Schoolkids Records (Retail & Label)

Blue Note 85

Blue Note 85
Blue Note Tone Poet
  
Blue Note Classic Vinyl


Blue Note Indie Exclusive Blue

Explore 85 years of music history with Blue Note Records, the legendary jazz label
behind icons like John Coltrane, Miles Davis, and Norah Jones. 

Celebrate this milestone with a curated selection of vinyl, including the
Tone Poet Reissues, Classic Vinyl Reissue Series, and Indie Exclusive Blue Vinyl Series from today’s Blue Note stars. 

Timeless sounds reimagined for your collection.

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Dexter Gordon - "Go!" / Capitol Music Group; Blue Note; Jazz; By the time he recorded Go! In 1962, Dexter Gordon had already lived several lifetimes in jazz. He was among the first to adapt the language of bebop to the tenor saxophone in the 1940s, but after a decade in which personal troubles limited his output, he signed with Blue Note in 1961 and began a run of essential albums that marked a rebirth for the tenor giant. Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, Go! #was a showcase of Gordon's limitless creativity on hard-swinging numbers like his great tune "Cheese-Cake," and a sure-footed version of "Love for Sale," as well as his peerless artistry on ballads as evidenced on stunning takes of the standards, "I Guess I'll Hang My Tears Out to Dry" and "Where Are You." Available on 180gram blue vinyl. Limited Edition. Indie Exclusive.
Dexter Gordon - Go! (Blue Note Classic Vinyl Edition)
$31.76
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The Horace Silver Quintet -"Song For My Father (Cantiga Para Meu Pai)" Capitol Music Group; Blue Note; Jazz; A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard-bop classics. Song For My Father captured the transition of his quintet with two tracks taken from an October 1963 session with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks. A year later, Silver entered Val Gelder Studio again with a new band, featuring Carmell Jones, Joe Henderson, Teddy Smith and Roger Humphries for a session that yielded four more cuts, including what would become his signature tune, "Song for My Father," a dedication to his father that was inspired by both his Cape Verdean heritage and the music Silver had heard on a recent trip to Brazil. Available on 180g blue vinyl. Limited Edition. Indie Exclusive
Horace Silver - Song For My Father (Blue Note Classic Vinyl Edition)
$31.76
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Grant Green - "Idle Moments" [Blue LP] Time and troubles seem to melt away during the fifteen enrapturing minutes of "Idle Moments," the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls, all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums and Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this tremendous set, including the nimble Green original "Jean de Fleur," a bluesy take on John Lewis' MJQ standard "Django," and a driving performance of Pearson's original, "Nomad." Indie Exclusive Blue 180gram LP. Limited Edition.
Grant Green - Idle Moments -  [Indie Exclusive Blue LP]
$31.76
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Herbie Hancock -"Maiden Voyage" [Blue LP] Even by the high-water marks set by Herbie Hancock's tremendous 1960s output for Blue Note, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by his Miles David Quintet bandmates, Ron Carter (bass), Tony Williams (drums), Freddie Hubbard (trumpet) and George Coleman (tenor saxophone). The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon, including "Eye of the Hurricane," "Dolphin Dance" and the title track. Indie Exclusive 180gram Blue LP. Limited Edition.
Herbie Hancock - Maiden Voyage -  [Indie Exclusive Blue LP]
$31.76
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Lonnie Smith -"Drives (Blue Note Classic Vinyl Series)" Lonnie Smith's 1970 album, Drives, was a showcase of the organist's sense of adventure and indomitable groove. With Dave Hubbard on tenor sax, Ronnie Cuber on bari sax, Larry McGee on guitar and Joe Dukes on drums, Smith delivers funky takes on hits "Twenty-Five Miles" and "Spinning Wheel," plus a fleet version of Miles Davis' "Seven Steps to Heaven." This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. [180g Heavy Vinyl LP]
Lonnie Smith - Drives (Blue Note Classic Vinyl Series) [180 Gram]
$29.20
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Hank Mobley was inspired by Birth of the Cool on his 1966 album, A Slice of the Top, featuring Duke Pearson's arrangements for an octet that added euphonium and tuba to a group with James Spaulding (alto sax), Lee Morgan (trumpet), McCoy Tyner (piano), Bob Cranshaw (bass) and Billy Higgins (drums). This Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Hank Mobley - Slice Of The Top (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. After appearing on Blue Note albums by Ike Quebec, Hammond B3 organist Freddie Roach made his own run of soul jazz classics for the label including the standout 1963 date Good Move. Featuring Blue Mitchell on trumpet, Hank Mobley on tenor saxophone, Eddie Wright on guitar, and Clarence Johnston on drums. This Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Freddie Roach - Good Move (Blue Note Tone Poet Series) [180 Gram]
$41.60
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Duke Pearson's great 1964 album Wahoo! Was a perfect encapsulation of his talents as a pianist, composer and bandleader. Writing for a sextet featuring Donald Byrd (trumpet), James Spaulding (alto sax), Joe Henderson (tenor sax), Bob Cranshaw (bass) and Mickey Roker (drums), Pearson presents evocative originals including "Amanda," "Bedouin" and "ESP." This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Duke Pearson - Wahoo! (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing. Suave saxophone master Dexter Gordon had been living in Europe for several years when he returned to make his final Blue Note album, Gettin' Around, in 1965. This sublime set features a unique instrumentation with Dexter's tenor, the lone horn holding the spotlight, with nuanced accompaniment by Bobby Hutcherson, Barry Harris, Bob Cranshaw and Billy Higgins. This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes.
Dexter Gordon - Gettin' Around (Blue Note Classic Vinyl Series)
$29.20
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Vinyl LP pressing housed in gatefold tip-on jacket. Under-recognized tenor Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957, including this self-titled release featuring a septet with Lee Morgan (trumpet), Curtis Fuller (trombone), John Jenkins (alto sax), Ray Bryant (piano), Paul Chambers (bass) and Art Taylor (drums). This Blue Note Tone Poet Series mono edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI.
