cruising the dusty highways of the countryside. And on "Silver Lining," perhaps the album's brightest moment, Quinn surveys the damage of hard drugs and the vicious cycle of addiction, as the song's melancholic sentiment kicks into it's fervid, defiant chorus, all shout-along vocals and trilling guitars.
Mt. Joy - Mt.joy
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Hailing from Mongolia, The HU are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". Since their release, the band has been #1 on the Billboard World Albums Chart, #1 on the Top New Artist Albums, and Top 5 Globally on Hard Rock Music Album Charts (US, Canada, UK, and more). They have toured the world extensively, with sold out shows in Europe, the UK, and the United States. Following the success of the The Gereg, which not only debuted at #1 but featured viral rock hits "Wolf Totem" and "Yuve Yuve Yu" reaching Top 10 at rock radio, The Hu are back with new album, Rumble of Thunder, showcased by 6 vinyl color variants globally. This album connects the world to Mongolian culture and it's unique core values of natural preservation and spiritual connection with the earth. These core values are on full display in the new album along with deeply meaningful lyrics uplift that Mongol people, as the band wishes for prosperity and peace among all.
The HU - Rumble Of Thunder
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2022 release, the ninth album from the Las Vegas-based metal band. Five Finger Death Punch has amassed over 8 billion streams and 3 billion video views to date and have sold over one million tickets between 2018 and 2020 alone. Afterlife features the singles 'Welcome to the Circus', 'IOU', and the title track.
Five Finger Death Punch - Afterlife
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CD in Softpak with 24-page booklet

5 Seconds Of Summer - 5SOS5
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Band of Horses’ sixth album and first record in more than five years.  Sonically, the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses. Emotionally intense, both on a personal and elemental level, on Things Are Great we find band founder Ben Bridwell more autobiographical than he’s ever been on record detailing the nebulous frustrations and quiet indignities of relationship changes and what a person will do to make things right.

Band Of Horses - Things are Great
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Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach
House records remain present throughout many of the compositions.

Beach House is Victoria Legrand, lead singer and multi-instrumentalist, and Alex Scally, guitarist and multi-instrumentalist. They write all of their songs together. Once Twice Melody is the first album produced entirely by the band. The live drums are by James Barone (same as their 2018 album, 7), and were recorded at Pachyderm studio in Minnesota and United Studio in Los Angeles. For the first time, a live string ensemble was used. Strings were arranged by David Campbell.

The writing and recording of Once Twice Melody began in 2018 and was completed in July of 2021. Most of the songs were created during this time, though a few date back over the previous 10 years. Most of the recording was done at Apple Orchard Studio in Baltimore. Once Twice Melody was mixed largely by Alan Moulder but a few tracks were also mixed by Caesar Edmunds, Trevor Spencer, and Dave Fridmann.

Beach House - Once Twice Melody [2CD]
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Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: "The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen." Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut track, "Brutally," as "what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like." In addition to raves from Garage, Vice and Lemonade Magazine, DUJOR put it best: "Suki Waterhouse's music has swagger." Suki is constantly consuming artists of all stripes, and, in the lead-up to making I Can't Let Go, she was particularly drawn to the work of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. After falling in love with Hiss Golden Messenger's Terms of Surrender, she reached out to it's producer Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) to help define the sound of I Can't Let Go. On I Can't Let Go, Suki not only catalogs her life up to this point, but she also fulfills a lifelong ambition. "When I've been stuck or feel out of touch with a sense of inner meaning and outer purpose, I've found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored," she says. "So many times of change in my life have required return visits-especially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. What is left and can't be thrown away is the self."
Suki Waterhouse - I Can't Let Go
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As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT COMEDY SONGS! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo... he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! And Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.
Bret McKenzie - Songs Without Jokes
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Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.
Built To Spill - When The Wind Forgets Your Name
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Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles "Funny Girl," "Q4," "Goodbye Mr. Blue," and "Kiss Me (I Loved You)."
Father John Misty - Chloe and the Next 20th Century
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Bonnie Raitt is a singer, songwriter and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favorite, she broke through to the top in the early 90s with her GRAMMY-award winning albums, Nick of Time and Luck of the Draw, which featured hits, “Something to Talk About” and “I Can’t Make You Love Me” among others. Raitt’s widely acclaimed 2012 independent release Slipstream sold over a quarter-million copies, making it one of the top selling independent albums, and earned Raitt her 10th Grammy Award (Best Americana Album). In February 2016, Raitt released her highly anticipated 20th album, Dig In Deep (Redwing Records). On tour for much of 2017-2019, Raitt and her band performed in Australia, New Zealand, and Canada before touring as support for James Taylor in stadiums and arenas across the U.S., United Kingdom and Europe. As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement and continues to work on safe energy issues, environmental protection, social justice, human rights, and blues/music education.

