Indie Exclusive Releases

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White Denim

White Denim's new album 'Performance' collects nine expertly crafted songs that twist and turn, bending genres in the band's unique style. Students of rock music, White Denim has clearly listened to and learned from the best albums ever made from T. Rex to XTC to Little Feat to Jim O'Rourke...but they write songs just dumb enough to drink, dance, and fight to. Rock and roll music that aims for the whole body. Recorded in hometown Austin, Texas in their new Radio Milk studio, Performance displays a band of extraordinary musicians at their creative peak.

White Denim
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The Love Language

Limited-edition, indie-only. Single LP on pink + yellow marble vinyl in same packaging as standard LP. Includes coupon for full download + 2 extra digital tracks. Limited to 2,500  worldwide.

You may not be able to see the gorgeous landscapes behind Baby Grand, Stuart McLamb’s fourth record as The Love Language, but they’re so essential to the picture you’ll feel them in every note. Started in, of all places, a cavernous Virginia hammock factory, fragmentary demos came alive when splashed by sunshine during a move across the country to California, where the album was completed. “It was something just about being in a new city, and a new light,” McLamb says, “and reopening the sessions, and this demo that I thought was a throwaway, suddenly I’m really feeling it….” You can hear the freedom kick in when the backwoods country shuffle of “Castle in the Sky” explodes into a full-on aughts anthem, equal parts outstretched arms and pumped fists.




The Love Language
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The Rock*A*Teens

Limited-edition, indie-only. Single LP on translucent green vinyl. Includes 24” x 24” full color foldout poster. Includes coupon for full download

Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.

Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.

Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.

The Rock*A*Teens
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Arthur Buck

Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017.  Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.

That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.

Arthur Buck
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Melody's Echo Chamber

Melody's Echo Chamber (aka Melody Prochet) has confirmed her second album, Bon Voyage, will be released on June 15th on Fat Possum Records. Made up of seven expansive tracks, Bon Voyage marries Melody's breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).

Bon Voyage is a collaborative record between Prochet and Dungen's Reine Fiske and The Amazing's Fredrik Swahn with Melody sculpting and producing the sessions as well as encouraging the players around her to experiment, often with instruments that might be less familiar to them. It also features special guests Gustav Esjtes and Johan Holmegaard (both from Dungen) and Nicholas Allbrook (Pond).

Melody's Echo Chamber
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Neko Case

Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. 

On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.

Neko Case
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Soccer Mommy

Soccer Mommy is the project of twenty-year-old Sophie Allison, a Nashville native. She cut her teeth in her local DIY scene, going to shows and hanging out with other musicians, though she kept her own songwriting secret. All that changed the summer before Allison left for college. She bought a Tascam digital recorder and began to experiment with production, pushing the quality and craft of her songs to new heights. A buzz began to grow around her Bandcamp recordings, leading to live shows and eventually a record deal, with 2017’s critically acclaimed bedroom-recorded compilation Collection. “I realized that I could do this full-time,” says Allison. “It was either quit school now and do it, or stop growing as an artist. It was now or never.”

So Allison took the plunge. She quit school, moved back home to Nashville, shifting all her focus to music. She toured with Mitski, Jay Som, Slowdive, and others, and was featured in the New York Times article “Rock’s Not Dead, It’s Ruled By Women.” The bedroom project of Sophie Allison is now a full-time band with a new studio-album debut, Clean. Produced by Gabe Wax (War On Drugs, Deerhunter, Beirut) and mixed by Ali Chant (Perfume Genius, PJ Harvey), Clean is Allison’s journey out of the bedroom and into the studio.

Clean presents Sophie Allison as a singular artist, wise beyond her years, with an emotional authenticity all her own. “It feels like my first real record,” says Allison. “It’s my first real statement.” It’s an emotional album, heavy on themes of growth, isolation, and change, but balanced by a lightness of touch, and with hooks to spare. Clean is a true step forward, a mature, powerful album from an artist just coming into her power.

Soccer Mommy
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Graveyard

Gothenburg, Sweden’s Graveyard has been flying the classic hard rock, blues and psychedelic rock banner since the band’s inception in 2006.

Graveyard
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Trampled By Turtles

Life is Good on the Open Road is the welcome return that the group's legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life is Good on the Open Road.

Trampled By Turtles
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Horse Feathers

Horse Feathers feels like a secret you don’t really want to share. Over twelve years and five albums, a passionate fan base has experienced this band as a precious commodity that they want to keep close to their hearts. The signifiers of the band are there: Justin Ringle’s warm tenor and taut lyrics that speak of work, love, and other struggles; but on this album less of the song dynamics are achieved with strings and more with an exciting new rhythm section steeped in Northern Soul, creating a sound that leaps into the spotlight. Diehard fans are going to have to make room in the club house for a lot more people – with this album, the Horse Feathers secret is officially out.