Cliff Jordan - Cliff Jordan (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. 1965's Dialogue was the debut by vibraphonist Bobby Hutcherson, who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch. Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis and Joe Chambers. This Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Bobby Hutcherson - Dialogue (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons and bassist Jymie Merritt, as heard on the 1960 album, A Night In Tunisia. Opening with a fiery version of Dizzy Gillespie's famous piece, the rest of the set showcased new bandmember originals. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Art Blakey  & The Jazz Messengers - Night In Tunisia (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing. Donald Byrd was off to the races after joining Blue Note in 1958 and had fully hit his hard bop stride by 1961 with his excellent album, Royal Flush. Joining the trumpeter was a state-of-the-art rhythm section, featuring Herbie Hancock on piano, Butch Warren on bass and Billy Higgins on drums, plus Byrd's frequent collaborator Pepper Adams on bari sax. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Donald Byrd - Royal Flush (Blue Note Classic Vinyl Series)
$29.20
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Vinyl LP pressing. Tenor saxophonist Hank Mobley was at the peak of his powers throughout the early 1960s as he produced a staggering run of hard bop classics including Soul Station, Roll Call, Workout, No Room For Squares, and The Turnaround. Recorded in 1961, Workout was an energetic quintet outing featuring Mobley with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers, and drummer Philly Joe Jones. The spirited five-song set consisted of four dynamic Mobley originals-"Workout," "Uh Huh," "Smokin'," and "Greasin' Easy"-that proved to be ideal vehicles inspiring vigorous improvisations from each of the soloists. The lone standard "The Best Things In Life Are Free"-taken from the musical Good News-was a showcase for Mobley's more lyrical side.
Hank Mobley - Workout (Blue Note Classic Vinyl Series)
$29.20
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Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented hornman as well as a composer, Little first came to prominence as a member of Max Roach’s band which he joined in 1956 after the death of Clifford Brown, another trumpet great gone far too soon. Little only made a handful of albums as a leader during his brief career including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists when he was just 20 years old. The full breadth of Little’s artistry leaps out of the grooves with his brilliant tone, astonishing technique, and inventive lines matched by Roach’s fiery drums throughout this engaging set that also featured George Coleman on tenor saxophone, Tommy Flanagan on piano, and Art Davis on bass. The album opens with Miles Davis’ “Milestones” and includes the standards “Sweet and Lovely” and a stunning version of “Moonlight Becomes You,” but the album’s centerpiece is the trio of Little originals: “Rounder’s Mood,” “Dungeon Waltz,” and “Jewel’s Tempo.”
Booker Little - Booker Little 4 & Max Roach (Blue Note Tone Poet)
$41.60
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Drawn from two sessions recorded in December 1969 and December 1970, and not first released until 1995, Kofi found Donald Byrd in the early stages of his transformation from top-notch hard bop trumpeter to fusion pioneer. Byrd had already begun to move away from a pure hard bop sound with his album Fancy Free in the Spring of 1969, and the two Kofi sessions straddled the recording of his adventurous fusion album Electric Byrd. The first Kofi session subtly explored a new realm of sounds on Byrd’s originals “Kofi” and “Fufu” with producer Duke Pearson’s electric piano shimmering underneath textured arrangements featuring Lew Tabackin on flute and tenor saxophone, Frank Foster on tenor saxophone, William Campbell on trombone, Ron Carter on acoustic bass, Bob Cranshaw on electric bass, and Airto Moreira on drums. The following 1970 session produced two more vibey Byrd originals—“Perpetual Love” and “Elmina”—adding Wally Richardson on guitar and Mickey Roker on drums with Moreira playing percussion along with Dom Um Romão.
Donald Byrd - Kofi (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. The Three Sounds were one of the most prolific Blue Note acts. Led by pianist Gene Harris, the trio's sound had evolved by 1970, with a new line-up featuring bassist Henry Franklin and drummer Carl Burnett. The blues and gospel roots were still there but the rhythm had a funkier edge as heard on the rousing Live At The 'It Club' recording. This Blue Note Classic Series (stereo edition) is all-analog, mastered by Kevin Gray from the original master tapes.
Gene Harris  And The Three Sounds - Live At The 'it Club' (Blue Note Classics Series)
$29.20
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Limited 180gm vinyl LP pressing. German jazz pianist Jutta Hipp is one of the most intriguing yet little-known figures in Blue Note history. Shortly after moving to NYC in 1956, she recorded the charming live trio album, At The Hickory House, with bassist Peter Ind and drummer Ed Thigpen. Volume 1 presents a set of standards and bebop themes that showcases her hip, lightly-swinging style. This Blue Note Classic Series (mono edition) is all-analog, mastered by Kevin Gray from the original master tapes.
Jutta Hipp - At The Hickory House, Volume 1 (Blue Note Classic)
$29.20
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Vinyl LP pressing. Recorded in the wee hours of Good Friday 1960, this charming and impromptu Pacific Jazz session captured the easygoing alchemy of The Modest Jazz Trio featuring Jim Hall on guitar, Red Mitchell on piano, and Red Kelly on bass. Good Friday Blues would be the trio's sole album, a sublimely swinging date that did indeed begin with the modest expectations of capturing a single track for a blues anthology that Richard Bock was producing. But the vibe was right, the trio was inspired, the music flowed, and by morning they had laid down six tracks including a pair of originals by Mitchell and renditions of songbook standards including "Willow Weep For Me," "I Remember You," and "I Was Doin' Alright." The drum-less setting allows Hall's gorgeous, subtle tone and melodic flow to shine while Mitchell-who was primarily known as a bassist-surprises with his impressive piano chops, and Kelly provides a sturdy base.
Modest Jazz Trio - Good Friday Blues (Blue Note Tone Poet Series)
$41.60
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Jackie McLean’s 1962 album Let Freedom Ring reflected the change in the air of the early ‘60s: both the musical freedoms being explored by the emergent avant-garde movement and the social freedoms sought by the ascendent civil rights movement. This four-song set featuring the alto saxophonist with Walter Davis Jr. on piano, Herbie Lewis on bass, and Billy Higgins on drums melds the bluesy language of hard bop with the bristling energy of The New Thing. McLean’s emotive horn wails, shrieks, and soothes as the quartet moves through three striking McLean originals: “Melody For Melonae” (dedicated to his daughter), “Rene” (dedicated to his son), and “Omega” (dedicated to his mother). A plaintive rendition of the Bud Powell ballad “I’ll Keep Loving You” rounds out the date.

