Indie Exclusive Releases

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A fever dream in sonic form, The Alien Coast is the first album St. Paul & The Broken Bones recorded in their hometown of Birmingham. Produced by Matt Ross-Spang (Drive-By Truckers, Margo Price) - the bands fourth full-length is a dizzying convergence of rock & roll and R&B, psychedelia and stoner metal, gospel and jazz-funk. At turns explosive, elegant, and thrillingly unhinged - it makes for a majestic backdrop to the groups visceral exploration of the strangest dimensions of the human psyche.

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Bad Suns sound - dreamy '80s pastiche flanked by Stratocasters through cranked Vox amps, pulsing synths, and palpable rhythmic energy - that endeared listeners to the band in the first place, and their fourth LP, APOCALYPSE WHENEVER, uses that musical foundation as the jumping-off point for their next evolution. Conceived as "the soundtrack to a movie that doesn't yet exist," the 13-track album, helmed by longtime producer Eric Palmquist (MUTEMATH, Thrice) at his Palmquist Studios and the band's North Hollywood rehearsal spot, is more conceptually rigorous than anything they've ever attempted - but no less compelling or accessible. "We also knew we wanted the album to have a through-line, a story from beginning to end," frontman Christo Bowman explains, so the band did what any good directors would: They assembled a mood board, filtering their neo-noir version of Los Angeles through the dreamlike haziness of author Haruki Murakami, the futuristic flair of Terminator 2: Judgment Day and Blade Runner, and the lifted cinematography of Spike Jonze's HER. These disparate influences don't just offer APOCALYPSE WHENEVER an expanded palette of sonic choices to color Bad Sun's airtight hooks - they help give the songs an emotional complexity that works on a multitude of levels depending on how listeners choose to receive them.

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Swan Song is the 5 th  studio album from Ohio based metalcore act The Plot In You. It is the follow up to the four piece’s 2018 Fearless Records debut Dispose and will be released on September 17.

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Noah Gundersen returns with his much anticipated new album, ‘A Pillar of Salt’ out October 8th ahead of a US headline tour kicking off October 9th. The project is a return to form for Gundersen, coupling heartfelt lyrics with his signature understated vocal performance. Featuring singles “Sleepless in Seattle” and “Atlantis,” a stunning duet with Phoebe Bridgers, fans old and new will be celebrating this triumphant piece of art.

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Eric D. Johnson, the creative force behind Fruit Bats, doesn't spend a lot of time looking in the rearview mirror. But with the 20th anniversary of his first Fruit Bats release (2001's Echolocation) on his mind, it seemed as good a time as any to take stock of his work-and he's doing so in the form of Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001-2021), a two-disc collection that tracks the history of Fruit Bats from it's earliest days to right now. Thoughtfully compiled by Johnson himself, this set is split in two distinct halves. Set in reverse chronological order, the first disc cherry-picks from Fruit Bats' official releases, including fan favorites-"Humbug Mountain Song" from 2016's Absolute Loser and "The Bottom of It" from his 2019 Merge debut Gold Past Life-alongside some of Johnson's more personal choices like "Glass in Your Feet" from Echolocation.

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Band of Horses’ sixth album and first record in more than five years.  Sonically, the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses. Emotionally intense, both on a personal and elemental level, on Things Are Great we find band founder Ben Bridwell more autobiographical than he’s ever been on record detailing the nebulous frustrations and quiet indignities of relationship changes and what a person will do to make things right.

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Kiefer Sutherland, mostly known as an Emmy and Golden Globe Award-winning actor, producer, and director, began pursuing a secondary musical career in the 2000s and 2010s by forming the Ironworks label. He signed Rocco DeLuca, Ron Sexsmith and started his own rootsy Americana outfit called the Kiefer Sutherland Band. 

Fast forward to 2021, Kiefer Sutherland returns from his UK Top 10 album, 2019’s ‘Reckless & Me’ with a brand new record, 'Bloor Street' coming out on 21st January 2022. Opening track "Bloor Street" explores the sense of home both externally and within yourself. Lead track "Two Stepping in Time" showcases Kiefer's classic fire sparking americana tune. Additional singles include "Lean into Me" and "Chasing The Rain”
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Archive Material is the Dublin band’s second album and first for London label Full Time Hobby. Silverbacks recorded the album during the summer of 2020 with producer Dan Fox (Girl Band) and brings together the members’ influences elegantly. Fans of Television, Wire, Devo, and Parquet Courts will feel at home with Archive Material. Available on CD and limited edition, blue vinyl.

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A series of inspired encounters between creative forces from various worlds of sound and vision has resulted in “Hunter’s Moon,” the infectious first new track from GHOST in 2 years accompanied by phantasmagoric video directed by Amanda Demme, and featured in the newest installment of the blockbuster horror film franchise, Halloween Kills.

Single sleeve jacket with spine, standard gloss finish, white paper inner sleeve, standard weight, vinyl with small hole, and John Carpenter “Halloween Kills (Main Title)” b-side.

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For two decades now, Greensky Bluegrass has been building an empire, brick by brick. Their eighth studio release, Stress Dreams was produced by Dominic Davis (Jack White) and Grammy winning engineer/producer Glenn Brown amidst the 2020 pandemic. It follows their 2019 release, All for Money, which landed on the Top 100 at the Billboard Albums Chart, Top 20 at Independent Albums and Current Country Albums, Top 10 at Americana/Folk Albums Top 5 at Heatseekers, and #1 at Bluegrass Albums. Greensky is widely known for their dazzling live performances and relentless touring schedule. As with traditional bluegrass, the band writes about their own contemporary day-to-day happenings, emotions, and experiences in the modern world. Their die-hard fans pack out venues across the country. They travel in droves and sell out multiple-night show runs at iconic venues like Red Rocks and The Ryman.  

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Bonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.

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Underoath return to their unique chaotic core with their seventh studio album, Voyeurist. An unguarded keyhole invites the viewer to peer into the process, and draw their own conclusion on who the band is, and what that perception reveals about the viewer themselves. Amidst the colliding perspectives, it’s clear that identities have been lost, and you are no longer you.

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STARSET return with their 4th studio album, HORIZONS. A continued voyage through a captivating science fiction narrative, HORIZONS delivers a cinematic soundscape that accompanies the listener through pain, love, descent, and triumph. The world has been consumed by synthetic methods of escaping reality, and it is with this technology that we are able to explore life through other users' experiences — finally, the ability to be someone else.
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Cat Power returns with Covers, Chan Marshall’s third album of her celebrated reinterpretations of songs by classic and contemporary artists.