Bonnie Raitt - Just Like That...
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ODESZA

The Last Goodbye

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ODESZA return after four years with their new album "The Last Goodbye" available on crystal clear LP, indie exclusive version crystal clear LP with limited edition print, standard CD, deluxe CD with a patch and stickers, and transparent green cassette. Symphonic, vast, and emotionally stirring, 'The Last Goodbye' is set to be the GRAMMY-nominated duo's most ambitious album to date. A project rife with brightness and emotion, nostalgic yet rooted in the present, it serves as a sweeping sonic experience that speaks to themes of connection, reminiscence and the impact we impart on one another. It's a vivid celebration of the people and moments that have left fingerprints on our existence, echoing throughout the record. "The Last Goodbye" features collaborations with Lĺpsley, Ólafur Arnalds, Julianna Barwick, The Knocks, Bettye LaVette, Izzy Bizu, MARO, and Charlie Houston. With over 5 billion total streams, ODESZA have masterfully reemerged to remind the world what has made the duo of Harrison Mills and Clayton Knight cornerstones of the modern electronic landscape. Their last album 'A Moment Apart' was not only a commercial success (going gold and debuting at no. 3 on the Billboard 200), but it also earned critical acclaim including two GRAMMY nominations and praise from the likes of NPR, Rolling Stone, Billboard, Complex, Consequence and more. The duo has cultivated a diehard fanbase of massive proportions: known for their groundbreaking, awe-inspiring and immersive live performance, that reached 2.85m+ fans over the course of their 'A Moment Apart' tour. They also have had headline performances at the likes of Coachella, Lollapalooza, Bumbershoot & more, as well as performed on Jimmy Kimmel Live! and Conan, and launched their own music festival SUNDARA in Riviera Maya, Mexico in 2019.

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Joan Shelley returns with "The Spur" her first new album in three years. The twelve song set is a profound meditation on light and darkness, recorded in the spring of 2021 at Earthwave Farm in the Kentucky countryside. James Elkington serves as co-producer (alongside Shelley) and the album features collaborations with Bill Callahan, Meg Baird and the British novelist Max Porter along with Shelley’s musical partner Nathan Salsburg. 

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GRAMMY and Americana Award-winning singer/songwriter and violinist, Amanda Shires, has pushed the reset button with Take It Like a Man, a record that is so unlike anything she has ever recorded that you would be tempted to think it was her debut album instead of her seventh. Shires, who also plays in The Highwomen, worked with producer Lawrence Rothman (Angel Olsen, Kim Gordon) to make a fearless confessional, showing the world what turning 40 looks like in 10 emotionally raw tracks.

Amanda Shires - Take It Like A Man
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Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

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Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

Jack White - Entering Heaven Alive [Indie Exclusive Limited Edition Low Price CD]
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Bonnie Raitt

Dig In Deep [Vinyl]

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With Dig In Deep, her twentieth album, Rock and Roll Hall of Famer Bonnie Raitt comes out swinging. The follow-up to 2012’s triumphant Slipstream—the Grammy-winning, Top Ten-charting first release on her own Redwing Records label—the new record illustrates the delicate balance of consistency and risk-taking that has defined Raitt’s remarkable career for more than forty-five years.
Bonnie Raitt - Dig In Deep [Vinyl]
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Bonnie Raitt