Jackie Mclean - Let Freedom Ring (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. Following the runaway success of The Sidewinder in 1964, Alfred Lion continued to record trumpeter Lee Morgan frequently in the hopes of capturing another funky boogaloo hit. While his subsequent albums may not have scaled the same commercial heights, Morgan certainly delivered the musical goods on his 1965 albums The Rumproller, The Gigolo, and Cornbread, all of which stand among the finest outings in his formidable discography. Recorded over two dates that Summer, The Gigolo featured Morgan with a dynamic quintet comprised of Wayne Shorter on tenor saxophone, Harold Mabern on piano, Bob Cranshaw on bass, and Billy Higgins on drums. A supremely confident set of swaggering hard bop, the album kicks off with the groovy opener "Yes I Can, No You Can't," one of four Morgan originals featured here along with the up-tempo gems "Trapped" and "Speedball," and stirring explorations of the 11-minute "The Gigolo." The album closes with an exceptional arrangement of the ballad "You Go To My Head" which sways with sensual movement.
Lee Morgan - Gigolo (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing. 1964 was a momentous year in the musical life of Wayne Shorter. At the start of the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and that summer he joined the Miles Davis Quintet cementing a line-up that would become one of the seminal bands in jazz history. When he returned to the studio for Blue Note in August it was in the company of three musicians with strong ties to John Coltrane: pianist McCoy Tyner, bassist Reggie Workman, and drummer Elvin Jones. The resulting album JuJu is a marvel in Shorter's formidable discography which presents six of his evocative original compositions including the churning title track, the mesmerizing "House of Jade," and the brightly swinging "Yes Or No."
Wayne Shorter - Juju (Blue Note Classic Vinyl Edition)
$29.20
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Vinyl LP pressing. The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of stylistic possibilities from post-bop and the avant-garde to fusion and Latin Jazz. The cutting-edge 1969 session Medina-which wouldn't be first released until 1980 as part of the LT Series-documented one of Hutcherson's most remarkable band line-ups featuring two of his frequent collaborators-Harold Land on tenor saxophone and flute and Joe Chambers on drums-along with Stanley Cowell on piano and Reggie Johnson on bass. The set presented a pair of original compositions each by Hutcherson, Cowell, and Chambers that explored a variety of moods from the churning rhythms of "Avis" and "Medina" to the more atmospheric realms of "Comes Spring" and "Orientale."
Bobby Hutcherson - Medina (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. Lee Morgan's 1968 album Taru found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.
Lee Morgan - Taru (Blue Note Tone Poet Series)
$41.60
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Vinyl LP pressing. Alfred Lion's inspired idea to pair tenor saxophonist Stanley Turrentine with The Three Sounds-the trio featuring pianist Gene Harris, bassist Andrew Simpkins, and drummer Bill Dowdy-on 1960's Blue Hour produced one of most deeply soulful hard bop outings in the Blue Note catalog. Both Turrentine and The Three Sounds were in the early days of their lengthy associations with the label at the time, the saxophonist having just recorded his leader debut Look Out a few months prior and the trio having debuted in 1958 with Introducing The 3 Sounds. Blue Hour is a smoldering late-night affair highlighted by seductive ballad performances of four standards: "I Want A Little Girl," "Gee Baby, Ain't I Good To You," "Since I Fell For You," and "Willow Weep For Me." At the album's center is Harris' spunky "Blue Riff," the sole uptempo number on this otherwise laid-back classic.
Stanley Turrentine  / Three Sounds - Blue Hour (Blue Note Classic Vinyl Series)
$29.20
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Vinyl LP pressing. The Magnificent Thad Jones is widely regarded as the greatest small group recording of the trumpeter and composer's career. Following his Blue Note debut Detroit - New York Junction in March 1956, Jones returned to the studio in July to record this supremely swinging date with Billy Mitchell on tenor saxophone, Barry Harris on piano, Percy Heath on bass, and Max Roach on drums. The album opens with an iconic performance of "April In Paris," a reprise of the famous version featuring Jones that the Count Basie Orchestra had cut the previous year, complete with the trumpeter's sly "Pop Goes The Weasel" quote. Other highlights of the set include two Jones originals-the laid-back "Billie-Doo" and lightly swinging "Thedia"-as well as the stunning ballad "If Someone Had Told Me."
Thad Jones - Magnificent Thad Jones (Blue Note Classic Vinyl)
$29.20
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Vinyl LP pressing. Tenor saxophonist Clifford Jordan blew in from Chicago in 1957 and put the NYC jazz scene on notice with a trio of excellent Blue Note sessions including Blowing in from Chicago co-led with John Gilmore, the self-title Cliff Jordan, and Cliff Craft. This third album featured Jordan at the helm of first-rate hard bop quintet with Art Farmer on trumpet, Sonny Clark on piano, George Tucker on bass, and Louis Hayes on drums. Side 1 presented three Jordan originals including the sublime "Laconia," "Soul-Lo Blues," and the hard-swinging title track. Side 2 found Jordan playing well-known tunes by Charlie Parker, Dizzy Gillespie, and Duke Ellington including "Confirmation," "Anthropology," and a show-stopping version of the ballad "Sophisticated Lady."
Cliff Jordan - Cliff Craft (Blue Note Classic Vinyl Series)
$29.20
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Vinyl LP pressing. The winds of change were blowing through Wayne Shorter's life and career in 1970. The saxophonist had just left Miles Davis' group and was soon to form his collective fusion band Weather Report. His music was evolving too as he began to delve into his own unique fusion explorations on his previous two Blue Note recordings Super Nova and Moto Grosso Feio. Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter's early Blue Note period. The album was a tribute to his daughter Iska-who had been born the year before with severe brain damage-with four immersive Shorter compositions portraying a variety of moods: "Wind," "Storm," "Calm," and "Joy." The album's centerpiece is an extended version of Bobby Thomas' Brazilian influenced piece "De Pois do Amor, o Vazio" (After Love, Emptiness), foreshadowing Shorter's growing interest in Brazilian music which he would explore further in the years to come. Shorter's soprano and tenor saxophones are the lone horns heard on the album which featured Gene Bertoncini on guitar, David Friedman on vibraphone and marimba, Ron Carter and Cecil McBee on bass, and Alphonse Mouzon, Billy Hart, and Frank Cuomo contributing drums and percussion.
Wayne Shorter - Odyssey Of Iska (Blue Note Tone Poet Series)
$41.60
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Vinyl LP pressing. Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums. The standards heavy set was captured on a rainy Spring afternoon in the Beacon Hill home of engineer Steve Fassett which provided a casual atmosphere that gave the album both it's title and it's easy-going charm. Byrd is at his lyrical best on Joe Sullivan's tune "Little Rock Getaway" as well versions of "Polka Dots and Moonbeams," "If I Love Again," and "Stella by Starlight." The trumpeter lays out to let the trio shine on "People Will Say We're in Love" and "What's New."
Donald Byrd - Byrd Blows On Beacon Hill (Blue Note Tone Poet Series)
$41.60
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After emerging from Terence Blanchard's band, pianist Aaron Parks made his own Blue Note debut in 2008 with Invisible Cinema, a striking album that has only grown in it's influence of the modern jazz landscape since it's release. Featuring a quartet with guitarist Mike Moreno, bassist Matt Penman, and drummer Eric Harland, the music drew inspiration from Wayne Shorter, Radiohead, and more. This Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.
Aaron Parks - Invisible Cinema (Blue Note Classic Vinyl Series)
$54.98
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Double vinyl LP pressing. In 1999, the same year that Jason Moran released his debut recording Soundtrack To Human Motion, the pianist and composer also joined New Directions, a band made up of young stars from the Blue Note roster. At the core of New Directions was the genesis of a rhythm section-with Moran, bassist Tarus Mateen, and drummer Nasheet Waits-that would go on to become one of the most enduringly creative and acclaimed piano trios in jazz. The Bandwagon made their first recording as a trio with Facing Left in 2000 and has been the foundation of the majority of Moran's artistic statements since. On his 2010 album Ten, Moran celebrated the 10th anniversary of The Bandwagon with an assured album that was a snapshot of a mature band with a decade of shared musical experience from which to draw. In addition to provocative originals the album presented singular interpretations of pieces by Thelonious Monk, Jaki Byard, Leonard Bernstein, and Conlon Nancarrow. This first-time vinyl release includes the bonus track "Thelonious" previously only available in Japan.
Jason Moran - Ten (Blue Note Classic Vinyl Series)
$54.98
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Vinyl LP pressing. Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current line-up of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session. Everyone is in fine form on this 5-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino." A beautiful rendition of the ballad "Everything Happens To Me" and two swinging Mobley pieces comprise Side B, bringing this highly-enjoyable date to a close.
Donald Byrd - Byrd's Eye View (Blue Note Tone Poet Vinyl Series)
$41.60
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Limited 180gm vinyl LP pressing housed in gatefold tip-on jacket. Bobby Hutcherson's 1968 album Total Eclipse was the vibraphonist's first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned post-bop set. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.
Bobby Hutcherson - Total Eclipse (Blue Note Tone Poet Vinyl Series)
$41.60
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Recorded in 1956 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Watkins At Large was the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell’s trio when Wilson decided to give him the opportunity to front his own recording date. Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.

