Indie Exclusive Releases

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Himesh Patel

"Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. From Academy Award®-winning director Danny Boyle and writer Richard Curtis comes a rock-n-roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life – Yesterday, due in theatres June 28.After a mysterious global blackout wipes The Beatles from history, Jack, a struggling singer-songwriter, finds himself performing songs by the greatest band in history to a world that has never heard them.

Capitol Records – The Beatles’ U.S. record label – will release the Yesterday Original Motion Picture Soundtrack, which features new versions of The Beatles’ most beloved hits, performed by the film’s star, Himesh Patel. Album producer Daniel Pemberton, a two-time Golden Globe-nominated composer, has created a soundtrack that both reflects the film and stands alone as a true listening experience, begging to be heard from beginning to end. Most of the songs were recorded specifically for the album."

Himesh Patel
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Ride

Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.

Ride
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Caamp

Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.

Caamp
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Violent Femmes

Limited pressing of blue colored vinyl ONLY available via your local indie record store

The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.

Violent Femmes
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Gauche

Washington, DC's Gauche present A People's History of Gauche, a collective catharsis of anger, frustration, and trauma through creativity. Jason P Barnett, Adrienne CN Berry, Mary Jane Regalado, Pearie Sol, and Daniele Yandel find their agency and joy through creating and performing music together in 36 minutes of groove-filled power punk. Gauche bring us music and movement and struggle and light, and now it is our job to dance!

Gauche
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Imperial Teen

Imperial Teen’s releases over the past 20+ years have been pointed and specific diaries of musical celebration, windows into the hypersensitive personal drama of relationships within the band, individual conquests and failures, and collective, aspirational hopes, dreams, and perspectives. Roddy Bottum, Will Schwartz, Jone Stebbins, and Lynn Perko Truell—who they’ve become, how they are dealing, and what their lives are in 2019—all of this is on Imperial Teen’s Now We Are Timeless.

Imperial Teen
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Tycho

With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.

Tycho
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Iggy Pop

Iggy Pop’s long-lost classic Zombie Birdhouse, a heady concoction of drones, Afrobeats and freeform lyrics, was his 6th solo studio album and represents him at his freewheeling best. Available on vinyl for the first time since the original Chris Stein produced release on Animal Records in 1982, the reissue was remastered by Paschal Byrne and features singles “Run Like A Villain” and “The Villagers,” sleevenotes by Irvine Welsh, and rare photographs from the original Esther Friedman photoshoot.

Iggy Pop
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The Black Keys

Indie Exclusive is a limited run of 3,500 total that will be made up of a red vinyl version, a white vinyl version and a blue vinyl version.

The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.

The Black Keys
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Chris Staples

Following 2015's beautifully written introspective album 'Golden Age', singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly'. While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.

Chris Staples
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Fruit Bats

Gold Past Life marks both an end and a beginning for Fruit Bats. It's the end of an unintentional thematic trilogy of records that began with 2014's EDJ (a solo record by name, but a Fruit Bats release in spirit) and hit an emotional peak with 2016's Absolute Loser. They encompassed years of loss, displacement, and the persistent, low-level anxiety of the current political climate. They were written in the wake of friends who left these earthly confines and families that could have been. But these salves, these songs on Gold Past Life, also represent new beginnings-the journeys that await after making it through troubled times. Gold Past Life is about rejecting notions of idealized nostalgia ("Gold Past Life") and the process of grounding oneself in the present, both geographically ("A Lingering Love," "Ocean") and spiritually ("Drawn Away"). With Gold Past Life, Eric Johnson of Fruit B hopes to bring more immediacy to the music and share positivity, hope, and motivation to keep on keepin' on with a wider audience.

Fruit Bats
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The Raconteurs

hand-screen printed LP jacket and white colored vinyl

The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.

The Raconteurs
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Travis

This is the first ever release of this pivotal performance by British alt-rock band Travis, timed around the 20th anniversary of the show and their breakthrough album, The Man Who. When The Man Who appeared in 1999, it eclipsed Travis’ previous successes, going platinum six times in the U.K., and going on to sell 3.5M copies worldwide, spawning more hit singles such as “Why Does It Always Rain On Me?” and “Writing To Reach You.” This Glastonbury performance became legendary, when, as Travis began to perform their song “Why Does It Always Rain On Me?” (after several hours of sunny weather), it began to rain exactly as the first line of the song was sung.

Travis
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Titus Andronicus

Single LP on half opaque gray / half black vinyl in same packaging as standard LP. Includes coupon for full download

An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini's world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it's most irreducible, as monolithic as the album's titular monument.