Slipstream

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Bonnie Raitts new album SLIPSTREAM is daring, bluesy, and steeped with the inimitable slide guitar and soulful vocals that could be only hers. SLIPSTREAM marks her first new album in seven years, and the debut for her newly minted label, Redwing Records. While most of SLIPSTREAM is self-produced and features Raitts longtime touring band, four of the albums songs were helmed by celebrated producer Joe Henry (Allen Toussaint, Solomon Burke) and showcase his crew of usual crew of extraordinary musicians. Additional guests include Bill Frisell, Al Anderson (formerly of NRBQ), Irelands Paul Brady, and Maia Sharp. The albums twelve tracks feature Raitts renditions of songs by such luminaries as Bob Dylan, Joe Henry, and Loudon Wainwright III. An updated, reggae-fied version of Gerry Raffertys "Right Down the Line" leads the charge as the albums first single.
Bonnie Raitt - Slipstream
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ODESZA return after four years with their new album "The Last Goodbye" available on crystal clear LP, indie exclusive version crystal clear LP with limited edition print, standard CD, deluxe CD with a patch and stickers, and transparent green cassette. Symphonic, vast, and emotionally stirring, 'The Last Goodbye' is set to be the GRAMMY-nominated duo's most ambitious album to date. A project rife with brightness and emotion, nostalgic yet rooted in the present, it serves as a sweeping sonic experience that speaks to themes of connection, reminiscence and the impact we impart on one another. It's a vivid celebration of the people and moments that have left fingerprints on our existence, echoing throughout the record. "The Last Goodbye" features collaborations with Lĺpsley, Ólafur Arnalds, Julianna Barwick, The Knocks, Bettye LaVette, Izzy Bizu, MARO, and Charlie Houston. With over 5 billion total streams, ODESZA have masterfully reemerged to remind the world what has made the duo of Harrison Mills and Clayton Knight cornerstones of the modern electronic landscape. Their last album 'A Moment Apart' was not only a commercial success (going gold and debuting at no. 3 on the Billboard 200), but it also earned critical acclaim including two GRAMMY nominations and praise from the likes of NPR, Rolling Stone, Billboard, Complex, Consequence and more. The duo has cultivated a diehard fanbase of massive proportions: known for their groundbreaking, awe-inspiring and immersive live performance, that reached 2.85m+ fans over the course of their 'A Moment Apart' tour. They also have had headline performances at the likes of Coachella, Lollapalooza, Bumbershoot & more, as well as performed on Jimmy Kimmel Live! and Conan, and launched their own music festival SUNDARA in Riviera Maya, Mexico in 2019.

ODESZA - The Last Goodbye [Indie Exclusive Limited Edition Crystal Clear 2LP + 12in Art Card]
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The Mars Volta

The Mars Volta [LP]

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Breaking a decade of omertŕ, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.

Now – a year after La Realidad De Los Sueńos, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quińones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.

Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.

The Mars Volta - The Mars Volta [LP]
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Vinyl LP pressing. Although there is debate among musicologists and banjo players as to who "invented" the three-finger style of five-string banjo playing, there is no disagreement that the style was popularized by Earl Scruggs in the late 1940s and early 1950s. The three-finger style enabled banjo players to play harmony and to solo on bluegrass tunes and songs. This 1957 release assembles examples of the three-finger style by bluegrass banjo players including Scruggs' older brother Junie and Snuffy Jenkins, who may have had an influence on the style as well. This vinyl reissue is part of Folkways Records' 70th anniversary celebration series, revisiting some of the most iconic and influential albums released on the record label, continuing with Pete Seeger and Dock Boggs. Remastered from original LP master tapes in 1966 and presented in classic Folkways style tip-on jackets featuring original liner notes.
American Banjo Tunes & Songs In Scruggs / Var - American Banjo: Tunes & Songs In Scruggs Style
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Vinyl LP pressing. Originally issued as a 10-inch album in 1955, Goofing-Off Suite finds Pete Seeger playing a mix of classical, popular, and folk music. Side 1 of the recording includes five classical music themes adapted by Seeger for banjo. Side 2 is Seeger playing a more familiar repertoire of traditional folk music on banjo, guitar, and chalil (flute) ("Sally My Dear"). In the liner notes, Seeger urges musicians to swipe music from different genres to break down musical barriers and expand musical horizons. This vinyl reissue is part of Folkways Records' 70th anniversary celebration series, revisiting some of the most iconic and influential albums released on the record label, continuing with Seeger, Dock Boggs and American Banjo. Remastered from original LP master tapes in 1955 and presented in classic Folkways style tip-on jackets featuring original liner notes.
Pete Seeger - Goofing-off Suite
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Dave Van Ronk - Ballads, Blues & a Spiritual - Dubbed "The Mayor of MacDougal Street," Dave Van Ronk (1936-2002) was an iconoclastic folksinger and an influential figure in the American folk music revival of the 1960s. Because of his interest in African American folk music and blues, and his gift (or curse) of a gravelly baritone voice, Van Ronk was often criticized for his approach to his musical repertoire. His rejoinder was that he reserved the right to sing songs in the style that he deemed to be "the right way." This 1959 Folkways recording, his first on any label, is a collection of 19th- and early 20th-century traditional folk and blues songs that persuasively illustrates his stance. The vinyl reissue includes a liner notes booklet with the song lyrics and is part of Folkways Records' 70th anniversary celebration series, revisiting some of the most iconic and influential albums released on the record label.
Dave Van Ronk - Ballards Blues & A Spiritual
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Weyes Blood