On Covers, Marshall reaches back to songs that have affected her from childhood to the present, connecting each with a deeply personal memory. She recalls her grandmother’s love for Billie Holiday’s “I’ll Be Seeing You” and finding a box of cassettes as a teenager that led her to discovering Kitty Wells’ “It Wasn’t God Who Made Honky Tonk Angels.” She remembers getting chills hearing Iggy Pop’s “Endless Sea” in the 1986 Michael Hutchence film Dogs in Space and being a broke artist in her twenties in New York City spending her last dollar to play the Replacements’ “Here Comes a Regular” on the jukebox at Mona’s. She recorded the Pogues’ “Pair of Brown Eyes,” which she calls one of her favorite songs of all time, after it reminded her of one friend who passed from cancer and turned to Bob Seger’s “Against the Wind” to help her heal from the loss of another. 

Alongside covers of rock-and-roll icons from Nico to Nick Cave, Marshall brings her inimitable vocal power and elegant arrangements to songs by contemporary artists, capturing the defiance of Dead Man’s Bones’ “Pa Pa Power” and the dreaminess of Lana Del Rey’s “A White Mustang.” And the album opens with a dazzling cover of Frank Ocean’s “Bad Religion,” of which she says, “I believe in whatever God is called… But I think that the wretched men that have come in history to implement horror on humanity in the name of these religions is something that should be looked at universally.” 

Finally, Covers finds Marshall, an artist of constant evolution, reworking “Hate,” a song from her 2006 LP The Greatest on which she sang “I hate myself and I want to die.” Marshall says she has always felt “antsy” about the track and reimagined it as “Unhate,” a new version that looks back on the raw devastation of the original track in the rearview. “We all have bad days,” she says. “We all have shit, trauma, something. There are times when you feel like that. But I needed to make it right.” 

Marshall self-produced all of Covers; it was recorded in Los Angeles at Mant Studios with Rob Schnapf, who mixed and engineered. 

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In December of 2020, The Wild Feathers hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from Alvarado met for the very first time. In the past, the band typically liked to collect all the tunes they’ve written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, Alvarado is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics they could find.

The Wild Feathers - Alvarado [Indie Exclusive Limited Edition Orange and Black Blob LP]
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Seether - "Vicennial - 2 Decades Of Seether" Vicennial - 2 Decades of Seether is a career-spanning compilation of the RIAA Platinum-selling group's greatest hits, including 16 #1 original singles, as well as the fan-favorite cover of "Careless Whisper." The track list, curated by the band, takes you through their impactful 20-year career - from their early breakthrough singles "Broken" and "Fine Again" to their recent radio success "Dangerous." Indie Exclusive Metallic Silver 2 LP w/ Gatefold Jacket.
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"The Quest" is the latest studio album from legendary progressive rock band Yes, and their first for new label home InsideOutMusic. Produced by Steve Howe, and featuring the line-up of Howe, Alan White, Geoff Downes, Jon Davison & Billy Sherwood, this stunning new record sees the band demonstrating why they are still such a revered group of musicians. Featuring artwork from long-time artist and collaborator Roger Dean. 
For half a century YES have been the definitive band of the progressive music genre, the band by which all others are judged. Their ground-breaking albums of the 70s set the standard for the genre and influenced countless others who followed in their wake. The current line-up of YES was completed in 2015 when Billy Sherwood replaced founder member Chris Squire, at Squire’s insistence, as he bravely fought a losing battle with leukaemia. Since then, YES have concentrated on touring with their Album Series tours, each featuring a classic YES album in its entirety. During this period YES have released three live albums Topographic Drama – Live Across America (2017), Yes Live 50 (2019) and The Royal Affair Tour: Live in Las Vegas (2020). The music of YES has endured over the years and has been handed down through generations of music lovers.
There will be an indie exclusive sky blue double LP with 2 cd set. 
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Critically acclaimed soundtrack to Bo Burnham's Netflix musical comedy special INSIDE.  Double vinyl LP features all the music from INSIDE, including “All Eyes On Me”, “Welcome To The Internet” and “Bezos I”.  Shot and performed by Bo Burnham, alone, over the course of a very unusual year. Nominated for 6 Emmys including best variety series, writing, directing, song, musical direction, and editing.  Indie exclusive “coke bottle” clear vinyl in deluxe gatefold packaging

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Special edition of the album includes 6 photographs from the Barn sessions.

BARN, the new Neil Young/Crazy Horse album was recorded in a remote, restored, 19th century log barn. This musical family has played together for a half century, yet they continue creating new music. Neil and the Horse fans have long shouted for “more barn” and here it is… 10 new songs that capture the wild, rock and roll spirit, the idiosyncratic raw sound and the lyrical beauty that epitomizes a classic NYCH collaboration. The last song appeared on the last morning and was recorded just an hour later during a pounding hailstorm and during the full moon.

The album was recorded this summer over a handful of days. The ten new songs encompass all that Neil Young with Crazy Horse are known for, beautiful romantic acoustic ballads, powerhouse electric rockers and insightful rollicking tunes that stick with you. 

Niko Bolas was parked adjacent to the barn, in an exquisite analog mobile recording truck, Le Mobile ready to capture and mix the album on the spot. Produced by The Volume Dealers – Neil Young and Niko Bolas, the album will be released on vinyl, CD, cassette and digitally. There will also be a deluxe edition that will include the LP, CD. and Blu-ray film.Special edition of the album includes 6 photographs from the Barn sessions.

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Distant Populations, just the fourth full-length album of Quicksand’s career, comes as a comparatively swift follow-up to Interiors--which itself came a full 22 years after its predecessor, 1995’s Manic Compression. Critically lauded and deemed very much worth the wait, Interiors succeeded in reestablishing the band as the powerful and contemporary entity they had always been.

Distant Populations has a punchier, more up-tempo sound than its predecessor; its 11 songs are concise, carved sonic jewels boasting not a single wasted note; and its raw power, its gripping lyricism, leaps out from the very first listening. It is a striking step up for the band.

The songwriting itself had been no minor process: Following the release of Interiors, the band successfully toured around the world and in the process fully re-established their chemistry together. Looking forward to making the next album, the three of them—frontman/ guitarist Walter Schreifels, bassist Sergio Vega, and drummer Alan Cage—had methodically recorded various soundchecks, improvisations, and show rehearsals, and compiled the results. “Eventually, when it came time to make a record,” Schreifels says, “we would just edit down to the ones that were most exciting to us all, and then refocus on them and see if we could recapture the magic from it.” 