Titus Andronicus
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Buddy & Julie Miller

Their first album together in nearly 10 years, Breakdown On 20th Ave. South is an album of Julie Miller songs produced by Buddy Miller. As a couple and individually, Buddy and Julie have been nominated and received multiple awards including Grammys, Americana Awards, Dove Awards among others. Julie Millers songs have been recorded by a diverse range of artists including Emmylou Harris, Lee Ann Womack, Levon Helm, Solomon Burke, and Miranda Lambert. Buddy Miller is known for his work as a guitarist, performing live and in the studio with artists such as Robert Plant, Alison Krauss, Steve Earle and Emmylou Harris. Buddys production credits include albums with Plant, Harris, Earle, Patty Griffin, Shawn Colvin and many more.Breakdown On 20th Ave. South is a first rate showcase for Julies finely crafted lyrics. There is a line from the track Spittin' on Fire that best illustrates Julies sharp edged word play: You're a dangerous little storm, one part cold and one part warm. The song War Child is a cry for help that usually goes unheard. A cry for for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, Im Gonna Make You Love Me and Everything Is Your Fault hint at the ups and downs of love. The entire album is tied together by Buddys unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.

Buddy & Julie Miller
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Bastille

On June 14, Bastille will release their new album Doom Days on Virgin Records. Made by Dan Smith with bandmates Kyle Simmons, Will Farquarson and Chris ‘Woody’ Wood, and producer Mark Crew, it sees the GRAMMY®-nominated, Brit-winning band stretch out and open up like never before. The new album consists of 11 tracks and features previously released Quarter Past Midnight with the euphoric new single Joy out May 2. Doom Days marks something of a shift in perception from its widely acclaimed predecessor, the new album captures the need to temporarily switch off and escape. It celebrates real human connections and urges us to keep searching for those moments of elation. Hailed by Rolling Stone as “Britpop’s new crown princes,” Bastille has sold over eight million adjusted albums and amassed more than 6.5 billion cumulative streams globally.

Bastille
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Remo Drive

Remo Drive, the indie rock band conceived in suburban Minnesota by brothers Erik and Stephen Paulson, are back with their 2nd studio album Natural, Everyday Degradation. On this follow-up to their highly acclaimed 2017 release Greatest Hits, the band continue to evolve their sound, drawing on influences from such artists as Pedro The Lion, Arctic Monkeys, and Queens of the Stone Age. The band’s signature sound which features high energy guitars and Erik’s unique vocal style, along with thoughtful and clever lyrics have helped Remo Drive grow an avid following. The band will be touring extensively in support of Natural, Everyday Degradation.

Remo Drive
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Chris Robinson Brotherhood

Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’

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Jordan Rakei

Limited edition clear 180g heavyweight vinyl LP

New Zealand-born, Brisbane-raised, and now London-based Jordan Rakei has stepped up to the plate since releasing Wallflower in 2017, stamping his authority as a talented songwriter, producer and live performer. Now, having undergone a process of evolution and re- evaluation, grappling with big picture questions – namely, technological growth, and how it affects our sense of humanity – and responding to the changes in his personal life, he is back with a new album: Origin

Jordan Rakei
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Baroness

The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.

Side A

Side B

 

01 

Front Toward Enemy

02 

I'm Already Gone

03 

Seasons

04 

Sevens

05 

Tourniquet

06 

Anchor's Lament

01 

Throw Me an Anchor

02 

I'd Do Anything

03 

Blankets of Ash

04 

Emmett - Radiating Light

05 

Cold-Blooded Angels

 

Full Length Vinyl 2

 

Side A

Side B

 

01 

Crooked Mile

02 

Broken Halo

03 

Can Oscura

04 

Borderlines

05 

Assault on East Falls

06 

Pale Sun

 Side B on LP 2 will be an etching.

 

Baroness
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Bad Religion

Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.

Bad Religion are set to release their new album Age of Unreason, which can be described as  "a musical manifesto on the current political landscape.”  In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.

Bad Religion
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Ida Mae

Includes bonus CD “Live In Stoke Ferry Church” EP

"Ida Mae’s magic lies in the sensuous dovetailing of two voices and the intimacy of their songs. Their chemistry on stage isn’t just a dramatic pose and is a truly captivating sight to behold. Hailing from Norwich and born out of Kill It Kid who established their credentials in the British Music indie Rock world, Chris and Stephanie present themselves as a sensual version of White Stripes meets Civil Wars meets XX. Singing together, the couple have an unusual ‘which-is- which’ dynamic. They have recently finished recording their debut album with acclaimed producer and friend Ethan Johns (Ray Lamontagne / Kings Of Leon / Laura Marling) set to release in 2019. "GENERAL: - Upcoming album produced by Ethan Johns (Ray Lamontagne / Kings Of Leon / Laura Marling)

Ida Mae
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Sinkane

Sinkane is unique in that he is one of few artists that has a real, tangible stake in our current cultural and political climate, and it shows in the music. For the new album Dépaysé (a French word meaning to be removed from ones habitual surroundings.) Ahmed Gallab didnt just write a few protest songs in the style of the familiar Sinkane sound. Rather, you can FEEL the difference, the change that has taken place in the art. The falsetto of the earlier records is almost entirely gone in favor of an aggressive, clearly stated tenor. There is almost nothing in the lyrics that is ambiguous or even difficult to understand, and even the musics poppier moments are confrontational and bombastic. And while the new album is reflective of what the band has become musically, a wild raging force to be reckoned with live, it is at its heart about what real frustration feels like and what real change could require. It is by far the most personal, direct, unfiltered and raw Sinkane album.