Titanic Rising [LP]

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MP3 Album: $9.99 Download

The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising – which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses abstract imagery as well.” The Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. (Listen closely to Titanic Rising, and you’ll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell.) “Something to Believe,” a confessional that makes judicious use of the slide guitar, touches on that cosmological upbringing. “Belief is something all humans need. Shared myths are part of our psychology and survival,” she says. “Now we have a weird mishmash of capitalism and movies and science. There have been moments where I felt very existential and lost.” As a kid, she filled that void with Titanic. (Yes, the movie.) “It was engineered for little girls and had its own mythology,” she explains. Mering also noticed that the blockbuster romance actually offered a story about loss born of man’s hubris. “It’s so symbolic that The Titanic would crash into an iceberg, and now that iceberg is melting, sinking civilization.” Today, this hubris also extends to the relentless adoption of technology, at the expense of both happiness and attention spans. But Weyes Blood isn’t one to stew. Her observations play out in an ethereal saunter: far more meditative than cynical. To Mering, listening and thinking are concurrent experiences. “There are complicated influences mixed in with more relatable nostalgic melodies,” she says. “In my mind my music feels so big, a true production. I’m not a huge, popular artist, but I feel like one when I’m in the studio. But it’s never taking away from the music. I’m just making a bigger space for myself.”

Weyes Blood - Titanic Rising [LP]
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Beach House is Victoria Legrand and Alex Scally. We have been a band for over a decade, living and working in Baltimore, MD. Depression Cherry is our 5th full-length record. This record follows the release of our self-titled album in 2006, Devotion in 2008, Teen Dream in 2010 and Bloom in 2012. Depression Cherry was recorded at Studio in the Country in Bogalusa, Louisiana from November ’14 through January ’15. This time period crossed the anniversaries of both John Lennon’s and Roy Orbison’s death. In general, this record shows a return to simplicity, with songs structured around a melody and a few instruments, with live drums playing a far lesser role.
Beach House - Depression Cherry [Vinyl]
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Fleet Foxes

Fleet Foxes [Vinyl]

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2008 album from this Seattle based quintet. Fleet Foxes are, for lack of an imminently more marketable descriptor, a group trafficking in baroque harmonic pop. And the joy they derive in doing so is palpable. We feel it too. They are, self-described, not much of a rock band. With the help of credit cards, minimum wages, tip money, friends and family, Fleet Foxes crafted their first demo, and subsequently the Sun Giant EP and this debut full-length album, with family friend Phil Ek manning the rudder. Drawing influence from the traditions of folk music, pop, choral music and gospel, sacred harp singing, West Coast music, traditional music from Ireland to Japan, film scores, and their NW peers, Fleet Foxes ranges in subject matter from the natural world and familial bonds to bygone loves and stone cold graves.
Fleet Foxes - Fleet Foxes [Vinyl]
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A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the
band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