There may be a final irony in the title of Distant Populations. Practically speaking, that’s precisely whom Quicksand recorded it for: Listeners very far away. Not a single one of these songs has ever been played live onstage. The band has dates on hold for the fall, notes Schreifels, and fingers are crossed Quicksand will be out there performing very soon. They will likely be the most memorable shows of the band’s career. 

Quicksand - Distant Populations [Indie Exclusive Limited Edition Purple Cloudy LP]
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Pluperfect Mind, the NNA Tapes debut from the 23-year-old UK-based musician Dear Laika (a.k.a. Isabelle “Izzy” Thorn), is an extraordinary creation — a beautiful and unique oddity which exists in the liminal space between dreamworlds and a blurry, watercolored version of reality. It is a reflection on the past few years of Izzy’s life, during which she sought solitude in the North Wessex Downs while beginning her gender transition. The album is a beguiling collection of vivid lyrics and celestial song, bound together with digital glitch and field recordings of flora and fauna. Comparisons can be made to Björk, Tim Hecker or Bat For Lashes, but ultimately, Dear Laika’s exploration of the experimental and the mystical builds something intricate and intimate that is truly original and bewitching.

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“Devolution Series #2 - Galactic Quarantine” was recorded between July and September 2020 in various places around the world. Originally streamed on September 5th, 2020 on StageIt.com as a replacement show for the COVID affected “Empath Vol 2 European Tour” and various cancelled Summer festivals. The show features Devin on vocals and guitars, Samus Paulicelli III on drums, Wes Hauch on guitars and Diego Tejeida on keys.

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Billy Bragg will be releasing a pandemic blues LP on 10/8 via Cooking Vinyl. This is his 10th studio album. The Million Things That Never Happened was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne, England. Bragg wrote the entire album solo, aside from “Ten Mysterious Photos That Can’t Be Explained,” which he co-wrote with his son Jack Valero.

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Sometimes, the best place to begin is at the end. If you really want to dig deep into Illusory Walls, the fourth album by THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE, it definitely helps to do that. That’s because epic closer “Fewer Afraid”—all 19 minutes, 44 seconds of it—doesn’t just revisit the themes and ideas on the ten songs that precede it, but also offers a self-aware summary of the Connecticut band’s entire history. It’s the conclusion of all the stories within the record as well as a nod to all the lives that helped make them—little glimpses of everything that’s come before, on both a micro, immediate level, and a more universal one. “That song is a higher level look at my whole life and the whole world,” explains vocalist/guitarist David F.
Bello, “as well as the album, our band and our discography. It places the band in the context of the rest of the world, as if we’re listening to everything that came before. It touches on all the themes of the previous songs, but there are also callbacks to songs
from earlier in our career. But in this song, they’re the object, not the subject—I’m talking about a world in which these things happen, not talking about these things happening.”

Due to the coronavirus pandemic, the band—completed by Steven K. Buttery (drums and percussion), Joshua Cyr (bass/vocals) and Katie Dvorak (vocals/synth)—had nothing but time to realize the full extent of their musical and thematic aspirations. And so, four years on from lauded third album Always Foreign, they were able to make what is undoubtedly the band’s most ambitious and epic record to date. Written and recorded remotely—a first for the band—Illusory Walls takes on the weight of human existence while it’s buckling under the pressure of today’s near-dystopian society. Personal anxieties and political struggles collide with a series of portentous, apocalyptic and dramatic tunes, resulting in some of the darkest music the band has made since forming in 2009.

The World Is A Beautiful Place & I Am No Longer Afraid To Die - Illusory Walls [Indie Exclusive Limited Edition Clear 2LP]
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Sturgill Simpson will be releasing his new concept album, The Ballad of Dood and Juanita, on CD on August 20th, vinyl release will be December 3rd.  This is the Grammy-winning singer/songwriter's third album in twelve months and his most ambitious project to date.. Written and recorded in less than a week, and featuring the same ace musicians who played on last year's Cuttin' Grass albums, the record tells a classic American story of a Civil War-era couple torn apart by violence and reunited by love—what Simpson calls "a simple tale of either redemption or revenge."
“I just wanted to write a story—not a collection of songs that tell a story, but an actual story, front to back,” says Simpson. He describes the concept album as a “rollercoaster ride through all the styles of traditional country and bluegrass and mountain music that I love, including gospel and a cappella.” 

In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
The Ballad of Dood and Juanita is available on an indie record store-exclusive CD that includes a printed illustration from the album artwork. A standard CD is also available. On 12/3/21, the vinyl will be available on indie-exclusive Translucent Natural vinyl, and will include another 11x11 print of the illustration on the front cover. Standard black vinyl is also available. Support your local independent record store. 
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Natalie Hemby will be performing at the Newport Folk Festival on July 24. She won a GRAMMY for Country Song of the Year for “Crowded Table,” the song she wrote with Lori McKenna and performed as a member of The Highwomen. 180-gram Clear Smoke LP. Indie Exclusive.

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Celebrating the 20th Anniversary of the multi-platinum album The Invisible Band, the first-ever vinyl reissue features hit singles “Sing,” “Flowers in The Window,” and “Side.” Remastered by GRAMMY® Award-winning engineer Emily Lazar, cut at Air Studios in London. Indie Exclusive Forest Green LP.

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A musician whose influences span hard rock, psych, garage rock, and energetic pop, Andrew Gabbard has long been a force on the South western Ohio music scene. Working with Thee Shams, The Buffalo Killers, and currently as The Gabbard Brothers with his brother Zach, Andrew is truly a prolific artist covering a wide range. The Buffalo Killers caught the attention of Dan Auerbach who produced their debut LP and Andrew is currently part of the touring band for The Black Keys. Now joining forces with another Ohio establishment, Colemine Records, Andrew hopes to hone his sound and grow his reach. His first LP as Andrew Gabbard is Homemade, a mix of hazy pop infused with alt-country vibes that feels part Neil Young, part Wilco, and part Flaming Lips all at the same time.
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“A big part of the project and why I did it,” says Sloppy Jane’s Haley Dahl of her Saddest Factory debut Madison, “Was because it felt similar to being a little kid and buying an out fit that was too big that I’d have to grow into. I really valued from the start that making Madison gave me someone I had to become.” The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process.
 
Dahl and her 21 bandmates recorded all of Madison at the Lost World Caverns in West Virginia from 3pm to 8:30 am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave. It’s the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order

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Mogwai's 'EPx3' vinyl consists of the three EP's they released with Chemikal Underground from 1997 to 1999 (see below) and make up the CD release 'EP+6'. The three EP's will be housed in printed inners with the original front cover artwork and they will be held in an wide spined 7mm sleeve & coloured vinyl.