Sinkane
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Kishi Bashi

Omoiyari is Kishi Bashi's fourth album, following the acclaimed 151a (2012), Lighght (2014), and Sonderlust (2016). Channeling the hard-learned lessons of history, Omoiyari reflects the turbulent socio-political atmosphere of present day America. "I was shocked when I saw white supremacy really starting to show it's teeth again in America," Kishi Bashi says. "My parents are immigrants, they came to the United States from Japan post-World War II. As a minority I felt very insecure for the first time in my adult life in this country. I think that was the real trigger for this project." Kishi Bashi recognized parallels between the current U.S. adminis- tration's constant talk of walls and bans, and the xenophobic anxieties that led to the forced internment of Japanese-Americans in the months following the attack on Pearl Harbor. So he immersed himself in that period, visiting former prison sites and listening to the stories of survivors, while developing musical concepts along the way. The unique creative process behind Omoiyari has been documented in a film scheduled for release in early 2020. "I didn't want this project to be about history, but rather the importance of history, and the lessons we can learn," Kishi Bashi reflects. "I gravitated toward themes of empathy, compassion, and understanding as a way to overcome fear and intolerance. But I had trouble finding an English title for the piece. Omoiyari is a Japanese word. It doesn't necessarily translate as empathy, but it refers to the idea of creating compassion towards other people by thinking about them. I think the idea of omoiyari is the single biggest thing that can help us overcome aggression and conflict." The strong conceptual elements of Omoiyari are driven by Kishi Bashi's captivating musical score. Stepping away from his past loop-based production model, he embraced a more collaborative approach when recording, and for the first time included contributions from other musicians, such as Mike Savino (aka Tall Tall Trees) on banjo and bass, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi's spectacular trademark violin soundscapes are still an essential component of his sound, but the focus of Omoiyari is centered squarely on it's songs. While the theme of Omoiyari is rooted in 1940s America, the album's message is timeless. In exploring the emotional lives of the innocent Japanese-Americans who were unjustly incarcerated, Kishi Bashi hopes to nurture a sense of empathy, or omoiyari, in all who hear the album.

Kishi Bashi
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David Hillyard & The Rocksteady 7

David Hillyard & The Rocksteady 7 have become one of the most prominent rocksteady groups based in the United States over the last several decades. Band leader David Hillyard (The Slackers, Hepcat) has assembled a rotating team of expert players for both studio sessions and live shows, featuring such recurring members as Larry McDonald (Carlos Malcolm, Lee Scratch Perry, Toots & the Maytals) and Eddie Ocampo. Playtime is group's first official record, originally released in 1999 by Hellcat Records. This lively mix of American jazz, world music, and roots is coming to vinyl for the first time in 2019.

David Hillyard & The Rocksteady 7
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Cate Le Bon

It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.

Cate Le Bon
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Amyl and The Sniffers

Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.

Amyl and The Sniffers
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Earth

With their latest album 'Full Upon Her Burning Lips', Earth have stripped away the layers and auxiliary instrumentation that embellished some of their previous records and have deconstructed their dynamic to the core duo of Dylan Carlson on guitar and bass and Adrienne Davies on drums and percussion. The ten tracks on 'Full Upon Her Burning Lips' came together in bits and pieces. Some songs stemmed from a handful of musical phrases and repeating patterns concocted in moments of downtime during their 2017 tour schedule, while others came from rehearsals in the months leading up to recording or in moments of divine inspiration in the studio. The record was engineered, mixed, and mastered by longtime associate Mell Dettmer at Studio Soli. Knowing their process and their sound, Dettmer helped harness, shape, and document the songs in a manner that highlights the depth of Earths sparse components, capturing a hidden dimension to the patterns and creating a kaleidoscope of auditory activity.

Earth
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David Bowie

Limited Red Vinyl, 45th Anniversary Edition of DIAMOND DOGS featuring the 2016 remaster.  