The Linda Lindas - Growing Up [LP]
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Hitting play on the debut album from Plains, the duo composed of Waxahatchee's Katie Crutchfield and Jess Williamson, we're immediately teleported into a world of Southern sunsets, wide open spaces, and the unapologetic nature of Country music.Plains began out of Crutchfield's and Williamson's mutual love for each other's music and after trading albums (Saint Cloud and Sorceress, respectively) in early 2020. Feeling that it was time to have a separate project that could reflect a different side of her creative inspirations, Katie felt that Jess was the perfect fit for a collaboration, and they set off to create I Walked With You A Ways.Written between Kansas City, Los Angeles, and Marfa, the album was recorded in Durham, NC with collaborator and producer Brad Cook. The creative magic of only a few vocal takes, tracking with a band comprised of Spencer Tweedy and Phil Cook, gives the album a feel of fresh, on-the-spot conception. The trust and history of Crutchfield and Cook's collaborations (Saint Cloud, Great Thunder EP) set the tone for this new container of spontaneity and experimentation.And that's the thing about Country music, and what so much of this album nods to - from Waylon and Willie, to The Judds, The Chicks, Trio, and beyond - these are groups that are formed out of family and friendship, that lyrically take their listeners on a voyage of sorrow and hope. Crutchfield's sharp, honest edge of truth telling paired with Williamson's ability to paint the scene with candles, plains, sunsets, and small Texas towns is one of the strongest parts of this album.While Williamson sings "Texas in my rearview / Plains in my heart" and Crutchfield echoes "Got a heartbreak burn, take the quickest route / On this 4 lane highway I'll trace it in the clouds," the true gift of this album emerges. We're in the backseat with these two, truck windows open, wide open spaces in front of us. The feeling of being both a mess and unstoppable at our fingertips. May this album bring us all closer to ourselves and to each other.
Plains - I Walked With You A Ways [LP]
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Hailing from Mongolia, The HU are unlike any other rock band in the world, introducing their new style of music they call "hunnu rock" - from the Mongolian root word for human being, "hu". Since their release, the band has been #1 on the Billboard World Albums Chart, #1 on the Top New Artist Albums, and Top 5 Globally on Hard Rock Music Album Charts (US, Canada, UK, and more). They have toured the world extensively, with sold out shows in Europe, the UK, and the United States. Following the success of the The Gereg, which not only debuted at #1 but featured viral rock hits "Wolf Totem" and "Yuve Yuve Yu" reaching Top 10 at rock radio, The Hu are back with new album, Rumble of Thunder, showcased by 6 vinyl color variants globally. This album connects the world to Mongolian culture and it's unique core values of natural preservation and spiritual connection with the earth. These core values are on full display in the new album along with deeply meaningful lyrics uplift that Mongol people, as the band wishes for prosperity and peace among all.
The HU - Rumble Of Thunder [Fruit Punch LP]
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Double white colored vinyl LP pressing in gatefold jacket. 2022 release, the ninth album from the Las Vegas-based metal band. Five Finger Death Punch has amassed over 8 billion streams and 3 billion video views to date and have sold over one million tickets between 2018 and 2020 alone. Afterlife features the singles 'Welcome to the Circus', 'IOU', and the title track.
Five Finger Death Punch - Afterlife [White LP]
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5 Seconds of Summer - 5SOS5 (White Vinyl) The 2022 release from Australian pop-rock band, 5 Seconds of Summer Single disc vinyl
5 Seconds Of Summer - 5SOS5 [LP]
$27.99
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Band Of Horses

Things are Great [LP]

Vinyl: $25.99 UNAVAILABLE

MP3 Album: $9.99 Download

Band of Horses’ sixth album and first record in more than five years.  Sonically, the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses. Emotionally intense, both on a personal and elemental level, on Things Are Great we find band founder Ben Bridwell more autobiographical than he’s ever been on record detailing the nebulous frustrations and quiet indignities of relationship changes and what a person will do to make things right.

Band Of Horses - Things are Great [LP]
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Joan Shelley returns with "The Spur" her first new album in three years. The twelve song set is a profound meditation on light and darkness, recorded in the spring of 2021 at Earthwave Farm in the Kentucky countryside. James Elkington serves as co-producer (alongside Shelley) and the album features collaborations with Bill Callahan, Meg Baird and the British novelist Max Porter along with Shelley’s musical partner Nathan Salsburg. 

Joan Shelley - The Spur [Indie Exclusive Limited Edition Clear LP]
$23.99

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