Doug Watkins - Watkins At Large (Blue Note Tone Poet Series)
$41.60
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Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin’, a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco. The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals “Us” and “San Francisco Beat.” A buoyant version of “It Could Happen To You” is performed quartet as a Dorham showcase, while the trumpeter lays out on “Let’s Face The Music And Dance” and “Lover Man” to give the spotlight to McLean.

Kenny Dorham  / Mclean,Jackie - Inta Somethin' (Blue Note Tone Poet Series)
$41.60
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Vinyl LP pressing. Recorded in May 1963, Silver's Serenade was the last in a fantastic run of albums that pianist Horace Silver would make with the most celebrated line-up of his Quintet featuring Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger Poppin' and Blowin' the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver's Serenade consists of five Silver tunes that epitomize his exceptional compositional style: captivating melodies, sophisticated harmonies, and intricate rhythmic inventions with a soulful and unerring sense of swing at the core. From the relaxed groove of the opening title track to the hard-charging finale "Nineteen Bars" the Quintet delivers their swan song with style.
$41.60
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The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old. Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions.

Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.

Anthony Williams - Life Time (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing. The incomparable trumpeter Clifford Brown recorded two leader sessions for Blue Note in 1953-a co-led quintet date with Lou Donaldson and his own sextet date-that were compiled on the 12" LP Memorial Album (BLP 1526) shortly after his tragic death in 1956. Brownie's star burns bright from the blistering 'Cherokee' to the stunning ballad 'Easy Living'. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Clifford Brown - Memorial Album (Blue Note Classic Vinyl Series)
$29.20
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A magnificent band featuring Hank Mobley, Herbie Hancock and Kenny Burrell helped this trumpet legend create one of his most memorable albums with this 1963 recording. Duke Pearson did the arrangements, and an eight-piece gospel choir helped Byrd reach the spiritual heights he was seeking; the stunning "Cristo Redentor" joins "The Black Disciple," "Elijah," "Chant" and more. This stereo Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180g vinyl! Blue Note.
Donald Byrd - New Perspective (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing in gatefold jacket. In November 1960, trumpeter Donald Byrd brought his quintet into the Half Not Cafe in New York City to record this soulful, swinging and highly enjoyable live set of hard cop featuring Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass) and Lex Humphries (drums). Blue Note Tone Poet Series features all-analog, remastering.
Donald Byrd - Donald Byrd • At The Half Note Café, Vol.1 (Blue Note Tone Poet Series) [LP]
$41.60
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Trumpeter Donald Byrd and Hank Mobley (tenor sax) let listeners know that they are in for an exceptional musical experience on "Ghana". For these Byrd In Flight 1960 sessions, he was joined by Jackie Mclean (alto sax), Duke Pearson (piano), Doug Watkins/Reggie Workman (bass) & Lex Humphries (drums). Higlights include the stunning ballad "Little Girl Blue," and swingers "My Girl Shirl" and "Lex". Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold package.

Donald Byrd - Byrd In Flight (Blue Note Tone Poet Series) [LP]
$41.60
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Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.
Hank Mobley - Soul Station
$29.20
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Limited 180gm vinyl LP pressing in gatefold jacket. Jimmy Smith revolutionized the use of a Hammond B-3 organ. Arguably his finest moments, the sessions with Stanley Turrentine (tenor sax) helped define jazz. Prayer Meetin' is brimming with the bluesy grooves that made their collaborations classics. Highlights include "Red Top" and the title track's incredible interplay, while Stanley delivers a ballad tour-de-force on "I Almost Lost My Mind." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Jimmy Smith - Prayer Meetin [180 Gram]
$41.60
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The legendary trumpeter Miles Davis was still near the beginning of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In the late 1940s, Miles had been a member of Charlie Parker’s quintet and Dizzy Gillespie’s big band, as well as cutting select sides as a leader including the influential Birth of the Cool sessions for Capitol Records. Miles’ star was still rising at the time he hooked up with Alfred Lion and Blue Note, but he was clearly on his path towards becoming one of the greatest bandleaders in jazz. Initially released across three 10” LPs—Young Man With A Horn, Vol. 2, and Vol. 3—the music captured on these Blue Note sides contains all the hallmarks of his early style from blazing bebop to beautiful ballads. When Blue Note transitioned to the 12” LP in 1955, Lion compiled Miles’ recordings onto two volumes as the inaugural releases of the 1500 series. Volume 1 (Blue Note 1501) presents tracks from the 1952 and 1953 sextet sessions featuring two stellar line-ups with included trombonist J.J. Johnson, saxophonists Jackie McLean and Jimmy Heath, pianist Gi Coggins, bassists Oscar Pettiford and Percy Heath, and drummers Kenny Clarke and Art Blakey.

This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Grayfrom the original masters, and pressed on 180g vinyl at Optimal.