David Bowie
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Stray Cats

Brian Setzer (guitar, vocals), Lee Rocker (bass, vocals) and Slim Jim Phantom (drums, vocals)--original founding members of the iconic and acclaimed American rock and roll trio--are celebrating their 40th anniversary with a new album. STRAY CATS have titled the album 40. Marking their first new album in 26 years, it will be released via Surfdog Records (CD, vinyl, digital). The song titles alone--including “Cat Fight (Over A Dog Like Me),” “Rock It Off,” “Mean Pickin’ Mama,” and “Devil Train”—instantly let listeners know they’re in for a non-stop rocking time.

Stray Cats
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Cold Showers

A few years have passed since their last album for DAIS, but Los Angeles-based Cold Showers steadily returns to the label’s roster with their third album, Motionless, wielding a more developed pop sound that is familiar to followers, yet more sophisticated and evolved than their previous works. Having traversed the realm of synth-laced post punk expertly for close to a decade, their return with the new album Motionless is a process-based album that reaches into the band's collective quiver, melding their familiar anthem infused post-punk and lush, grand pop influences.

Cold Showers
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Saint Vitus
Seven years after their epic comeback album, 'Lillie: F-65' (2012), legendary doom metal trailblazers SAINT VITUS return with their eponymous new album. The band sees the return of their original vocalist, Scott Reagers, as well as the addition of new bassist Pat Bruders (DOWN, ex-CROWBAR), who join long-time drummer Henry Vasquez and founder/guitarist Dave Chandler. As if in a time machine, the seasoned quartet pick up where their 1985 classic 'Hallows Victim' left off. Saint Vitus delivers nothing less than the truest and most enduring representation of original and fundamental doom metal.
Saint Vitus
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Full Of Hell

FULL OF HELL make their Relapse debut with their most explosive album to date, Weeping Choir. Dynamic, pissed, and wholly urgent, the highly anticipated Weeping Choir is a definitive statement of intent by one of the underground’s most dynamic and virulent entities. FULL OF HELL have once again culled the extreme elements from hardcore, metal, and power electronics to redefine darkness and sheer brutality. Distorted guitars, and ominous, disparate electronics grind and gnash against rapid-fire drumming, as FULL OF HELL take themes of religion, loss, hatred, and set them ablaze. Recorded by the critically acclaimed Kurt Ballou at GodCity Studio, Weeping Choir sees FULL OF HELL fully unleashed. Abrasive, confrontational, none equal!

Full Of Hell
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Milt Hinton And Friends

Here Swings The Judge is Milt Hinton’s first LP as a band leader, and includes intimate, private recordings featuring Ben Webster on tenor saxophone before his departure to Europe in 1964. The remaining tracks consist of dynamic studio recordings produced by Harry Lim, and feature prominent players such as Jon Faddis and Budd Johnson. These sessions range from the swinging “Blue Skies,’ to the slow, serene blues of “Blues for the Judge.” This is truly an impressive collection of recordings from the group of early jazz musicians.

Milt Hinton And Friends
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Mac DeMarco

Mac DeMarco returns with his newest album, Here Comes the Cowboy, the first album to be released on his new independent label, Mac’s Record Label. The album features lead single “Nobody,” and is available on May 10.

Mac DeMarco
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The Mystery Lights

The Mystery Lights's sophomore album on Daptone's rock subsidiary, Wick Records, finds the group digging deeper into their well of eclectic influences, enriching their sound without echoing the past. It mixes the eerie, insistent synth sounds of groups like The Normal and Suicide, the energy and swagger of punks golden age, the pop sensibility of The Kinks, and the stark, deliberate execution of Television. The Mystery Lights are taking their idiosyncratic brand of rock and roll to dizzying new heights.

The Mystery Lights
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Justin Townes Earle

12" Vinyl 2LP, 4th side etch, split gold and yellow colored. Limited to 500.

The Saint Of Lost Causes
is the 8th album from American roots troubadour, Justin Townes Earle.  Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.

Justin Townes Earle
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Defeater

Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album

Defeater
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Barrie

Inclusivity is at the heart of Barrie, the Brooklyn five-piece made of Barrie Lindsay, Dominic Apa, Spurge Carter, Sabine Holler and Noah Prebish. And on their debut LP Happy To Be Here, their multidimensional take on classic pop sounds awake and present, like a group that’s daydreaming but firmly there with one another. Barrie, the band, is primarily her project; on the record, which she co-produced with Jake Aron (Snail Mail, Solange, Grizzly Bear), Lindsay plays guitar, piano, synth and bass. But still, Barrie is distinctly not a solo project, and Happy To Be Here—out May 3, 2019 via Winspear—is very much a full band record.