4 Satin (1997) on curacao coloured vinyl
No Education = No Future (1998) on clear vinyl
EP (1999) on sun yellow vinyl

The EP's were limited to 1000 and they all sold out quickly and this is the first time they have been available on vinyl in over 20 years.

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Heavy psych power trio Charles Moothart, Ty Segall and Chad Ubovich hit the stage for the first time together in five years bringing a full set spanning their entire discography, and new album, III! Recorded at Zebulon in Los Angeles, CA.  
 
In Oct 2020 the band released their first album in 5 years, III, scorching the earth with pure primitive rock and roll mastery captured by the sonic guru Steve Albini. It’s a record that is meant to be heard and experienced live, and their Levitation Sessions set is the smoldering slab of heavy psych we’ve all been waiting for, recorded at Zebulon in Los Angeles, CA. Director Joshua Erkman alongside sound engineers Matthew Littlejohn and Mike Kriebel, capture FUZZ’s intense energy backdropped by electric artwork from artist Tatiana Kartomten.

“We wanted to create something that felt like more than just a replacement for seeing us live. This is the first time we had played songs from III in the context of a set, and we found new footing on some of the old songs. This led us down avenues we hadn’t seen in rehearsal. To find ourselves in the space right in between ‘lost’ and ‘found’ (aka live) was both alarming and electrifying after having been away from it for so long.” -FUZZ
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2021 release. Written and largely produced by Tyler Joseph in isolation over the course of the past year at his home studio, with Josh Dun engineering the album's drums from across the country, Scaled And Icy is the product of long-distance virtual sessions and finds the duo processing their upended routines along with the prevailing emotions of 2020 - anxiety, loneliness, boredom, and doubt. The duo had to forgo their normal studio sessions but reached a new of level of introspection in the process, adopting a more imaginative and bold approach to their songwriting. The result is a collection of songs that push forward through setbacks and focus on the possibilities worth remembering.

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Multi-platinum UK glam rock giants THE DARKNESS bring you Motorheart, a record of immeasurable rock and roll extravagance and yet another masterpiece from England’s favorite rock icons. Brimming with their trademark blazing guitar riffs, solos and soaring falsetto, singer Justin Hawkins says, “’Motorheart’ rocks harder than anything we’ve done before. It makes me happy and proud to crank it up and literally shake my Swiss chalet to its foundations. Dan did an awesome job on the production, it’ll take your face off, but your skull will be grinning from meatus to meatus. Please, to enjoy.” Paying homage to a devoted sex robot named Motorheart, the album growls, pounds and stomps with Rufus Taylor’s drums, Frankie Poullain’s bass and Justin & Dan Hawkins’ guitars all turned up to 11, whilst Justin’s trademark vocals soar to ever more earthquaking levels. Drop the needle anywhere on Motorheart and be instantly transported from this moaning and weeping vale of tears to Elysian fields of rock where all hands are raised, the drinks – just as in the Club Tropicana of yore – are free, and everyone wears a pleasingly salacious grin. Does it rock? Is the sun hot? Has your partner’s touch grown cold? The Darkness are the Orwellian boot stamping on the flaccid face of limp rock, forever!

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In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. Now, after fourteen years, the two icons return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.

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The debut studio album from the Las Vegas quintet, who became a genre-defining band in The Scene, the emo vein of post-hardcore from the early 2000’s. Originally released in 2006, Dying Is Your Latest Fashion is celebrating its 15-year anniversary, for the first ever released on vinyl. This album is the only full-length album with original singer and founding member Ronnie Radke, who would eventually become the frontman of his own band, Falling in Reverse.

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Few artists are storytellers as deft and disarmingly observational as Andy Shauf. The Toronto-based, Saskatchewan-raised musician’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. Like he’s done throughout his career, Shauf wrote, performed, arranged, and produced every song on his new album Wilds at his studio space in the west end of Toronto.

Over the course of a year-and-a-half, Shauf had written more than 50 songs, and pared down this massive body of work, into a single album’s worth of material, which became 2020’s highly acclaimed The Neon Skyline album. These songs focused on a theme by intertwining the individual characters stories of a group of friends who gathered for one night at the same local bar. Wilds includes songs from those same writing sessions, that did not fit into the Skyline storyline and had their own singular identity apart from that album, though he does revisit with his old friends Judy and Jeremy in this outing.

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Mica Tenenbaum and Matthew Lewin began their musical journey together over 10 years ago in a Miami after-school music program. Connecting through their shared music tastes, the two formed a band that endured until the two parted ways for college. Not long afterward, Tenenbaum and Lewin reconnected and formed what we now know as the indie-pop duo Magdalena Bay.

The duo released their EP truly moments before the pandemic pervaded through North America, bringing their tour to an abrupt end. Resiliency illustrated at its peak, Magdalena Bay dipped their heads into a focused timeline, coming out of the pandemic with their debut album, Mercurial World. Magdalena Bay peruses the sound of experimental pop, crafting a synthy world that shatters genres and bends time to the pair’s will, elevating their sound to match their philosophical reflections. Lewin shared, “We spend all of our time together, and in some ways Mercurial World is about that particular sense of madness in containment. We live together and make art together; this immerses you in our creative, insular universe.”

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To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

Thrice - Horizons/East [Indie Exclusive Limited Edition Opaque Yellow LP]
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21 years since the release of Radiohead’s seminal albums, Kid A and Amnesiac comes a combined and expanded reissue, KID A MNESIA Here put back together as originally intended, with an additional disc of bonus material - including 2 original unreleased recordings from the era: ‘If You Say the Word’ + ‘Follow Me Around’. 

“A new, uniquely fearless kind of rock record for a new, increasingly fearful century, Radiohead’s fourth album, released in October 2000, remains one of the more stunning sonic makeovers in music history” Rolling Stone [500 Greatest Albums of All Time: #20 Kid A]

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The Seafloor Cinema are a sacramento-based band making their debut on Pure Noise on 11/12 with "In Cinemascope with Stereophonic Sound". 
 
Since forming in 2016, The Seafloor Cinema have been keeping both themselves and listeners guessing with a musical blend-o-matic of Midwestern emo, pop-punk and math rock, spinning unconventional song structures and dextrous, intricate guitar work into captivating underground anthems. 
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"Woke up singing a dead man's song..." is the opening line from the Warren Haynes original "Heavy Load," a line of imagery that feels like the beginning of dirt. Blues. On this album, the iconic American band puts their unique musical stamp on an incredible collection of Blues covers and originals. Haynes, the leader of Gov't Mule, hails from a Southern rock tradition of scruffy virtuosity. Gov't Mule is Warren's show, and the Blues is the informing foundation, personal and universal.