Miles Davis - Volume 1 (Blue Note Classic Vinyl Series)[LP]
$29.20
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Miles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: "Well You Needn't," "Lazy Susan," "The Leap," "It Never Entered My Mind," "Donna," alternate takes of "Ray's Idea" and "Tempus Fugit" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.
Miles Davis - Volume 2 (Blue Note Classic Vinyl Series)
$29.20
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Pianist and composer Andrew Hill debuted on Blue Note with a burst of creativity that produced 4 classic albums in 5 months, including his 1964 masterpiece, Point of Departure. His extraordinary compositions are given thrilling performances by a diverse ensemble featuring Kenny Dorham, Joe Henderson, Eric Dolphy, Richard Davis, and Tony Williams. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Andrew Hill - Point Of Departure (Blue Note Classic Vinyl Series)[LP]
$29.20
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Andrew Hill is one of the most distinctive pianists/composers in jazz. Recorded in 1969, it sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Andrew Hill - Passing Ships [Blue Note Tone Poet Series 2LP]
$44.80
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Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Andrew Hill's 1968 album Dance With Death stands as one of the most gratifying, though under-recognized, sessions of the brilliant pianist's discography, featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.
Andrew Hill - Dance With Death (Blue Note Tone Poet Series) [LP]
$41.60
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Limited 180gm vinyl LP pressing. Andrew Hill's Black Fire is both the pianist and composer's debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill's great albums Smokestack, Judgment!, and Point of Departure during a period of just four months.
Andrew Hill - Black Fire [180 Gram]
$41.60
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Anthony Williams - "Spring (Blue Note Classic Vinyl Series)" Drummer and composer Tony Williams' adventurous 1965 album Spring-his second as a leader for Blue Note-found him convening a stellar line-up with saxophonists Wayne Shorter and Sam Rivers, pianist Herbie Hancock, and bassist Gary Peacock. The five Williams originals presented here offer the musicians spacious realms in which to go exploring. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Anthony Williams - Spring (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing. The 1961 album Mosaic marked a pivotal moment in the story of Art Blakey & The Jazz Messengers with the drummer welcoming the arrival of trumpeter Freddie Hubbard (replacing Lee Morgan) and pianist Cedar Walton (replacing Bobby Timmons). The band also expanded to a sextet with the addition of trombonist Curtis Fuller who joined existing members tenor saxophonist Wayne Shorter and bassist Jymie Merritt to establish a powerful new line-up that would perform together until 1964 and record several classic albums including Buhaina's Delight and Free for All. Mosaic opens with a flourish as the band launches into the magnificent title track composed by Walton, and the set also includes memorable compositions by Shorter ("Children of the Night"), Fuller ("Arabia"), and Hubbard ("Down Under" and "Crisis"). This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Art Blakey - Mosaic (Blue Note Classic Vinyl Series)
$29.20
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Limited 180gm vinyl LP pressing. 1958's Moanin' - featuring the great drummer w/ trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, & bassist Jymie Merritt - was the perfect crystallization of the band's bluesy, soulful sound, & it still stands today as perhaps the most quintessential hard bop recording of all-time. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" & "Blues March."
Art Blakey & The Jazz Messengers - Moanin'
$29.20
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Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' greatest line-ups: Wayne Shorter (saxophone), Lee Morgan (trumpet), Bobby Timmons (piano), and Jymie Merritt (bass). Highlights include Morgan's "Afrique," Shorter's "Those Who Sit and Wait," Timmons' "A Little Busy," and Jordan's "Lost and Found" which closes the album. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Art Blakey - The Witch Doctor (Blue Note Tone Poet Series) [LP]
$41.60
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Vinyl LP pressing. Blue Note Tone Poet Series. One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor sax), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, like the playful "Ping Pong" and the clever "United." It's among Blakey's finest.

Art Blakey & The Jazz Messengers - Roots And Herbs (Blue Note Tone Poet Series) [LP]
$41.60
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Art Blakey's 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons' enduring hit "Dat Dere." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Art Blakey & The Jazz Messengers - The Big Beat [Blue Note Classic Series LP]
$29.20
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Baby Face Willette

Face To Face [180 Gram]

Vinyl: $41.60 UNAVAILABLE
Limited 180gm audiophile vinyl pressing in deluxe gatefold jacket. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). Hammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt 'Baby Face' Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette's debut Face to Face is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon, Face to Face is a tour de force of rough and ready soul jazz brilliance with an iconic Reid Miles cover design to match.
Baby Face Willette - Face To Face [180 Gram]
$41.60
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Kansas City-born Hammond B3 organ dynamo Big John Patton made a stellar run of soul jazz albums for Blue Note through the 1960s but Let 'Em Roll stands among his finest with Patton adding vibraphonist Bobby Hutcherson to a standard organ trio line-up with guitarist Grant Green and drummer Otis Finch. This stereo Blue Note Tone Poet Series was produced by Joe Harley, mastered by Kevin Gray from the original analog tapes, pressed on 180g vinyl and packaged in a deluxe gatefold tip-on jacket.
Big Patton  John - Let 'em Roll (Blue Note Tone Poet Series)
$41.60
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Blue Note's roster in the 1960s boasted numerous Hammond B3 organ whizzes including the soulful Kansas City-born master, Big John Patton. The dynamic quintet that he assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by Blue Mitchell (trumpet), Harold Vick (tenor saxophone), Grant Green (guitar), and Ben Dixon (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Big John Patton - Oh Baby! (Blue Note Classic Vinyl Series)[LP]
$29.20
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Limited 180gm vinyl LP pressing housed in gatefold jacket. Blue Mitchell was a member of Horace Silver's quintet before he began recording his own albums as leader for Blue Note through the 1960s. His 1966 album, Bring It Home to Me, is a bluesy and soulful hard bop date featuring the trumpeter with Junior Cook, Harold Mabern, Gene Taylor, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.
Blue Mitchell - Bring It Home To Me (Blue Note Tone Poet Series)
$41.60
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Flutist Bobbi Humphrey debuted on Blue Note in 1971 and released 6 albums with them capped by Fancy Dancer in 1975, his 3rd collaboration with producer Larry Mizell. It proved to be a winning combination once again with Humphrey's alluring flute dancing through a set featuring standout Mizell compositions like "Uno Esta," and "You Make Me Feel So Good." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Bobbi Humphrey - Fancy Dancer [180 Gram]
$29.20
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Vibraphonist Bobby Hutcherson's 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals, plus Ornette Coleman's "Una Muy Bonita." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Bobby Hutcherson - Stick-Up! (Blue Note Tone Poet Series) [LP]
$41.60
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Limited 180gm vinyl LP pressing in gatefold jacket. The Kicker was vibraphonist Bobby Hutcherson's first session (1963) via Blue Note but wasn't released until 1999. Instead, Dialogue was released as his debut album two years later. Now available on vinyl for the first time! A sequel to Grant Green's masterpiece Idle Moments, with the same artists: Green, Joe Henderson (tenor sax), Duke Pearson (piano), Bob Cranshaw (bass), Al Harewood (drums).
Bobby Hutcherson - The Kicker (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Recorded in 1967, Oblique is one of two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note. Released in 1979, features Herbie Hancock (piano), Joe Chambers (drums) and Albert Stinson (bass). An incredible journey from bops to exploratory sonic poems, with standouts like breezy opener "'Til Then," Hancock's tremendous "Theme From Blow Up" and Chambers' adventurous "Oblique".
Bobby Hutcherson - Oblique (Blue Note Tone Poet Series) [180 Gram]
$41.60
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The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like "Goin' Down South" and "Ummh" counterbalanced by exploratory pieces like the mesmerizing "Prints Tie." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Bobby Hutcherson - San Francisco (Blue Note Classic Vinyl Series) [LP]
$29.20
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Vinyl LP pressing. Following sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for it's first standalone release. With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals including Barron's sinuous tune "Gichi" and Shaw's lilting waltz "In a Capricornian Way," as well as Ervin's lovely ballad "Lynn's Tune" and the hard-swinging "Den Tex," named for his hometown of Denison.
Booker Ervin - Tex Book Tenor (Blue Note Tone Poet Series)
$41.60
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Blue Note Classic Vinyl Reissue Series!