Happy To Be Here offers snapshots of the band coming together in the city, after having lived all over: Boston, Baltimore, upstate New York, London, São Paulo via Berlin. “The scaffolding of this album is moving to New York and finding t

Barrie
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Filthy Friends

Emerald Valley is the sophomore effort from supergroup Filthy Friends, out May 3 on Kill Rock Stars. This album finds Corin Tucker, Peter Buck, Scott McCaughey, Kurt Bloch, and new drummer Linda Pitmon flexing their muscles both sonically and thematically: the music contains more surprises and sophistication, while the lyrics take on the current state of our planet and our people. The album title and title track come from another name for Eugene, OR, Tuckers home city, and evolved, in her words, into a sort of manifesto about the kind of place we are at as a country but also as a region. Just taking stock of where were at and feeling like I cant believe we let things get this bad.

Filthy Friends
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Frank Carter & The Rattlesnakes

2019 release. Frank Carter & the Rattlesnakes return with their third studio album End of Suffering. Recorded at Chapel Studios with Cam Blackwood (George Ezra/Jack Savoretti) and mixed by Alan Moulder (Nine Inch Nails/Queens of the Stone Age) - End of Suffering (named after the Buddhist term for enlightenment) is the sound of a band entering an entirely new realm of the senses, a forty minute rock 'n' rollercoaster of molten-hot bangers, scorched-soul ballads and grunge lullabies laced through with a lacerating lyrical honesty.

Frank Carter & The Rattlesnakes
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Big Thief

U.F.O.F., F standing for ‘Friend’, is the name of the highly anticipated third record by Big Thief, set to be released by 4AD on May 3rd. The New York-based band, featuring Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums), has spent the last 4 years on an incessant world tour, winning the devotion of an enthusiastic and rapidly expanding audience. Their songs represent an emotional bravery and realness that weaves intimate relationships with the listener, a phenomenon that has made them one of the most widely-respected bands of the current era. Their first two back-to-back releases, Masterpiece (2016) and Capacity (2017), have been analysed, wept to, danced to, critically applauded, imitated, hummed idly, and shouted out loud. They have soundtracked crowded restaurants, difficult conversations, cowboy bars, yoga classes, night drives, and lonely bedrooms. U.F.O.F. was recorded in rural western Washington at Bear Creek Studios. In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums. Having already lived these songs on tour, they were relaxed and ready to experiment. The raw material came quickly. Some songs were written only hours before recording and stretched out instantly, first take, vocals and all. Others were explored in search of perfected moments of dynamic feedback and spiritual, rhythmic togetherness. A careful New Age sprinkle of mystical textures and stabs was added and kept in the mix only when all agreed that each element had become absolutely crucial to the tune. The completed palette feels classic, upfront and honest, with an occasional, welcome glimpse into the magic box.

Big Thief
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Protomartyr

When PROTOMARTYR—vocalist Joe Casey, guitarist Greg Ahee, bassist Scott Davidson, drummer Alex Leonard—stepped into a studio together for the first time, in November of 2011, they didn’t know they were about to record an album. With only four hours of studio time booked and one case of beer between them, their plan was to walk out with enough songs for a seven-inch single. Instead, at the suggestion of engineer Chris Koltay, the newly formed Detroit outfit recorded as much as they possibly could, in what little time they had. They left with 21 songs—enough material for two singles *and* a full-length album that, years later, is still vital listening. Sold out and out of print shortly after its original release on Urinal Cake Records in 2012, NO PASSION ALL TECHNIQUE is a sometimes messy look at one of rock’s most magnetic bands—and lyricists—just as they were coming to life. Primal, cerebral, heartbreaking, funny—it’s an accidental tour de force that’s also become an unlikely collector’s item. “My memory is shot,” Casey says, “but I appreciate now, looking back, how raw and off-the-cuff it was. There’s tons of mistakes in it and that wasn’t because we planned on it. We still can’t really admit that it’s as good as it is. You never want to say that your first is the best, but I’m happy that the first ended up not being terrible. It gave us doorway to what we’d want to do later. ”

Protomartyr
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The Mountain Goats

Deluxe Edition-- Double LP on yellow & green marbled vinyl in double gatefold jacket, housed in debossed dragon scale pattern slipcase. Bonus 7-inch (same as peak version, black vinyl) & collectible Dragon Leaguemembership card inside packaging. Includes coupon for full download. Indie Only. Limited Edition

The Mountain Goats are John Darnielle, Peter Hughes, Jon Wurster, and Matt Douglas. They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair & persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. Thank you.

The Mountain Goats
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The Mountain Goats

Double LP on green vinyl in same packaging as standard version & a bonus 7-inch with two non-album songs (on black vinyl). Includes coupon for full download. Indie Only. Limited Edition

The Mountain Goats are John Darnielle, Peter Hughes, Jon Wurster, and Matt Douglas. They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair & persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. Thank you.

The Mountain Goats
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Josh Ritter

Josh Ritter is returning this year with a new full-length, his tenth studio LP and follow-up to 2017’s Gathering. The Americana songwriter’s latest album, Fever Breaks, spans 10 tracks recorded at Nashville’s RCA Studio A over the second half of the past year. Jason Isbell produced the effort, which features his band The 400 Unit playing backup. It’s an exciting confluence of talents, and the promised chemistry bears out on the album’s gritty lead single “Old Black Magic”.