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Richard Ashcroft is set to release the new album Acoustic Hymns Vol. 1 on November 12th via RPA / BMG. The album features twelve newly recorded acoustic versions of classic songs from his back catalogue spanning both his solo career and his time with The Verve.

The album finds Ashcroft’s acoustic performances supported by a full band, which brings a lighter touch to songs that originally had a heftier sound such as his debut solo single ‘A Song For The Lovers’ or ‘C’mon People (We’re Making It Now)’. His renowned vocal has gained poise as his career has progressed, giving an added emotional resonance to his most poignant songwriting on ‘The Drugs Don’t Work’ or ‘Sonnet.’ Much of the material that features is drawn from the classic Urban Hymns, an album that Ashcroft and The Verve commenced recording sessions for 25 years ago this October.

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SAVE FACE are a band who have always prided themselves on taking risks and the New Jersey band have doubled down on that sentiment with their sophomore album, Another Kill For The Highlight Reel.

Another Kill For The Highlight Reel, which features indelibly human performances, including a guest appearance from Thursday’s Geoff Rickly on “A.M. Gothic”. “There’s something about the New Jersey kinship [between Geoff and I] that really resonates with me,” Tyler Povanda explains. “New Jersey’s music scene is really something special.”

Musically, the album—which was produced by the Movielife’s Brett Romnes—sees Povanda taking influence from his Jersey brethren like Thursday but adds a theatrical twist. “‘GLITTER’ was the first song I wrote that ended up being on this album and it bridges the gap between Merci and Another Kill For The Highlight Reel, ” Povanda says. “I think that song serves as a cool sonic metaphor for the transformation of the band. I would say this album isn’t narrative in the same way as the last one, but it does feel much more immersive.”

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Single 12-inch on black/white color vinyl in the same jacket as standard version with 16-page black-and-white zine (reprinted from original 1981 Chris Knox art). Full download included. Ltd edition. Indie Only.

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Single 7-inch on metallic silver color vinyl in same packaging as standard version. Full download included. Ltd edition. Indie Only

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Translucent Orange Vinyl, comes with an autographed 11x17 poster

Time In The Sun
is the 4th full length album from Charleston, SC band Susto. The album was written and recorded in the midst of a lot of life changing events for lead writer/singer Justin Osborne. Like everyone around the world, Osborne was navigating the global issues felt from the pandemic while normal life continued with its own blessings and challenges.. "We were navigating the global and national issues that everyone else was dealing with, but also I became a father and also lost my father. There was a lot of contemplation going on in my brain, a lot of personal evolution going on in my life, and songwriting was my way of working through it all. The title Time in the Sun is meant to be a monument to my own human existence and also a tribute to the human experience in general. I wouldn’t claim to understand what it means to be a human, from the countless different perspectives of the world, but I do have my own experience to reflect on and I want to be able to express and explain that in some way. I guess this album is an attempt at that. At the core though, it’s just a collection of songs about my life and my feelings." Time In The Sun is set for release on October 29, 2021 via New West Records. 

SUSTO - Time In The Sun [Indie Exclusive Limited Edition Translucent Orange LP + Autographed Poster]
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ABBA Returns - After Nearly 40 Years - With `Voyage,' New Album.

ABBA, one of the most successful music groups of all time, has announced its return nearly 40 years with a new studio album - hear two songs from it here - and a new concert that will see singers Agnetha Fältskog and Anni-Frid Lyngstad and instrumentalists/songwriters Benny Andersson and Björn Ulvaeus performing digitally via avatars with a live 10-piece band in a purpose-built arena in London, beginning on May 27, 2022.

The "Voyage" album will be released worldwide on November 5 via Universal Music Group's Capitol label. The two newly released songs, "I Still Have Faith in You" and "Don't Shut Me Down," were recorded by the group at Andersson's Riksmixningsverket studio in Stockholm and will both feature in the concert. The songs are the first new material from ABBA since the release of the "Under Attack" single in December of 1982, although the members, now all in their 70s, have released several solo projects.

ABBA / VOYAGE INDIE EXCLUSIVE BLUE ViNYL

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Neal Francis’ sophomore album offers up a body of work both enchanting and painfully self-aware. Recorded entirely on tape and mixed by Grammy Award-winner Dave Fridmann (Spoon, Tame Impala, Flaming Lips), the set spotlights Francis’s refined yet free-spirited piano playing, an instrument he took up at age four. The songs came to life over the course of a tumultuous year spent living in a (possibly) haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience.

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Nathaniel once again demonstrates that he is a writer and performer of the highest order, who seems to be smack dab in the middle of what we all hope is an extended creative peak. The album showcases Nathaniel's unique observations of our world and people's ongoing struggle in learning how to better understand each other.  The Future was produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee, Hiss Golden Messenger) and R.M.B. The latter being the production team of Nathaniel himself, Patrick Meese, and James Barone (Beach House). The same team that both produced and were the core musicians behind Nathaniel's latest and greatest solo effort, And It's Still Alright.  Additional production was added by multifaceted musician, engineer, producer, Elijah Thomson (Father John Misty, Richard Swift).  Other notable contributions came from Jenny Lewis and Jess Wolfe (Lucius), whom both added backing vocals to the stunning track, "What IF I".  And Amelia Meath (Sylvan Esso) who sang on "Face Down In The Moment".  The album was recorded at Nathaniel's own Broken Creek Studio just outside of Denver, CO

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Simply calling Curtis Harding a soul man feels reductive. Harding's voice conveys pain, pleasure, longing, tenderness, sadness and strength-a full gamut of emotions. Today his voice takes on an optimistic lilt with his his new album, If Words Were Flowers. If Words Were Flowers is Harding's first new music since 2018, a follow up to his critically acclaimed 'Face Your Fears" album. It features songs like " Hopeful", where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn't bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips' Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life's darkest intricacies and conjures dynamic, addictive melodies
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The Walls Are Way Too Thin follows Holly’s critically acclaimed debut Falling Asleep At The Wheel, which marked the first chapter in the story of a new talent who’s garnered over 150M global streams to-date. Holly wants her lyrics to be the ones people could tattoo on themselves and her songs translate some of life’s most intense feelings in a way that typical conversations all too often fail to capture, from mental health struggles to the feelings of displacement as you grow out of adolescence. Indie Exclusive Clear LP.