180g Vinyl LP!

Mastered By Kevin Gray From Original Analog Tapes!

Pressed At Optimal!

The fourth volume of The Amazing Bud Powell series, recorded in 1958, found the brilliant bebop piano master in particularly fine form on an ebullient set of his original tunes including "Buster Rides Again," "Monopoly," and "John's Abbey." Powell's inventive solo flights shine in a trio setting with Sam Jones on bass and "Philly" Joe Jones on drums.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

FEATURES:

  • Blue Note Classic Vinyl Reissue Series
  • 180g Vinyl LP
  • All-Analog Pressing
  • Mastered by Kevin Gray from Original Analog Tapes
  • Manufactured at Optimal in Germany

Time Waits: The Amazing Bud Powell

Bud Powell - Time Waits: The Amazing Bud Powell Blue Note Classic Series [LP]
$29.20
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The amazing bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note. Powell's 1949 and 1951 sessions were compiled in 1955 on The Amazing Bud Powell, Vol. 1. Featuring the pianist with the likes of Sonny Rollins, Fats Navarro, Roy Haynes and Max Roach on bebop classics including "Un Poco Loco" and "Bouncing with Bud." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

FEATURES:

  • Blue Note Classic Vinyl Reissue Series
  • 180g Vinyl LP
  • All-Analog Pressing
  • Mono
  • Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
  • Manufactured at Optimal in Germany

MUSICIANS:

Fats Navarro Trumpet

Sonny Rollins Tenor Saxaphone

Bud Powell Piano

Curly Russell Bass

Max Roach DRUMS

Amazing Bud Powell, Vol 1 (Blue note Classic Vinyl Series)

Bud Powell - Amazing Bud Powell Vol 1 (Bluenote Classic Vinyl)
$29.20
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Limited 180gm vinyl LP pressing. Legendary trumpeter Miles Davis' unmistakable rasp at the end of "One for Daddy-O," makes it clear he wasn't just playing the role of sideman on Somethin' Else, the album by Cannonball Adderley. The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of "Autumn Leaves" to the thrilling title track. Hank Jones/Sam Jones/Art Blakey round out the quintet.
Cannonball Adderley - Somethin' Else
$29.20
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Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Kansas City-born trumpeter Carmell Jones signed to Pacific Jazz soon after his arrival in Los Angeles in 1960 and began what seemed sure to be a promising recording career with his accurately titled 1961 debut, The Remarkable Carmell Jones, featuring Harold Land, Frank Strazzeri, Gary Peacock and Leon Pettis. Blue Note Tone Poet Series features all-analog remastering.
Carmell Jones - The Remarkable Carmell Jones (Blue Note Tone Poet Series) [LP]
$41.60
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Double 180gm vinyl LP pressing. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes. Cassandra Wilson's 1993 Blue Note debut, Blue Light 'Til Dawn, wove a tapestry of jazz, blues, folk, and R&B into a singular sound that opened new avenues of expression for vocal jazz. Produced by Craig Street, the album's inventive instrumentation, plus Wilson's riveting vocals, transformed songs by Robert Johnson, Joni Mitchell, Van Morrison, and more.
Cassandra Wilson - Blue Light Til Dawn
$42.40
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Double 180gm vinyl LP pressing. "Glamoured is a Gaelic word meaning to be whisked away," says vocalist and songwriter Cassandra Wilson, explaining the title of her 2003 album. "It's like being in a daydream, those split seconds when you're transfixed and your eyes don't move and you have to shake yourself out of it. This album captures the feeling of that reverie." Indeed, Wilson sets such a mood with her trademark mix of first-rate originals and adventurous covers of other songwriters' works, this time picking material by Sting, Bob Dylan, Willie Nelson, Muddy Waters and Abbey Lincoln. Such eclectic tastes come naturally to Wilson, who began her musical career performing in and around her hometown of Jackson, Mississippi. "Down South, musicians have to be able to play in many different circumstances and in many contexts," she says. "They have to play jazz, they have to integrate the blues, and they have to know country. And the lines are kinda blurry sometimes, 'cause that's what everybody wants to hear." For the recording of Glamoured, Cassandra once again returned to her hometown of Jackson, Mississippi with a list of good songs and an open mind. "For some albums, I'll have a very clear idea of where I want it to go," she says, "but this time I had questions about what kinds of sounds to explore."
Cassandra Wilson - Glamoured: Blue Note Tone Poet Series [2LP]
$49.57
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Cecil Taylor - "Unit Structures (Blue Note Classic Vinyl Series)" The intrepid free jazz pianist Cecil Taylor made his Blue Note debut with the explosive 1966 album Unit Structures featuring trumpeter Eddie Gale, saxophonists Jimmy Lyons and Ken McIntyre, bassists Henry Grimes and Alan Silva, and drummer Andrew Cyrille. The four extended pieces performed here scale the pinnacle of the mid-1960s jazz avant-garde. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, & pressed on 180g vinyl at Optimal.
Cecil Taylor - Unit Structures (Blue Note Classic Vinyl Series)
$29.20
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Double 180gm vinyl LP pressing. Charlie Hunter's 1995 Blue Note debut Bing Bing Bing! Was a groove-heavy tour-de-force that announced the arrival of a virtuosic new guitarist on the scene. Hunter's unique concept on his 8-string guitar allowed him to lay down a bass line and play chords as well as a melodic line at the same time, producing music that was at once impressive and irrepressible. With his powerful trio featuring tenor saxophonist Dave Ellis and drummer Jay Lane plus contributions from trombonist Jeff Cressman, Ben Goldberg, pedal steel guitarist David Phillips, and percussionist Scott Roberts, Hunter delivered a 10-song set of propulsive originals including "Greasy Granny" and "Fistful of Haggis" plus an unforgettable cover of Nirvana's "Come As You Are." Hunter would go on to record six more excellent albums for Blue Note, and also gain notice for playing on D'Angelo's 2000 neo-soul masterpiece Voodoo. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Charlie Hunter - Bing Bing Bing! (Blue Note Classic Vinyl Series) [2 LP]
$42.40
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Following the success of his vocal debut Chet Baker Sings in 1954, Pacific Jazz brought the rising star trumpeter back into the studio for the sequel Chet Baker Sings and Plays which showcased both sides of Baker's artistry on a set of standards including his timeless rendition of "Let's Get Lost." This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Chet Baker - Chet Baker Sings & Plays (Blue Note Tone Poet) [LP]
$41.60
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There are several albums titled Chet Baker Sings, but this Pacific Jazz recording is the original, and arguably, the best. Highlights Chet's indelible vocals and sterling trumpet playing with two quartet line-ups on a set of classic standards. For the first time in 60 years, this definitive edition is pristinely cut from the original masters. Includes additional session photography. Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series features 180g vinyl in deluxe gatefold packaging.