Josh Ritter
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Bailen

BAILEN’s musicality springs from a very deep well, in fact, it’s in their DNA. Raised in New York City by their classically trained parents, siblings Daniel, David and Julia Bailen (fraternal twins and younger sister, respectively) immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Produced by GRAMMY-Award winner John Congleton (St. Vincent, The War on Drugs) the transcendent harmonies, striking arrangements and meticulous songcraft of BAILEN’s debut album, Thrilled To Be Here, are rooted in the young group’s unusual self-assurance, preternatural insight and potent lyrical bite.

Bailen
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AJR

AJR's highly anticipated follow up album to The Click.

AJR
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Rhye

Rhye’s sophomore LP Blood is getting the remix treatment. Blood Remixed finds over a dozen artists and producers reworking tracks from the original album, including Moon Boots, Jacques Greene, Channel Tres, Little Dragon, Jeff Samuel, and more.

Rhye
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The Drums

Brutalism is quite possibly the best collection of songs in The Drums’ ten-year career. The album is defined by growth, transformation and questions, but it doesn’t provide all the answers. Brutalism is a form of simplistic architecture defined by blocks of raw concrete. Brutalism is rooted in an emotional rawness but its layers are soft, intricate and warm, full of frivolous and exquisitely crafted pop songs that blast sunlight and high energy in the face of anxiety, solitude and crippling self-doubt. Even the fact that Brutalism sounds intentional, focused and efficient is a symbol of how Pierce’s prioritizing of his own health and wellbeing has bled into how he makes music. For the making of this album, between his lake house in Upstate New York and a studio in Stinson Beach, California, Pierce was more open than ever, keeping his control freakery at bay, working with others to produce and record the album. He brought in Chris Coady (Beach House, Future Islands, Amen Dunes) to mix it. If there was a guitar part he wanted to write but couldn’t play, he brought in a guitarist. It’s also the first Drums record with a live drummer. Delegating freed up Pierce’s time to produce a more specific vision. His intentions were rooted in pop, as they’ve always been. Back in The Drums’ previous iterations, however, the pressure was on Pierce to maintain the innocent and nostalgic sound of this surf-pop indie band and it didn’t allow him to explore sex, drug use, darker emotions or how he felt currently. Abysmal Thoughts was the first occasion he had chance to do that. Lyrically Brutalism is another giant step in that direction. It’s much more cut-throat. “I think there’s a parental advisory sticker on the cover!” laughs Pierce. “I didn’t have the courage to stand up for what I wanted before. I felt I had to keep things whimsical and that’s not who I am. It feels empty.” Sonically he had been devoid of external influences, so afraid of being accused of losing the purism of The Drums’ sound. Now he’s rediscovering music: everything from SOPHIE to 90s band Whale. They inspired the loop-based, breakbeat drums on ‘Kiss It Away’ and ‘Body Chemistry’. “I used to think our songs sounded like they were held together by scotch tape. These are more bulletproof.”

The Drums
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Professor Longhair

The Professor Longhair live album documents a performance underwritten by Paul and Linda McCartney. The album was recorded March 24, 1975 on the Queen Mary cruise ship docked in Long Beach, California, USA at a private party hosted by Paul and Linda McCartney. Highlights include the rollicking "Mess Around," and the standards "Stagger Lee," "Everyday I Have the Blues," "I'm Movin' On," and his hits "Mardi Gras in New Orleans" and "Tipitina." Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair, was a New Orleans blues singer and pianist. He was active in two distinct periods, first in the heyday of early rhythm and blues and later on during the resurgence of interest in traditional jazz surrounding the start of the New Orleans Jazz and Heritage Festival. He influenced other New Orleans musicians such as Fats Domino, Allen Toussaint and Dr. John with his rumba, mambo, and calypso piano based blues sound. 

Professor Longhair
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Pup

They say in the world of punk music nothing is given and everything is earned. Over the course of two albums PUP has given blood, sweat and vocal chords to earn every one of their accomplishments. This hard work has seen them go from scrappy young upstart on the mean streets of Toronto to bona fide punk rock heavyweights, garnering accolades from NPR Music, The New York Times, Pitchfork, and Rolling Stone. PUP have sold out headlining tours across the globe, played mainstages at major festivals and been nominated for awards but they have never stopped working, and from that effort they have emerged with their new album “Morbid Stuff.”

“Morbid Stuff” features 11 new songs that ooze passion, emotion and raw energy. This album captures the chaotically catchy, visceral sound that has already made PUP punk rock torchbearers and critical favorites, and continues to push and propel their music to the next level. “Morbid Stuff” is sure to draw in old and new fans alike to sing and shout along and share in the full experience of listening to PUP.