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12” single featuring “Yuletide Throwdown,” co-written and performed with Fab 5 Freddy, recorded around the time of “Rapture,” and using the same samples. The audio has been remastered from the analog tapes and includes an exclusive remix by Cut Chemist. The rare 1981 holiday flexi-disc has been reissued for the first time on 180-gram vinyl and packaged in die-cut bespoke “disco-bag” style sleeve with artwork by New York graffiti artist, Hugo Gyrl. Indie Exclusive on Hot Pink vinyl.

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The Muslims formed in 2017, brought together by the aftermath of the 2016 election. They have since released three albums The Muslims (2018), Mayo Supreme (2019), Gentrified Chicken (2020), and one EP Inshallah: Tomorrow We Inherit the Earth (2020). The all-queer, black & brown Muslim punk band unapologetically use music as a vessel to call out racism, the American political landscape, and white supremacy. The Muslims have a lot to say and they aren't afraid of hurting any feelings in the process.

The band's upcoming album, F*** These F***in Fascists, is the ultimate sing-along anthem against all forms of oppression. It's the perfect balance of humor, tenderness and political rage, wrapped in affirmations for oppressed peoples. Musically, the band continues to bring dynamic melodies to the foundation of classic punk riffs, sprinkled with out-of-this-world rhythmic outbursts. F*** These F***in Fascists is easily the punk album of the decade that will definitely make your grandparents cry. The Muslims are QADR (vocals/guitar), Abu Shea (bass), and Ba7Ba7 (drums).

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Back in September 2020, OSEES performed a blistering set out in the desert at Pappy & Harriet’s California, which aired on the LEVITATION Sessions streaming series.  Pressed on glorious 12" swirl colored vinyl, each record includes a bonus encore 7” with the final track from the show, "Block Of Ice" pressed on Milky-Clear vinyl.

"During this particularly hard year (2020), it was a pleasure to work with our good friends over at Levitation and Pappy and Harriet's to reach out to some of our fans, if only for a fleeting hour. This is the proper plastic that came from that evening. We are trying to keep some of our favorite haunts, dives, glorious old venues and bars open through this triail, as it's obvious the lizards that make up the current administration have no real interest in extending any realistic help to struggling businesses. Take care, be well and keep your eyes on the horizon." - John Dwyer

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OSEES return for another blistering LEVITATION Session, this time from the depths of a cavernous Los Angeles factory. The performance features a fresh batch of tracks spanning over a decade of the band's expansive discography with a handful of never-before-played-live tunes & some new surprises and is presented in its entirety here, pressed on a glorious Double 12" vinyl LP!

“OSEES pine for our fans and friends out there in the world, so we have come together for another stream with the mighty Levitation. I personally got stoned and stuck my face into the muck of our past catalog to bob for some dusty tumescent gems. There will be some oldies, and some moldies and some surprises along the way. I’m quite happy with how this one turned out. Shot in an insane old factory warehouse in Los Angeles (it looks like a fight scene set from Point Blank or the John Wick trilogy :) If you had told me a year ago we'd be doing these streams now i would have thought you were crazy, but, egg on my face, and here we are. I’m so glad to have this little thing to share a moment with y’all until we can meet face to face on the field of battle again. Mastered by the Guru JJ Golden, it will hopefully turn some frowns inside out and upside down....grossssss” - John Dwyer

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Hand Habits, the project of Los Angeles-based musician Meg Duffy (they/them), is back with their new album Fun House - the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music is more acutely personal and stylistically adventurous than anything you’ve heard from Hand Habits before. The push/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits its name. Where previous Hand Habits records could be fairly insular affairs, Fun House feels ebullient, lush, a fully-realized conversation.

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The fourth installment in Sheeran’s symbol album series = is Ed’s most accomplished work yet; the evolution of an artist who continues to tread new ground. A body of songs that were made over a four-year period following his seminal ‘÷’ (Divide) album era, thematically, ‘=’ finds Ed taking stock of his life and the people in it, as he explores the varying degrees of love (‘The Joker And The Queen’, ‘First Times’, ‘2step'), loss (‘Visiting Hours’), resilience (‘Can’t Stop The Rain’) and fatherhood (‘Sandman’, ‘Leave Your Life’), while also processing his reality and career (‘Tides’). Sonically, ‘=’ encapsulates Ed’s versatile musical palette, spanning signature, guitar-led tracks and world-class balladry to weightier, euphoric production moments, as first showcased on the album’s lead single ‘Bad Habits,’ released earlier this summer.

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The fictional band from the NBC series Parks & Recreation is finally getting their due with a new album set to arrive on Aug. 27. And to mark the 10th anniversary of their Pawnee reunion performance where they debuted "5,000 Candles in the Wind" after the death of town mascot Lil' Sebastian, a new video and digital release for the song has arrived.

Led by Andy Dwyer, who previously fronted A.D and the D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death of a Scam Artist, Department of Homeland Obscurity, Everything Rhymes with Orange, Fiveskin, Flames for Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice in Chains, Muscle Confusion, Ninjadick, Nothing Rhymes with Blorange, Nothing Rhymes with Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down and Scarecrow Boat, the group is finally issuing their debut album.

The buzz from Mouse Rat’s performances at Pawnee’s Snakehole Lounge led to Dualtone’s partnership with Entertainment 720 co-founder and Snakehole Lounge part owner Tom Haverford. “Any creative business coming out of Pawnee is tied to Haverford” said Dualtone President Paul Roper, “From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.”

Roper continues, “This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”

Mouse Rat's The Awesome Album will feature guest turns by Duke Silver and Land Ho!. The album will be available via Dualtone in partnership with Entertainment 20.

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Sam Evian’s highly anticipated third album, Time To Melt will be released on October 29th which will be a debut on Fat Possum Records. Sam is a prolific producer & engineer with credits including Big Thief, Blonde Redhead, Widowspeak, Anna Burch, Cass McCombs, Hannah Cohen, Cassandra Jenkins, Okkervil River and more.

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PINK BUBBLES GO APE is the fourth studio album by legendary German power metal band HELLOWEEN, released in 1991. It marked the departure of original guitarist Kai Hansen, with Roland Grapow replacing him. Musically
it was written with a softer, less epic, and sometimes humorous approach, which would be later fully implemented in the band’s following album
Chameleon (1993). It spawned the hits singles “Kids Of The Century” and “Number One.”

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DENIM AND LEATHER is the fourth studio album by English heavy metal band SAXON released in 1981. The album was certified Gold status in the U.K. The album spawned two of their most successful singles, “And the Bands Played On” and “Princess of the Night,” peaked at #9 in the UK Albums Chart and is regarded as a classic in the band’s discography.