Horse Feathers
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Dr. Dog

'I feel like I'm in a totally new band right now' says Dr. Dog guitarist/singer Scott McMicken. It's a bold declaration considering he's been co-fronting the beloved indie outfit for a decade-and-a-half, but it cuts straight to the heart of the intense and transformative experience behind the group's brilliant new album, 'Critical Equation.' Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), 'Critical Equation' is the most infections and adventurous collection Dr. Dog has laid to tape yet. The record was born from a journey of doubt and discovery, a heavy, sometimes painful reckoning that ultimately brought the band closer together with more strength and clarity than ever before. Call it an existential awakening, call it a dark night of the soul, whatever it was, it fueled one of the most fertile creative periods in the group's history.

Dr. Dog
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TesseracT

The pioneers of an ever-evolving metal scene, TesseracT, are set to release their fourth studio album entitled Sonder. The album adds significant firepower to the band's arsenal, blending the abrasive and progressive tone from their first two records with the accessibility of Polaris. It also includes field recordings submitted by the band's online fan base, giving an insight into the complex and varied lives of others; a theme which is also referenced in the artwork, designed by bassist Amos Williams, and the wider concept of self-identity within a population full of complex and vivid lives. For the first time, TesseracT acquired the talents of a choir for their album, produced and conducted by Randy Slaugh and recorded at Soularium Studios, Utah. Sonder was recorded in the UK at 4D Sounds, Celestial Sounds and Project Studios, and engineered by the band and mastered by Acle Kahney.

TesseracT
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A Perfect Circle

The album arrives following years of anticipation and speculation, which reached a fever pitch as the outfit helmed by Maynard James Keenan and Billy Howerdel launched their Fall 2017 tour with the release of “The Doomed”. The band then ushered in the new year with the debut of the contemplative song, “Disillusioned”.

“Although I’m extremely excited to finally be completing this album after a 14-year hiatus,” explains Keenan. “I’m actually more excited that its intentional release date is serving a greater purpose. The 20th of April is Carina Round’s birthday. She is a dear friend who is extremely difficult to shop for. Pressure off. Of course, I must also note that the potheads are gonna be thrilled that this album comes out on 4-20. May it serve as a glorious soundtrack to accompany all of the giggling and vexing sounds of nibbling and snacking. Fingers crossed, Cheech & Chong will be proud.”

“Demos are these precious ideas that you love in their initial state,” adds Howerdel. “Then you collaborate, invite other ideas, and watch them progress. That’s the dynamics and growth of a great record. I feel we’ve made a great record.”

Eat The Elephant, which was co-produced by Dave Sardy (Autolux, Slayer), is being released in multiple formats including digital, CD, and double gatefold 180 gram vinyl. In advance of Record Store Day, a limited-edition independent retail exclusive version of the LP on white 180 gram vinyl with alternate cover will also be available.

A Perfect Circle
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John Prine

The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.

Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called 'God Only Knows'; Another incomplete song, 'I Have Met My Love Today' now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.

John Prine
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Blackberry Smoke

Pigeonholing Blackberry Smoke has never been easy.  Since emerging from Atlanta in the early ‘00s, the quintet – vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still – has become known for a singular sound indebted to classic rock, blues, country and folk. Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity.  Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”).  Rich instrumental flourishes – keening fiddle, solemn organ and bar-band piano boogie – add further depth and resonance.

Blackberry Smoke
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Wye Oak
Limited-edition, indie-only. Single LP on beige and blue "half-and-half" vinyl ("sand and sky vinyl") in same packaging as standard LP. Includes coupon for full download. Limited to 2,500 worldwide. The Louder I Call, The Faster It Runs-the triumphant fifth album by Wye Oak-begins with an explosion. For a few seconds, piano, drums, and a playful keyboard loop gather momentum; then, all at once, they burst, enormous bass flooding the elastic beat. "Suffering, I remember suffering," sings Jenn Wasner, her voice stretched coolly across the tizzy. "Feeling heat and then the lack of it, but not so much what the difference is." The moment declares the second coming of Wye Oak, a band that spent more than a decade preparing to write this record-their most gripping and powerful set of songs to date, built with melodies, movement, and emotions that transcend even the best of their catalogue.
Wye Oak
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Winter

Winter is the project of songwriter Samira Winter, who’s love for guitar music and nostalgic imagery inspired the dream pop/indie rock four piece. Samira grew up in Curitiba, Brazil listening to her American father’s punk records, and her Brazilian mother’s MPB (Brazilian Popular Music) tunes. Winter’s first full length album, Supreme Blue Dream, was released in 2015 on Los Angeles label Lolipop Records. Ethereality is the long-awaited follow-up album, coming on the heels of various single releases and international touring.