Pup
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Steve Earle & The Dukes

Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king.

Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'

Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end GUY leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. GUY is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, GUY is a diamond.

Steve Earle & The Dukes
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Beth Gibbons

Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) _performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki. The performance took place at The National Opera Grand Theater in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski. Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Krzysztof Penderecki has been hailed as triumphant, as you can see and hear on this release.

Beth Gibbons
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Son Volt

Limited to 1,000 Copies

Includes Signed 11x11 Screen Print

Led by vocalist, guitarist, and songwriter Jay Farrar, Son Volt became one of the leading bands in the alternative country community, attracting critical praise and an audience that was loyal if not always large. Farrar has collaborated with Ben Gibbard (Death Cab for Cutie), Steven Drozd (The Flaming Lips), Jeff Tweedy (Wilco) and several other well respected artists / musicians. Their upcoming album Union will be the bands 10th studio album mixes present and past into strong confluence.The thirteen new songs written by Farrar confront our turbulent politics and articulate the clarity and comfort music can offer in the tumult.

Son Volt
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Jenny Lewis

Having ended 2018 on a high note with the announcement of her fourth solo album On The Line—to be released March 22nd on Warner Bros. Records—Jenny Lewis has now unleashed the first taste of her highly anticipated return with the first single, “Red Bull & Hennessy

Jenny Lewis
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Lambchop

As with 2012's engrossing Mr. M and 2016's staggering FLOTUS, Kurt Wagner's openness to unexpected collaborators to give his thoughts and feelings the shape they need was central to the creation of This (is what I wanted to tell you). In the summer of 2017, Wagner re-met Matthew McCaughan, who has spent the last decade drumming for the likes of Bon Iver and Hiss Golden Messenger. McCaughan told Wagner he had been adventuring inside the world of rack-mounted analogue synthesizers and asked if Wagner might send some vocals to which he could compose. They became instant musical pen pals, with Wagner sending him a cappella takes of new song ideas and McCaughan dispatching long-form synthesizer pieces for inspiration. McCaughan eventually headed to Nashville, where, together, they put a band behind the songs, using pedal steel and piano and the harmonica of Nashville legend Charlie McCoy to color in the spaces of these black-and-white sketches.

Lambchop
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La Dispute

La Dispute is five close friends from the Upper Midwest with a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.

La Dispute
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Andrew Bird

My Finest Work Yet finds Bird grappling with themes of current day dichotomies and how to identify a moral compass amidst such divisive times. “I’m interested in the idea that our enemies are what make us whole—there’s an intimacy one shares with their opponent when locked in such a struggle. If we were to just walk away would our enemies miss us? How did we get to this point and how can we, through awareness of it, maybe pull ourselves out of this death spiral,” says Bird.

Andrew Bird
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Fallujah

California progressive death metallers Fallujah are swinging upward and venturing outward on new album, Undying Light. With new vocalist in Antonio Palermo (also of Underling fame) firmly in position and a no-filler, all-killer songwriting attack, Undying Light isn’t the follow-up to Dreamless, it’s a massive jump forward. Whereas Dreamless wandered intelligently and resonated lithely, new tracks such as “Glass House,” “Ultraviolet,” “Eyes Like the Sun,” and closer “Departure” find Fallujah stripped down, razor-sharp, and emotionally charged.

Fallujah
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Dido

One of the biggest selling UK artists of all time, Dido returns with her 5th studio album "Still On My Mind".

Dido
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Chatham County Line

North Carolina-based ensemble Chatham County Line will return with their eighth studio album this spring titled Sharing The Covers. The album is, at its core, a tribute to those whom Chatham County Line hold dear, and a chance for the group to perform modern and traditional classics in the bluegrass-style they're known for best. On the 13-track collection, CCL takes the familiar and adds a touch of originality to create a wholly new and inventive roster of covers by Tom Petty, Alton Delmore, John Lennon, The Louvin Brothers, Beck, James Hunter, and more.

Chatham County Line
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Buckcherry

Ask Josh Todd about the inspiration behind Warpaint, Buckcherry’s eighth studio album--and indeed, the frontman’s goal in making music--and he’s got a ready response: “I want to connect with people, host the party, and give people a night they’re never going to forget,” Todd says. As he sings in Warpaint’s title track, “I wanna have fun blowing out your eardrums keep it rocking state to state.” The Los Angeles-based lineup has been doing exactly that since the 1999 release of their self-titled album. Hits including “Lit Up,” “For the Movies,” “Crazy Bitch” and “Sorry,” not to mention Grammy nominations, international touring and Platinum sales, have solidified Buckcherry’s rock ‘n’ roll bona fides. Warpaint, produced by Mike Plotnikoff (Halestorm, All That Remains), with a March 8, 2019 release date, adds to that impressive legacy, boasting the dynamics and immediacy of the band’s incendiary live show, coupled with Todd’s personal, no-holds-barred lyricism.