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Limited green colored vinyl LP pressing. Swedish power trio Monolord return with their highly anticipated new album, Your Time to Shine. Recorded by drummer Esben Willems at Studio Berserk, Your Time to Shine sees the trio looking inward, cultivating the elements that take their monstrous, heavy riffing to new heights with a darker edge. A five-track journey that spans across crushing doom rock to more spacey, groove laden opuses, Your Time to Shine is Monolord at their most unfiltered and focused. Out of the gate, Monolord kick-off a wild ride with the soaring, fist-raising opener "The Weary" and it's insanely catchy melodies. Elsewhere, the stop/start switch between sweetness and abrasiveness of "To Each Their Own" showcases a new element to the band's repertoire. Monolord embraces the power of the riff with pulsating chugs on "I'll Be Damned" and the mind-expanding title-track, whose final section brings back some of the band's spaced-out rock n' roll beginnings.
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Calexico's Seasonal Shift is less of a Christmas album and more of a cross cultural seasonal celebration. The themes are based around that familiar end of year feeling, of reflection, of ceremony and of recognition of the year gone by and changes it brought for better and for worse. It contains a few cover songs including classics by John Lennon and Tom Petty, a few more special guests and a whole load of good will. It's heartfelt but fun, and earnest but celebratory. It features Calexico in an as-sortment of guises, referencing Portuguese Fado and Old Mexican Folk Songs, from the stripped back two-man skeleton to the full party of international collaborators in-cluding artists like Bombino, Gaby Moreno, Gisela Joao, Nick Urata (DeVotchKa)and Camilo Lara.
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The Record Company have outgrown the home recording of previous records and enlisted producer Dave Sardy (Fall Out Boy, A Perfect Circle, Modest Mouse) to work with them on their third studio album, Play Loud. The result is a sonic growth both in music and in songwriting, highlighting an ever-evolving band bringing rock back to the masses.

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50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney released McCartney III on December 18th 2020. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.

The brand new indie-exclusive ‘3333 Edition’ of McCartney III, pressed by Third Man Pressing, is limited to 3,333 copies worldwide on yellow-and-black splatter vinyl composed from a “regrind” of McCartney & McCartney II records.

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On their new full-length - the first new music since The Waterfall (2015) - My Morning Jacket reaffirm the rarefied magic that has made them so beloved, embedding each song with moments of discovery, revelation and ecstatic catharsis. It comes after a near permanent hiatus for the band until performing four shows in summer '19 left them with a new energy. Jim James engineered/produced at 64 Sound in LA where the band spent weeks in intentional seclusion emerging with their self-titled 9th album.

My Morning Jacket - My Morning Jacket [Indie Exclusive Limited Edition Orange Crush w/ Lemon Splatter 2LP]
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Single LP on orange vinyl in same jacket as standard LP w/ plain-sleeve CD of bonus tracks & 24” x 24” folded poster insert. Full album download included. Ltd edition. Indie Only.

From Mac McCaughan of Superchunk: To write the songs for Here's to Shutting Up, we gathered in Jim's garage (he lived way out in the woods) a couple times a week for what seemed like months. We started from actual scratch with no demos or concepts, just playing instrumental music with our usual gear plus a Casio. We recorded the album in the Cabbagetown neighborhood of Atlanta at Zero Return, the studio built by Brian and Rob (aka Birdstuff and Coco the Electronic Monkey Wizard) of Man or Astro-man? Brian Paulson came with us to produce it.Here's to Shutting Up was meant to be released on September 18, 2001. On September 11, the world changed. Our release date moved a couple weeks, but our tour dates remained and we flew to Japan in October. It was a WILD time to be traveling the world. Receptions ranged from "thank you for giving us something else to think about" to "why are you here?" We flew home from Japan and left for the UK the day the US started bombing Afghanistan. This was the climate, and the climate was not great for playing rock music.

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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. 

Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. ‘Somewhere’ opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on ‘Bodies’ and ‘Try’ sits in a lineage with cult bands like Asylum Party. ‘The Garden’ is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas ‘Ship To Shore’ could be a lost Oppenheimer Analysis B-side, and the album’s closer ‘Brighter and Bigger’ catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury’s atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard’s Sympathy for the Devil, as in ‘Preoccupation’, the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity.

Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They’ve survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.

The band’s ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that “All This And War” featuring guest vocals by Josh Scogins from The ‘68 is absolute brutal heaviness is an understatement. It’s an addictive punch in the face, you’ll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track “Thing With Feathers” featuring Andy Hull from Manchester Orchestra.

Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant – and fiercely combative – of the present state of world affairs.

Every Time I Die - Radical [Indie Exclusive Limited Edition Opaque Lime 2LP]
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“It really was super natural”, laughs Duncan Troast, explaining how he and Nick Corson came to form The Convenience, and though he means it was as organic as breathing, the music these two conjure is from an alternate reality. Pulling from a pastiche of 80’s sounds and their own rolodex of future pop flourishes, their new album Accelerator sounds like a late-night disco party on a distant outpost, a sea of dancing bodies illuminated by an alien moon.

The two met at New Orleans’ Loyola University, where they eventually joined the rising pop group Video Age, and before long, were spending the downtime between tours exploring what their own music could sound like. Their early efforts showed promise, but when held next to the iridescent glow of their new material, it’s clear there was a fundamental shift.

“There was a disconnect from the music that we were making, and the breadth of the music that we loved”, explains Corson,“I was relearning how to write songs.” The two went back to the music that made them truly feel alive, pouring over records by Stevie Wonder, Prince, NSYNC, “trying to figure out why it felt so good”.

The result of those efforts is a singular album packed with visceral, immediate pleasure; body music for a plastic pop future. “I had a hard time learning how to do things the right way, and just wanted to make a mess”, says Corson, thinking back on his earliest experiments with songwriting and production. You can hear that spirit in the brief snippets of noise that dot the record, but the immaculate pop songs here make it clear - whatever they’re doing is working. At its core, Accelerator is a celebration of friendship, and the transportive power of music. It’s an ode to the joy of dancing, of loving just to have loved, and becoming who you are.

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Platinum-certified singer/songwriter and producer Chelsea Cutler reveals her anxiously awaited sophomore album, When I Close My Eyes, releasing October 15. As Chelsea gears up to album release, she is on a co-headlining “Stay Next To Me Tour” with Quinn XCII, which includes 2 upcoming sold-out shows at New York’s iconic Radio City Music Hall. Indie Exclusive Signed CD. Limited Edition.