Chet Baker - Chet Baker Sings [LP][Blue Note Tone Poet Series]
$41.60
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Chet Baker & Art Pepper continued their fruitful collaboration with the 1956 Pacific Jazz album, Picture of Health (originally released as Playboys). The sextet for the session was loaded with top talent from the West Coast jazz scene including Phil Urso, Carl Perkins, Curtis Counce and Larance Marable. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging. Mono LP.
Chet Baker, Art Pepper & Phil Urso - Picture Of Heath (Blue Note Tone Poet Series) [LP]
$41.60
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Chick Corea

Now He Sings, Now He Sobs

Vinyl: $41.60 UNAVAILABLE
Limited 180gm vinyl LP pressing in gatefold jacket. Chick's brilliant trio album from 1968, Now He Sings, Now He Sobs is held in the same kind of rarefied esteem as the classic Bill Evans trio sessions. One listen will tell you why... The exquisite interplay between Chick, Czech bassist Miroslav Vitous and drum master Roy Haynes make it abundantly clear why this album has achieved such legendary status among jazz piano trio recordings. Now He Sing's, Now He Sobs features a program of all Corea compositions including the first recording of Matrix, one of Corea's most beloved tunes.
Chick Corea - Now He Sings, Now He Sobs
$41.60
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Limited 180gm vinyl LP pressing in gatefold jacket. Recorded in 1963, Katanga! Is the last of 6 albums from saxophonist Curtis Amy recorded for Pacific Jazz in the early '60s. This remarkable session includes trumpeter Dupree Bolton, guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.
Curtis Amy  / Bolton,Dupree - Katanga
$41.60
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Dexter Gordon

Go

Vinyl: $29.20 UNAVAILABLE
Limited 180gm vinyl LP pressing. Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! Was a showcase of Gordon's limitless creativity on hard-swinging numbers like "Cheese Cake" and "Love for Sale," as well as his peerless artistry on ballads as evidenced on "I Guess I'll Hang My Tears Out to Dry" and "Where Are You." This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on vinyl at Optimal.
Dexter Gordon - Go
$29.20
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Dexter Gordon had been living in Europe for several years when he recorded One Flight Up, one of his masterpieces, in Paris in 1964. It's all here: Dexter's magnificently huge sound, Donald Byrd in peak form on trumpet, the sophistication of pianist Kenny Drew, the brilliance of the then-teenaged bass phenom Niels-Henning Orsted Pederson and the rock-steady swing of drummer Art Taylor. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Dexter Gordon - One Flight Up One Flight Up [Blue Note Tone  Poet Series LP]
$41.60
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Limited 180gm vinyl LP pressing. One of the enduring mysteries of Blue Note history is that superb sessions such as Dexter Gordon's Clubhouse (recorded in 1965) remained unreleased in the vault until the late 1970s. Recorded during the middle of Gordon's "golden period" career renaissance after he signed with Blue Note in 1961, the tenor saxophone legend is joined by Freddie Hubbard on trumpet and the remarkable rhythm section of Barry Harris on piano, Bob Cranshaw on bass, and the great Billy Higgins on drums. Blue Note Tone Poet series.
Dexter Gordon - Clubhouse [180 Gram]
$41.60
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Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece's Blue Note debut Blues In Trinity. Encouraged by Alfred Lion, Reece would move to New York City the next year where Lion quickly put him back in the studio with a first-rate hard bop band including Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass, and Taylor once again on drums. The resulting album Star Bright is a hidden gem of the Blue Note catalog with Reece shining brightly on a 6-song set that included several of his own bluesy originals like "The Rake," "Groovesville," "The Rebound," and the Thelonious Monk inspired "A Variation On Monk." Two standards round out the offering with swinging takes on "I'll Close My Eyes" and "I Wished On The Moon," both of which showcase Reece's sublime delivery of a melody.
Dizzy Reece - Star Bright (Blue Note Classic Vinyl Series) [LP]
$29.20
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Limited 180gm vinyl LP pressing. Don Cherry first rose to prominence as part of the Ornette Coleman Quartet that turned the jazz world on it's ear in 1959. Then, in 1965 he began his career as a leader with a run of fiery Blue Note albums including Where Is Brooklyn?, a highly interactive quartet date with Pharoah Sanders on tenor saxophone, Henry Grimes on bass and Ed Blackwell on drums. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
Don Cherry - Where Is Brooklyn
$29.20
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The soulful Louisiana-born tenor saxophonist, Don Wilkerson, made his Blue Note debut in 1962 with Preach Brother! - one of the most exuberant yet under-recognized soul jazz classics of the Blue Note catalog. The album featured the Ray Charles alum with Grant Green (guitar), Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Don Wilkerson - Preach Brother! (Blue Note Classic Vinyl Series)[LP]
$29.20
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Donald Byrd's 1975 album, Places and Spaces, featuring the hits "Wind Parade" and "Dominoes," was the culmination of his fusion period. It was his 5th consecutive album produced by the visionary Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had been with since 1958. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Donald Byrd - Places And Spaces [Blue Note Classic Series LP]
$31.76
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Donald Byrd's 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, & packaged in a deluxe gatefold tip-on jacket.
Donald Byrd - Slow Drag (Blue Note Tone Poet Series)
$41.60
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Donald Byrd

Chant

Vinyl: $41.60 UNAVAILABLE
Vinyl LP pressing. Trumpeter Donald Byrd and baritone saxophonist Pepper Adams had a formidable partnership throughout the early 1960s, making a series of highly regarded hard bop albums. Yet somehow this masterful quintet session from April 1961 (which also features Herbie Hancock, sounding exceptionally fine on his very first Blue Note recording session) remained unreleased for nearly 20 years. Of particular note are Herbie's playing on "Great God" and the sophisticated excellence the entire ensemble brings.
Donald Byrd - Chant
$41.60
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In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude," and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Duke Ellington - Money Jungle (Blue Note Tone Poet Series) [LP]
$41.60
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Duke Pearson

Merry Ole Soul [180 Gram]