Buckcherry
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Weezer

Weezer (The Black Album) was produced by TV On The Radio's Dave Sitek, with whom the band worked for the first time. The album's songs were entirely written on piano by frontman Rivers Cuomo for the first time in Weezer history, creating some of the most satisfyingly awesome songs in the entire hits-filled Weezer catalogue. With band members switching up instruments in the studio, and choruses filtered through Sitek's own encyclopedic musical references of everything from Gorillaz to Can to Pink Floyd, Weezer (The Black Album) is the bold next step in the winning streak of acclaimed albums they've released since 2014.

Weezer
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The Cactus Blossoms

The Cactus Blossoms - Minneapolis-based blood harmony brother duo Page Burkum and Jack Torrey - return with new album Easy Way (March 1), a self-produced collection of ten new originals on their own Walkie Talkie Records.  Featuring special contributions from Dan Auerbach and renowned saxophonist Michael Lewis (Bon Iver, Andrew Bird), Easy Way expands on the creative turns of phrase, gorgeous harmonies, and ageless sound (NPR) theyre known and loved for to deliver something new and distinctly modern.Since the release of their 2016 debut Youre Dreaming, The Cactus Blossoms experienced a number of breakout moments, including tours with Kacey Musgraves and Lucius, appearances on prestigious stages from Newport Folk to Lincoln Center, and a perfectly cast appearance on the third season of David Lynchs Twin Peaks.

The Cactus Blossoms
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Meat Puppets

The legendary Meat Puppets have reunited and put together an album of new music. The album, Dusty Notes, will be available March 8th via Megaforce records.  Includes the single "Warranty".

Meat Puppets
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Nightwish

Formed in 1996 Nightwish have made a name for themselves all over the world. Nuclear Blast America is excited to finally re-issue some of the band’s most beloved records like “Once”, “Dark Passion Play” and the band’s 2009 live record “Made in Hong Kong (And in Various Other Places)”. This will also be the first time these records have been made available domestically on vinyl.

Nightwish
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Nightwish

Formed in 1996 Nightwish have made a name for themselves all over the world. Nuclear Blast America is excited to finally re-issue some of the band’s most beloved records like “Once”, “Dark Passion Play” and the band’s 2009 live record “Made in Hong Kong (And in Various Other Places)”. This will also be the first time these records have been made available domestically on vinyl.

Nightwish
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Nightwish

Formed in 1996 Nightwish have made a name for themselves all over the world. Nuclear Blast America is excited to finally re-issue some of the band’s most beloved records like “Once”, “Dark Passion Play” and the band’s 2009 live record “Made in Hong Kong (And in Various Other Places)”. This will also be the first time these records have been made available domestically on vinyl.

Nightwish
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Devil Master

Philadelphia's DEVIL MASTER stake their claim as one of the most venomous, twisted entities in the underground with their hellish debut, Satan Spits on Children of Light. The album, recorded, mixed, and mastered by Arthur Rizk (POWER TRIP, MAMMOTH GRINDER, OUTER HEAVEN, and more,) rattles the very gates of hell with a vile dose of black metal-infused punk mayhem. Commanding the steel of VENOM, the fury of BATHORY's earliest years, and the raw, uncompromising nature of the notorious GISM, Satan Spits on Children of Light sees DEVIL MASTER emerge from the grave and reach new blasphemous heights. Give in to the Satanic panic and obey your DEVIL MASTER!

Devil Master
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Frankie and the Witch Fingers

Frankie and the Witch Fingers' fifth LP, ZAM, bleeds beyond borders and boundaries. Its opening preternatural sounds bubble up out of the primordial soup, spilling into our world, invading the inner recesses of the listener's mind. Like a two-headed snake wrapped around the skull, the album pendulates between winding instrumentals and dancey riffs that pop like supernovas out of the black void. Just when a song goes one way, it propels another through long stretches of a cosmic inferno. Bringing glimmers of krautrock and funk, its eleven tracks unleash a versatile and tenacious weight, slithering between the sexy, the aggressive, the vivacious, and the disorienting-until the living invasion is felt-ZAM-a supernatural entity summoned by four madmen obsessed with tearing open a gateway to dark space. After being pulled apart atom-by-atom, the listener is reconfigured on the other side, born unto starry wasteland. Where head is separated from body. Where music is seen and apocalyptic soundscapes flow to revelation. A funhouse undercurrent pulses through the album's epoch, reflecting a carnival mosaic shrewdly lulling and doggedly brutal. As one track bleeds into the next, that hour of running time becomes wormhole travel, until the listener returns earthbound, transmuted, craving more odyssey.

Frankie and the Witch Fingers