Winter
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Courtney Marie Andrews

'May Your Kindness Remain' is Courtney Marie Andrews statement piece.  It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year.  She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more. 

Courtney Marie Andrews
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Earthless

Earthless has a surprise for you. Whereas the band’s three previous albums featured anywhere from two to four completely instrumental space rock jams, the California trio’s fourth and latest, Black Heaven, is nothing like that. “It’s quite different,” drummer Mario Rubalcaba says with a laugh. “It has six songs, and most importantly it has vocals on about 70 percent of the record. There goes being pigeonholed as an instrumental band, I guess…”
Of Black Heaven’s six tracks, only two are instrumental. And one of those instrumentals is less than two minutes long. “It wasn’t a premeditated thing to do a record with vocals,” Rubalcaba explains. “On the older records, Mike was responsible for a lot of the riffs that would start these jams, but on this one Isaiah really brought his own pizazz and flavor to it. I’d say that’s one of the major differences on this album: It has more of Isaiah’s input. He took a risk bringing these ideas to us, not knowing if we’d like them. But as with everything we’ve done in the past, it felt very organic and natural.”
Black Heaven is a game changer for Earthless. Nobody is more aware of this than the band members themselves. But they also know this: you’ll never get anywhere if you’re running in place. “I’m sure there will be some people who have come to expect the big gargantuan space rock jams, and I don’t know if they’ll be into this or not,” Rubalcaba admits. “But I’m ready to deal with a little bit of disappointment from people who just want the freakout stuff. At the same time, I think people are gonna enjoy hearing a different side of us. If people really listen to what we’re doing, it’s gonna sound like us. Sometimes it just takes a few listens. And that’s the kind of stuff that pays off more in the end.”

Earthless
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The Decemberists

The Decemberists explore a new sound on their inspired 8th studio album I’ll Be Your Girl, out 3/17 on Capitol Records. The acclaimed Portland, Oregon-based band (with nearly 2M adj. albums sales) worked with producer John Congleton (St. Vincent, Lana del Ray) & embraced influences such as Roxy Music and New Order to spark a new creative path, as evidenced on synth-driven lead single “Severed.” The band kicks off their 2018 Your Girl / Your Ghost World Tour on 3/22.

The Decemberists
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Young Fathers

Young Fathers will release their third studio album, Cocoa Sugar, on March 9th, 2018 via Ninja Tune. The UK-based & Mercury Prize-winning trio recently shared their latest track & video 'LORD', which was described as 'Spectacular' by FADER, Crack, and Clash & earned praise by Stereogum, Paste, NME, Complex & more. The band will then return to the USA with a run of shows this Spring. Following their work on the score of Danny Boyle's Trainspotting 2, Young Fathers deliver their third and most ambitious record to date.

Young Fathers
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Buffalo Tom

In the three decades since first convening at the University of Massachusetts, Buffalo Tomsinger-guitarist Bill Janovitz, bassist-vocalist Chris Colbourn and drummer Tom Maginnishave built a formidable body of work. Having first made its mark with a raw, raucous approach that put the band at the forefront of the '90s alt-rock explosion, the intrepid trio has consistently revealed new layers of musical and emotional depth, as manifested in the bittersweet ballads, soul-searching songcraft and rousing rock tunes that make up the new album Quiet and Peace. The consistently compelling 11-song set (on the band's own Scrawny label, in association with Schoolkids Records) finds the band simultaneously mining their best-known sonic elements while breaking new ground on emotionally resonant new tunes such as "All Be Gone," "Overtime," "Roman Cars," "Freckles" and "CatVMouse.

Buffalo Tom
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Tracey Thorn

Limited-edition, indie-only. Single LP on translucent red vinyl. Includes coupon for full download. Limited to 3,000 worldwide.

“Nine feminist bangers,” Tracey Thorn joked when asked to describe her first solo album of entirely original material in seven years. Resplendent in Ewan Pearson’s unashamedly glittering electro-pop production, Record will be released on March 2, 2018.

“I think I’ve always written songs which chronicle the milestones of a woman’s life,” she says. “Different ages and stages, different realities not often discussed in pop lyrics. If 2010’s Love and Its Opposite was my mid-life album—full of divorce and hormones—then this album represents that sense of liberation that comes in the aftermath, from embarking on a whole new ‘no fucks given’ phase of life.”

On Record, the synth-driven tracks arrive and leave with a punchy sub-three-minute directness. The album packs an eloquent punch. As ever, the personal has often been political in Tracey Thorn’s work. Across four decades, her songs and writing have offered up a clear-eyed woman’s view of the immediate world around her, from the acerbic teen love songs of her first early ’80s band Marine Girls through sixteen years as one-half of articulate multimillion-selling duo Everything But The Girl, to her recent acclaimed memoirs and journalism.

Tracey Thorn