Vinyl: $29.20 UNAVAILABLE
Limited 180gm vinyl LP pressing. Pianist Duke Pearson recorded his Christmas album Merry Ole Soul in 1969 with Bob Cranshaw on bass and Mickey Roker on drums, as well as percussionist Airto Moreira on several tracks. The only Christmas album recorded during Blue Note's classic era, the set includes holiday favorites including "Sleigh Ride," "Jingle Bells," "Silent Night," and more.
Duke Pearson - Merry Ole Soul [180 Gram]
$29.20
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Limited 180gm vinyl LP pressing housed in a deluxe gatefold tip-on jacket. Duke Pearson's 1967 album The Right Touch is perhaps the finest of his career and a showcase for the breadth of his talents as a pianist, composer, and arranger. Six memorable originals are performed by a dynamic 8-piece band including Freddie Hubbard (trumpet), Stanley Turrentine (tenor sax) and James Spaulding (alto sax). Blue Note Tone Poet Series is remastered from the original analog tapes.
Duke Pearson - Right Touch (Blue Note Tone Poet Series)
$41.60
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Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Duke Pearson's opening title track of superb album, The Phantom, sets a stage for one of Blue Note's underrecognized gems. The pianist/composer/arranger gathered a superb cast: Bobby Hutcherson, Jerry Dodgion (flute), Sam Brown/Al Gafa (guitars), Bob Cranshaw (bass), Mickey Roker/Victor Pantojo/Potato Valdes (drums). With standouts like "Los Ojos Alegres (The Happy Eyes)" and "Say You're Mine".

Duke Pearson - The Phantom (Blue Note Tone Poet Series) [LP]
$41.60
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After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings-Puttin' It Together and The Ultimate-both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album-1969's unfettered post-bop exploration Poly-Currents-Jones expanded his ensemble with additional woodwinds and percussion while still maintaining spacious realms for the musicians to delve into on modal band member originals including "Agenda," Agappe Love," "Mr. Jones," and "Whew." Jones is joined throughout by a cast that includes Farrell on tenor saxophone, English horn, and flutes, George Coleman on tenor saxophone, Pepper Adams on baritone saxophone, Fred Tompkins on flute, Wilbur Little on bass, and Cuban conguero Candido Camero.

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Blue Note Tone Poet Series

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The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.

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Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

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This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

Elvin Jones / Poly-Currents Blue Note Tone Poet Series - Elvin Jones

Elvin Jones - Poly-Currents (Blue Note Tone Poet Series)
$41.60
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Eric Dolphy

Out To Lunch

Vinyl: $29.20 UNAVAILABLE
Vinyl LP pressing. In February 1964, Eric Dolphy assembled a quintet of modern jazz visionaries with Freddie Hubbard - trumpet, Bobby Hutcherson - vibraphone, Richard Davis - bass, & Tony Williams - drums, & headed into Rudy Van Gelder's studio to record what would stand as his masterwork: Out to Lunch! Dolphy possesses the revolutionary spirit of the avant-garde while keeping a foot firmly planted in the feeling of swing, perfectly captured from the opening Monk tribute "Hat and Beard" to "Straight Up and Down."
Eric Dolphy - Out To Lunch
$29.20
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Limited 180gm vinyl LP pressing. The prodigiously talented trumpeter Fats Navarro was a bebop innovator whose career was cut tragically short when he died in 1950 at age 26. As part of the 1500 series Blue Note later compiled this 12" LP with selections from various dates Fats had featured on from 1947-49 with the Tadd Dameron Sextet, Bud Powell Quintet, and the McGhee-Navarro Boptet. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters.
Fats Navarro - Fabulous Fats Navarro 1 (Blue Note Classic Vinyl)
$29.20
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Recorded in 1961, Ready for Freddie was trumpeter Freddie Hubbard's fourth album for Blue Note Records. Featuring a unique sextet line-up with Wayne Shorter on tenor saxophone, Bernard McKinney on euphonium, McCoy Tyner on piano, Art Davis on bass, and Elvin Jones on drums, the album stands as one of the finest of Hubbard's career. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Freddie Hubbard - Ready For Freddie: Blue Note Classic Series [Limited Edition LP]
$29.20
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Recorded in May 1964, shortly after Hubbard left Art Blakey's Jazz Messengers, the quintet - with James Spaulding, Ronnie Mathews, Eddie Khan, and Joe Chambers - moves assuredly from free-form playing and modal jazz to the blues and balladry on this 6-song set of originals by Hubbard and Chambers. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Freddie Hubbard - Breaking Point (Blue Note Tone Poet Series) [LP]
$41.60
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The prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the gratifying opening track "Soul Surge" and the percolating "Cunga Black" with Hubbard joined by James Spaulding on alto saxophone and flute, Joe Henderson on tenor saxophone, Kiane Zawadi on euphonium, Harold Mabern on piano, Larry Ridley on bass, Clifford Jarvis on drums, and Big Black on congas. A week later Hubbard returned to Van Gelder Studio with Spaulding, Zawadi, and a slightly different lineup including Hank Mobley on tenor saxophone, McCoy Tyner on piano, Bob Cranshaw on bass, and Pete LaRoca on drums. This second session rounded out the album with hard-charging performances of "Outer Forces" and "Jodo," as well as the mesmerizing title track.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

FEATURES:

  • 180gram Vinyl LP
  • Tone Poet Audiophile Vinyl Reissue Series
  • Mastered by Kevin Gray at Cohearent Audio
  • Mastered from the Original Analog Tapes
  • Deluxe Tip-On Jacket

Freddie Hubbard Blue Spirits (Blue Note Tone Poet Series) 180gram LP

Freddie Hubbard - Blue Spirits (Blue Note Tone Poet Series) [LP]
$41.60
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Limited 180gm vinyl LP pressing. Extension was the last of three unique Blue Note sessions led by the singular saxophonist George Braith in the early 1960s. The album was rooted in soul jazz - with Grant Green (guitar), Billy Gardner (organ), and Clarence Johnston (drums) - but Braith's adventurous spirit led the music into unexpected realms on memorable originals like "Nut City." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
George Braith - Extension
$29.20
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Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Gerald Wilson - Moment Of Truth (Blue Note Tone Poet Series) [LP]
$41.60
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Double 180gm vinyl LP pressing. This Blue Note Classic Vinyl Edition was mastered by Kevin Gray. The brilliant pianist and composer Geri Allen came out of Detroit's fertile jazz scene, eventually moving to New York where she became part of the emerging M-Base collective that was forging new creative ideas and approaches to jazz in the 1980s. Allen began recording for Blue Note in 1990 with The Nurturer followed by Maroons in 1992. For her 3rd Blue Note album Twenty One, recorded in 1994, Allen joined forces with two masters-bassist Ron Carter and drummer Tony Williams-for a dynamic trio date. Allen's stunning lyricism, as well as her boundless harmonic and rhythmic creativity, shines on this remarkable 12-song set that presents her own compelling originals like "Feed The Fire," "RTG," and "In The Morning" alongside choice standards ("If I Should Lose You," "Tea For Two, "Lullaby Of The Leaves," "Old Folks") and pieces by Thelonious Monk ("Introspection/Thelonious").
Geri Allen - Twenty One
$42.40

        
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