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Canyons are places of mystery and beauty. The interesting thing is, while they are one of the great wonders in the history of planet earth and attract scientists of all kinds of disciplines, they have also been a popular retreat for artists and musicians. You will have heard of Topanga Canyon, Rickie Lee Jones and Chicago recorded here. Laurel Canyon is even more well known, a mythical place where Crosby, Stills & Nash developed their unique vocal sound while hanging around Mama Cass' place. Or was it in Joni Mitchell's house on Lookout Mountain? Ok, you get the picture. There is something unexplainable, almost magical going on in canyons.

Maybe that's why Andy Platts and Shawn Lee were thinking of "Canyons" when they wrote and recorded their third album as Young Gun Silver Fox. With "West End Coast" and "AM Waves" these two very talented musicians, singers, songwriters, arrangers and producers already explored all things Westcoast, AOR, Soft rock and Boogie. But-especially if you are  into the golden age of this sound running from circa 1976 to 1984-you will be aware that there is no return once you started digging these unconditional musical delights with their timeless compositions, untouchable musicianship and refined arrangements. The great albums from that era appeared when punk broke and the musical establishment was shaken to the ground. Today they sound more up to date than ever. Who would have thought back then?

On "Canyons" Young Gun Silver Fox turned it up to eleven. They are nothing but "Kids" cruising in the fast lane, totally over the top searching for the "Dream Woman", touching down in Tokyo caught in a "Long Distance Love Affair", imagining the theme for a lost 70s TV series starring "Danny Jamaica", being on the winning side in a "Private Paradise", getting deep and soulful in "Things We Left Unsaid" and wondering how to spread "All This Love". Their bass lines, sound layers, brass arrangements and harmony vocals are immaculate. Everything fits perfectly. Just like this. "Who Needs Words" when everything is crystal clear? Exactly!

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Primal Scream frontman Bobby Gillespie has teamed up with solo artist and Savages vocalist Jehnny Beth to release the collaborative album Utopian Ashes, due July 2, 2021 via Third Man Records. The album is heralded by lead single "Remember We Were Lovers" alongside an official video by Douglas Hart (The Horrors, Paul Weller). 

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The Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original "reproduced for disc" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes.

Now available on Indie Exclusive Limited Edition Picture Disc vinyl.

The Beatles - Let It Be: Special Edition [Indie Exclusive Limited Edition Picture Disc LP]
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Xenia Rubinos is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. Una Rosa is Rubinos' third album, her second on Anti- Records, following up her critically acclaimed Black Terry Cat (2016).Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality" while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre."Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own. "I think my sound is a collage of different music coming together on a visceral level, connecting the dots with my voice and imagination," she said.Una Rosa is produced by Rubinos along with her longtime collaborator and drummer Marco Buccelli, and is full of color- drawing much of it's multichromatic sound from the bright colors of pop art, which Xenia was immersed in during the writing process.
Xenia Rubinos - Una Rosa [Indie Exclusive Limited Edition Summer Sky Wave LP]
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In Pond’s universe nothing stays still for long. Although no one who heard 2019’s “Tasmania” could possibly describe its pulsating psych - pop as straight, Pond wanted to try a more spontaneous way of working for their next record.

Taking a leaf out of krautrock outliers Can’s book, at the start of 2020, Pond embarked on a series of totally off-the-cuff jam sessions from which songs and ideas could be pulled out.

Given the pace at which ideas whizz past your head, it makes for a dizzying listen. Opener Song For Agnes explodes out the speakers like an intergalactic rock opera, running a synapse-tingling gauntlet through bubbling synth pop, 80s hair metal and blissed out saxophone before you know what’s hit you.

It’s an apposite curtain-raiser for an album that can encompass pounding techno (Human Touch), elastic hipped robo-funk (America’s Cup), tripped out motorik (Czech Locomotive) and acres more besides without even topping for breath. Take lead single Pink Lunettes, which opens up thumping like ESG eight hours into a session at Berghain before climbing aboard a gargantuan synthship and disappearing off over the horizon.

Lyrically, too, 9 takes Pond into uncharted territory. Allbrook’s songs here take a more impressionistic tack than before, resulting in both the hilarious one-liners within Human Touch’s gonzoid thrash (sample lyric: “she was jacking a car but she seemed quite nice so I let her use the toilet in my place”) and the social and environmental concerns of blissed out closer Toast, which addressed both last year’s bush fires and the appalling wealth divide in Allbrook’s childhood home in Western Australia.

Above all though, what you get from “9” is a sense of creative abandon and just plain fun. If it was only a fraction as enjoyable to make as it is to listen to then they must have been having a hoot.

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Why Do Birds Sing? is the 5th studio album from the textbook American cult band, Violent Femmes. It was their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favorite “American Music,” which reached #2 on Billboard’s Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.” “The momentum of the song [“American Music”] and the album that spawned it provided a springboard for the band to bona fide cult status.” – Rolling Stone.

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The Pretty Reckless’ fourth full-length album, 'Death By Rock And Roll,’ is proving to be the band’s most ambitious release yet. With earliest ideas for the album tracing back to 2017, Taylor Momsen and co had to write through the heartbreaking loss of Chris Cornell, who was one of frontwoman Taylor Momsen’s musical muses. Shortly after, producer and longtime collaborator Kato Khandwala passed in a motorcycle accident. Despite the setbacks, the group pushed through the tragedy to complete the record; as soon as the band released the titular first single, they were launched into the spotlight once again. “Death By Rock And Roll” became the band’s fifth #1 song at Active Rock radio, a feat that hasn’t been accomplished by a female-fronted band. The album also features the singles “And So It Went” (featuring Tom Morello), “Only Love Can Save Me Now (featuring Matt Cameron and Kim Thayil)” and “25.” 

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The album follows Stevenson's 2019 career milestone The Big Freeze, celebrated for its 'finely detailed, wrenchingly intimate songwriting' (All Songs Considered), and a 2020 NPR Tiny Desk (counted as one of the year's 20 Best). Produced by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile,) at The Building in Marlboro, NY, Laura Stevenson is an altogether beautiful record, a sincere portrait of a human heart in all its vibrant colors. More than anything, it is about bearing one's whole self in the face of those you love'uncomfortable, and exposed, but vital, present. Here.
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The Sweet Lillies return with Common Ground, their third studio album and first release via Americana Vibes/Regime Music Group. The album stays true to the string-band soul that is at the heart of their music, but also proves they are unafraid to explore all corners of their distinct musical experiences. Recorded in Denver and produced by Timothy Carbone of Railroad Earth. Indie Exclusive LP.